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The role of male figures in hamlet
Interpretation of hamlet
How shakespeare influences modern culture
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Recommended: The role of male figures in hamlet
Group 4 Hamlet Skit Act 2
Actor Roles
Narrator: Argentine, Salena
Hamlet: Patel, Jenish
Ophelia: Delgado, Skye
Polonius: Lopez, Wendy
Scene Begin
Background: (Hotline bling instrumental plays in the background a picture of a Mansion is in the background this is depicting Polonius’s house)
Narrator: In this scene Ophelia goes to the living room to find her father Polonius so that she can talk to him about Hamlet.
Polonius: Anyways goodbye Reynaldo I hope to hear from you soon (hangs up phone and looks at phone checking football stats) Nice Tom Brady and the pats are first in the NFC east 7-0 oh yeah baby
Ophelia: (enters living room)
Polonius: (looks at daughter) Hey Ophelia, what is the matter?
Ophelia: You will not believe this dad
…show more content…
It was my fault I know I messed up. I mean you don’t just mess with that sort of news I mean did you see JJ Watt did you see Beckham Jr, ughh anyways lets go like now we need to go tell the king what happened. If I don’t tell the king I’ll be on his bad side and I don’t want to do that he got me sideline seats all year and VIP passes for the NFL. Man we need to go like now otherwise I don’t think I’ll ever get to see jerseys so close again in my life, I’ll never get to high five Brady again, okay I need to stop how could I even imagine living without that. Claudius maybe stunned when I tell him about this but it needs to happen …show more content…
During this scene Ophelia and Polonius talk about how Hamlet came into her room and practically acted insane. In this scene Polonius not only talks about how and why Hamlet is acting the way he is. He also talks about how he will bring about this information to the King in a genuine manner that will not enrage the king. It also provides a first occurrence where Hamlet seems to be out of his depressed state and into a better one. It shows that he is finding a way to suppress his melancholy state and turn into another one that can take his mind off things at least for a while even if it means turning towards insanity. My group decided to approach creativity by placing Hamlet into the future. Bringing modern society into Hamlet will not only allow for students to quickly find it more interesting, but it will also allow them to relate to Hamlet more easily. Having Hamlet in today’s time will make it more familiar rather than it being a foreign
The significance of the players exceeds the sole purpose of entertainment, as each possesses the power to unveil the "occulted guilt" (3.2.75) and conscience of the King. Hamlet assumes the responsibility to advise these players with precise and adequate direction so that a "whirlwind of passion" (6) may not effectively separate Claudius from personally identifying with the play. Hamlet's enthusiastic approach toward direction may be so that he encourages the players to "suit the action to the word, the word to the/ action, with this special observance, that you o'erstep not/ the modesty of nature" (16-18). However, this exercise of caution may justify Hamlet's too often delayed attempt toward the action of avenging his father's murder. His direction confines him to the overflow of words as he experiences imprisonment within the truth of his own identity.
For the most part during this time in her life, Ophelia has no one to tell her, or guide her. As her brother does when he warns her of "Hamlet and the trifling of his favor..." (1, 3, 5), that "His greatness weighed, his will is not his own"(1, 3, 17). She is also at a loss for her father, Polonius' words of wisdom of her relationship with Hamlet; he states, "Do not believe his vows, for they are brokers, not of that dye which their investments show..." (1, 3, 126-127). Nor does she have Hamlet to lean to for advice as when he tells her to "get thee to a nunnery..."(3, 1, 121).
In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love, they arrive at that point through very different means. At the beginning of the dialogue, Ophelia says that she has been "affrighted" by Hamlet in her bed chamber. (II,i 75) Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,"loosed out of hell/To speak of horrors". (II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating. By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
The Role of Minor Characters in Shakespeare's Hamlet Minor characters play a very crucial role in Shakespeare's Hamlet. They serve as narrators for events that occurred outside the immediate play: the Dane's ghost. Distinct contrasts are created through the usage of the play's minor characters. The reader gains a new perspective on Hamlet's character when he is compared to Laertes. The presence of these minor characters can also have a direct effect on the action of the play.
Originally titled The Tragicall Historie of Hamlet, Prince of Denmarke, this tragedy has been reproduced more times than any other play written by William Shakespeare (en.wikipedia.org 1 of 9). Prince Hamlet also has the lengthiest appearance of any character in all of Shakespeare's plays (en.wikpedia.org 6 of 9). In the play, Prince Hamlet is caught between balancing his need to avenge his father's death, dealing with the disgust he felt for Gertrude and Claudius' love affair, and maintaining the relationship he has with Ophelia without exposing his plans to kill his uncle Claudius for the murder of King Hamlet.
In the very first scene of the second act, Ophelia rushes to tell her father, Polonius, disturbing news:
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as one great puppet show, "I could see the puppets dallying".
Polonius initiates a crusade against Hamlet’s rapport with Ophelia, Polonius’ daughter, persuading the king and queen to conduct an investigation with the aim to discover Hamlet’s distraught mental condition as a result of his rejection from Ophelia. As Charles Boyce claims, Polonius is a character who “loves intrigue and resorts to espionage whenever possible” (Boyce), suggesting his conniving and scheming tactics in aiming to emerge as the King’s advisor. Polonius’ philosophies about Hamlet’s psychological state, lacking both substantial evidence and conviction, demonstrate his desperate attempts to associate himself with the king and remain an imperative member of the court. Additionally, within the tragedy, the effects of Polonius’ lies and schemes appear in other characters’ opinions of him, specifically epitomized when Hamlet calls the aging man a “wretched, rash, intruding fool” (Shakespeare 1621) for spying on Hamlet’s discussion with Gertrude and involving himself in matters that are outside of his occupational parameters. Stimpson illustrates this idea by describing Polonius’ character and values in the context of his deceitful actions with Hamlet’s family matter, “he [Polonius] must be a man who knows more about people than they know about him. He accomplishes what he must accomplish--management of a small but tricky political
is revealed in conversation with his mother, is a negative one and that is anger.
The Complex Character of Shakespeare's Hamlet. Upon examining Shakespeare's characters in this play, Hamlet proves to be a very complex character, and functions as the key element to the development of the play. Throughout the play we see the many different aspects of Hamlet's personality by observing his actions and responses to certain situations. Hamlet takes on the role of a strong character, but through his internal weaknesses we witness his destruction.
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.
Hamlet, the tragic play written by William Shakespeare, takes place in Denmark during the late medieval period. The protagonist, Hamlet Prince of Denmark, feels responsible to get revenge for the murder of his father King Hamlet who was killed by the current King Claudius who was brother to the late King. Polonius is the Lord Chamberlain to King Claudius and he has a son names Laertes and a daughter named Ophelia. Ophelia and the young Hamlet had a budding relationship until her father would no longer allow her to see Hamlet. Ophelia is the embodiment of obedience and innocence since she grew up always following her father’s orders.
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.
Hamlet is a paradox; he is a perplexing character that throughout the play has more to show. Hamlet is a person of contradictions he is inquisitive and profound yet indecisive. The experiences Hamlet goes through led to dramatic changes in his character. In the beginning we are introduced to a young man who is mourning for the death of his father and struggling with the sudden marriage of his mother to his uncle. Hamlet faces the dilemma of wanting to avenge his father’s death and suppressing his intense emotions in order to calculate a plan.