Full Cicada Moon Reflection
In her story, "Full Cicada Moon", Marilyn Hilton exhibits the theme "how communities deal with differences" in several ways. Hilton conveys a story about an adolescent half African American and half Japanese girl in a novel-in-verse book. The book talks about fitting in and standing up for what is right. Throughout the book, I have noticed several examples of the theme “how communities deal with difference.” Commixed race Mimi, is moving into a predominantly white Vermont town which is enough to make her feel like an alien. The town follows the conception that sheltered towns struggle to accept differences. As Mimi arrives at her new town, Mimi has noticed the confusion about her ethnicity. An example of this is
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when Mimi was traveling on the bus to enter her new town with her mother. Her father had decided to meet them in Berkeley, Vermont; her new town.
Mimi looked abaft her, and she noticed women looking towards her. With a look of confusion, she asked her if she was adopted, and Mimi told her that the women sitting next to her was her biological mother with a slight a bit of anger in her tone. Still, with a look of mystification, the woman looked away from Mimi. Mimi, her mother, and the woman all left the bus. Once Mimi got off the bus she ran to her father as they both opened their arms for a hug. Then, Mimi stuck her tongue out, showing the woman that these were her parents The lady then said "I see." instead of a smile, a baffled look went across her face as she walked away from the family. From the very beginning of the book, it shows that these sheltered towns disrelished differences; Mimi. Another example of the sheltered town repudiating differences is when Stacey was restricted to invite Mimi to her birthday party. Mimi's first week in her new town consisted of a lot of confusion towards her race. Stacey's mother was an example of this. When Mimi and Stacey attended the drugstore Mimi was asking her several questions about her birthday, and wondering if she was having a party. Stacey was endeavoring to eschew the topic. Mimi kept on
persisting until Stacey started crying. She told Mimi that she was not allowed to invite her because her mother was “traditional." This shows the mother was not accepting towards Mimi's commixed ethnicity because she believed Mimi was not traditional enough to go to her daughter's birthday party. This community clearly does not accept any mixed raced individuals, so they end up excluding them, and making them feel different. But as the book perpetuates, the characters change. Eventually, some people can learn to welcome differences. During her time at school, Mimi has been discriminated because of gender as well. Mimi was taking Home economics class, but all she had wanted to do was take shop class, a class that was taken for only boys. She had gone shopping class, to recede implements for her science project, but was precluded. The second time she went shopping class she was sent to the principal's office, and in the principal office, she was suspended. Once, she came back to school a few weeks later the principal had come in with an incipient mind. The principal gave boys the chance to take home economics while the girls took shop class. Mimi was not only discriminated towards her race, she was also segregated because of her gender! This exhibits, that the principal was able to accept differences, and was able to make a transmutation on this community in Vermont. As I stated before Stacy's mom has never liked Mimi because of her race. Mimi's mother was considered very "traditional" which made Mimi unable to spend time with Stacey. Towards the terminus of the book Mimi's mother is able to accept Mimi as commixed race and is able to come over to Mimi's house. This shows how people in sheltered communities can transmute over time. In conclusion, numerous sheltered towns have trouble accepting differences, but in some cases, towns are able to accept differences in their own way.
According to the textbook, social diversity is based of differences unrelated to heritage such as, “gender, physical or mental or emotional disabilities, sexual orientation and alternative lifestyles.” One perfect example of this is when Miss Pointy states jokingly in her introduction that her first husband was a pirate. Though this was said in fun, it is an affirmation of the alternative lifestyle that is being divorced and remarried. This affirmation of the non-traditional family is also present in the descriptions of Sahara, Rachel’s and Darrell’s families, all of which are single-parent matriarchs. Miss Pointy captured the essence of accepting social diversity when speaking to Sahara’s mother: “You’re a class act, Ms. Jones, and you have nothing to feel bad about.” Beyond that, Sahara Special successfully asserts the existence of capable children with mental and emotional disabilities in this world, with its strong portraits of Sahara and Darrell who were selected for pull-out services and finally held back. For young readers in comparable situations, these character profiles can provide a necessary point of reference, if not positive role models, for them as they find their place in humanity. Also, for majority students, reflecting socially diverse characters in a positive way can disprove stereotypes and clarify misunderstandings held about such groups (Russell,
AP English Literature and Composition MAJOR WORKS DATA SHEET Title: A Raisin In the Sun Author: Lorraine Hansberry Date of Publication: 1951 Genre: Realistic Drama Biographical Information about the Author Lorraine Hansberry was born in Chicago on May 19, 1930. She grew up as the youngest in her family. Her mother was a teacher and her father was a real estate broker.
Working as a teacher serving at-risk four-year-old children, approximately six of her eighteen students lived in foster care. The environment introduced Kathy to the impact of domestic violence, drugs, and family instability on a developing child. Her family lineage had a history of social service and she found herself concerned with the wellbeing of one little girl. Angelica, a foster child in Kathy’s class soon to be displaced again was born the daughter of a drug addict. She had been labeled a troublemaker, yet the Harrisons took the thirty-hour training for foster and adoptive care and brought her home to adopt. Within six months, the family would also adopted Angie’s sister Neddy. This is when the Harrison family dynamic drastically changes and Kathy begins a journey with over a hundred foster children passing through her home seeking refuge.
