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2.2.2. Eleonor Ramilly Savage Another female character that appears to be an ideal representative of the emancipated woman is This Side OF Paradise’s Eleanor Ramilly Savage. Amory Blaine, the main protagonist of the novel, meets Eleonor while taking a shelter during a rainy haystack in Maryland: “(…) he saw nothing, but a slender figure, dark, damp, bobbed hair, and the small white hands with the thumbs that bent back like his” . Mentioned in the passage hairstyle, matches Eleanor’s rather wild persona perfectly. As the result of a quarrel with her Baltimore relatives, concerning her rather usual personality, she came to live in Maryland with her grandparent. She was an open-minded, independent women, who, unlike her female counterparts
did not care about certain standards of behavior – “She would not let him help her down and motioning him away arrived in a graceful lump in the soft mud where she sat for an instant, laughing at herself” . Eleanor was Amory’s soul mate. They were both quite reckless and eccentric and loved poetry. In comparison to Amory’s former flames, Eleanor lacked a certain identity, one time she asks: “oh, why am I a girl… here I am with the brains to do everything, yet tied to the sinking ship of future matrimony“ . Despite being “hipped on Freud” , she is expected “to marry into a dinner coat” . Eleanor stand against the common for the era that she lived in, social norms, according to which, an intelligent woman is forced to be married to intellectually inferior to her person. In spite of her young age, Eleonor was an incredible mature person. In comparison with Amory’s former love interest, she was an epitome of a strong and independent woman. Eleonor managed to stay the same, despite all the odds against her. Although the remarks of Eleonor’s clothing in the novel are absent, her bobbed hairstyle stands for the reflection of her strong, feminist-like personality. The short haircut emphasized her independence, confidence and a liberated lifestyle that she led.
Before going to Alaska, Chris McCandless had failed to communicate with his family while on his journey; I believe this was Chris’s biggest mistake. Chris spent time with people in different parts of the nation while hitchhiking, most of them whom figured out that McCandless kept a part of him “hidden”. In chapter three, it was stated that Chris stayed with a man named Wayne Westerberg in South Dakota. Although Westerberg was not seen too often throughout the story, nevertheless he was an important character. Introducing himself as Alex, McCandless was in Westerberg’s company for quite some time: sometimes for a few days, other times for several weeks. Westerberg first realized the truth about Chris when he discovered his tax papers, which stated that “McCandless’s real name was Chris, not Alex.” Wayne further on claims that it was obvious that “something wasn’t right between him and his family” (Krakauer 18). Further in the book, Westerberg concluded with the fact that Chris had not spoken to his family “for all that time, treating them like dirt” (Krakauer 64). Westerberg concluded with the fact that during the time he spent with Chris, McCandless neither mentioned his
The Other Wes Moore is a novel that shows the different paths of two different men, one successful and the other not so fortunate. We discovered their different identities and how their choices and role models effect their lives. Wes 1 was led by his brave, hard working mother and the great military men. He didn't make incredibly great decisions but the people in his life helped him turn into the successful man he is today.However, Wes 2 had a brother who dealt drugs. The novel guides you through the 8 crazy years that led to Wes Moore 1's success and Wes Moore 2's life sentence for prison.
Harriet Jacobs and Fanny Fern both display different kinds of writing styles that shed light on women who could stand up on their own. The stories of those two women vastly contrast each other, however, the women display hardships and overcome their difficulties in a similar manner. Jacobs who goes by a different persona-- a woman’s name Linda, who is a young slave. Fern did a similar thing to Jacobs by going by a different persona, a young woman named Ruth Hall. What the two women display with their books released to the public is to give another look at what women go through. The readers of the book would explore the hardship of what the two women have experienced, thus bringing more awareness and light to women’s rights and the anti-slavery
In Faulkner’s “A Rose for Emily”, there is a constant theme of protection for Emily Grierson, because she was a woman living in the south after the civil war and the requirements that were placed on women enable to be honorable. That is to say that, women needed to be protected by the men of the community during that time in history and women’s actions were constantly under watch to see if a woman was honorable and worthy of protection or not. Within the story, there are many instances in which this is shown. Faulkner also shows the reader a gender split between the men and women and how they felt towards Emily.
... middle of paper ... ... Men were no different, but they were forced to mate with choice slaves to produce optimal offspring like livestock. Her experiences with slavery were in different ways, but the underlying result of it is the same for anyone else at the time.
Both Alcott and Hawthorne provide brilliant examples of feminists and both, though different, are perfect for showing the complexities of American women. While many women make their cause global, many others contain their goals locally, and both are worthy of supporting feminism. Zenobia and Hope stand as examples of inredible characters that provide a Victorian era with a view of womanhood not often noticed.
Woodard, Maureen L. “Female Captivity and the Deployment of Race in Three Early American Texts.” Papers on Language and Literature. 32:2 (1996)
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
Woodard, Maureen L. FEMALE CAPTIVITY AND THE DEPLOYMENT OF RACE IN THREE EARLY AMERICAN TEXTS. Papers on Language & Literature, 0031-1294, March 1, 1996, Vol. 32, Issue 2.
course of his hegira, most of whom spent only a few days in his company, a week
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
Richard undergoes a transition in mindset and character throughout chapters 3-4, shown when he describes himself as “...grown taller and older..” (103). This grown up mindset is displayed in page 109, when Richard narrates, “Once, in a battle with a gang of white boys, I was struck behind the ear with a piece of broken bottle… Her [Richard’s mother] words did not sink in, for they conflicted with the code of the streets. I promised my mother that I would not fight, but I knew that if I kept my word I would lose my standing in the gang, and the gang’s life was my life.” This is unalike from the young Richard in chapters 1 and 2, because young Richard was scared of fighting in the streets when he was a little boy. This shows the impact of environment, because as Richard is growing up in a black neighborhood that encourages fights, gangs, profanity, etc., he is growing accustomed to the gangster life. Moreover, his mother encouraged Richard to fight in the beginning chapters, but is now telling him to stop. This displays the change of character of both Richard and his mother, because his fighting habits are becoming excessive to the point that he is getting hurt.
In Pat Bishop, Matt Ingebretson, and Jake Weisman’s television show Corporate, Matt and Jake work for the evil corporation, Hampton Deville, as they attempt to survive the complexities and depression of life. The show’s satirically dark comedy and depressing but truthful outlook on life provide the audience with an interesting, yet introspective, viewing experience. In the opening of the third episode of Corporate, “The Pain of Being Alive”, Grace, one of the show’s main characters, gives a presentation about how working at Hampton Deville is detrimental towards the lifespan and health of the employees. These dark undertones of the show make the experience of watching Corporate more real as compared to other satirical situational comedy shows.
“Carpe diem, seize the day (Dead Poets Society, 1989).” This very famous line speak volumes to many in Dead Poets Society but it speak to one main character in particular, Todd Anderson, a student at the Welton Academy. Anderson is attending his first year at Weden and is being hounded by his parents about being just like his older brother. Todd is extremely shy and when faced with an assignments that involve speaking in front of the class he is terrified. That is until he meets a new teacher, Mr. John Keating, that teaches him the meaning of the phrase “carpe diem.” Todd Anderson’s character develops throughout the movie from being a shy legacy, to a boy who finds his voice, and finally to man who understands loss and can stand up for it.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.