Race manifests itself as a key challenge to Jeannette’s views on freedom and immaterial love. She never truly saw people of other races in a different light until the family arrived in the small town of Welch, West Virginia. In Welch, racial divides were
Anne Moody (born Essie Mae) was a very private person, and her withheld feelings often led to mental breakdowns. Throughout her childhood she is a timid, poor little girl who is afraid to even ask her mother questions about what is going on around her. Through most of her childhood experiences she learns the social significance of race and gender on her own because her mother avoids confronting the issue because she feels society cannot be changed. The first time Anne is really confronted with the issue of racial differences is when she makes friends with some white neighbors and goes to the movies with them. When arriving at the movies she learns that she cannot sit in the regular seats with the other white children. ?After the m...
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
The history of racial and class stratification in Los Angeles has created tension amongst and within groups of people. Southland, by Nina Revoyr, reveals how stratification influences a young Asian woman to abandon her past in order to try and fully integrate herself into society. The group divisions are presented as being personal divisions through the portrayal of a generational gap between the protagonist, Jackie, and her grandfather. Jackie speaks of her relationship with Rebecca explaining her reasons why she could never go for her. Jackie claims that “she looked Asian enough to turn Jackie off” (Revoyr, 2003, p. 105). Unlike her grandfather who had a good sense of where he came from and embraced it, Jackie rejected her racial background completely. Jackie has been detached from her past and ethnicity. This is why she could never be with Rebecca, Jackie thought of her as a “mirror she didn’t want to look into”. Rebecca was everything Jackie was tr...
In D. W. Griffith’s The Birth of a Nation the interactions between black and white characters represent Griffith’s view of an appropriate racial construct in America. His ideological construction is white dominance and black subordination. Characters, such as the southern Cameron’s and their house maid, who interact within these boundaries, are portrayed as decent people. Whereas characters who cross the line of racial oppression; such as Austin Stoneman, Gus and Silas Lynch, are portrayed as bad. Both Lynch and Lydia Brown, the mulatto characters, are cast in a very negative light because they confuse the ideological construct the most. The mixing of races puts blacks and whites on a common ground, which, in Griffith’s view, is a big step in the wrong direction. Griffith portrays how the relationship between blacks and whites can be good only if the color line and positions of dominance and subordination are maintained. Through the mulatto characters he illustrates the danger that blurring the color line poses to American society.
Without details, the words on a page would just simply be words, instead of gateways to a different time or place. Details help promote these obstacles, but the use of tone helps pull in personal feelings to the text, further helping develop the point of view. Point of view is developed through the story through descriptive details and tone, giving the reader insight to the lives of each author and personal experiences they work through and overcome. Issa Rae’s “The Struggle” fully emplefies the theme of misplaced expectations placed on African Americans, but includes a far more contemporary analysis than Staples. Rae grapples as a young African-American woman that also struggles to prove her “blackness” and herself to society’s standards, “I feel obligated to write about race...I slip in and out of my black consciousness...sometimes I’m so deep in my anger….I can’t see anything outside of my lens of race” (Rae, 174). The delicate balance between conformity and non-conformity in society is a battle fought daily, yet Rae maintains an upbeat, empowering solution, to find the strength to accept yourself before looking for society’s approval and to be happy in your own skin. With a conversational, authoritative, humorous, confident and self-deprecating tone, Rae explains “For the majority of my life, I cared too much about my blackness was perceived, but now?... I couldn’t care less. Call it maturation or denial or self-hatred- I give no f%^&s.” (Rae 176), and taking the point of view that you need to stand up to racism, and be who you want to be not who others want you to be by accepting yourself for who you are. Rae discusses strength and empowerment in her point of view so the tone is centered around that. Her details all contribute to the perspectives as well as describing specific examples of racism she has encountered and how she has learned from those
The play “A Raisin in the Sun” by Lorraine Hansberry has many interesting characters. In my opinion, the most fascinating character is Ruth because of her many emotions and captivating personality. She goes through extreme emotions in the play such as happiness, sadness, anger, stress, and confusion. Ruth is very independent, firm, kind, witty, and loving.
This brings us to the Toni Morrison short story “Recitatif”. This short story encourages an African American or ethnically minded style of understanding. The driving force for the thoughts and actions of both Twyla, Roberta, and the other characters is race and race relations. Those two events may seem like nothing, but it shows how even at the early age of 8, children are taught to spot the differences in race instead of judging people by their character.
Her parents meet at a social gathering in town and where married shortly thereafter. Marie’s name was chosen by her grandmother and mother, “because they loved to read the list was quite long with much debate over each name.” If she was a boy her name would have been Francis, so she is very happy to have born a girl. Marie’s great uncle was a physician and delivered her in the local hospital. Her mother, was a housewife, as was the norm in those days and her father ran his own business. Her mother was very close with her parents, two brothers, and two sisters. When her grandmother was diagnosed with asthma the family had to move. In those days a warm and dry climate was recommended, Arizona was the chosen state. Because her grandma could never quite leave home, KY, the family made many trips between the states. These trips back and forth dominated Marie’s childhood with her uncles and aunts being her childhood playmates.
A main theme in this novel is the influence of family relationships in the quest for individual identity. Our family or lack thereof, as children, ultimately influences the way we feel as adults, about ourselves and about others. The effects on us mold our personalities and as a result influence our identities. This story shows us the efforts of struggling black families who transmit patterns and problems that have a negative impact on their family relationships. These patterns continue to go unresolved and are eventually inherited by their children who will also accept this way of life as this vicious circle continues.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Throughout the story, the writer uses the different lives of an African family and their union with an African American to show the cultural rift that occurs. Their daily lives show how people of different cultures strive to live together under the same roof. The clash of cultures is portrayed in the way they react to each other in the different circumstances.