Character Analysis: Dead Man Walking

Roojina AkbariMs. NasmithENG3U1-0401 December 2017 Clashing with the prison operation Theme, plot, and point of view, are all significant influences in a novel; the furthermost vital components are structural and stylistics form since they permit the reader to get an enhanced and richer understanding.The text utilizes the first-person point of view and style to allow the reader to better comprehend and fathom the character’s mindset. In the narrative “Dead Man Walking”, the writer, Helen Prejean, agrees to be pen pals with Patrick Sonnier, a homicide who gets convicted of the death penalty for brutally murdering two juveniles, David LeBlac and Loretta Bourque. Prejean fails, being

This deficiency was no philosophy to halt Prejean in bestowing the society about her notions about executing cell convicts. Her last dispatch to inform the inhabitants was to make them recognize how ever tremendous the prisoners has done, they nevertheless have prestige and dignity and may live. Like most well-written stories, Helen Prejean uses first person's point of view. Sister Helen Prejean is the novelist of Helen Prejean's past, however, the book which is written by a much ripen and more well-versed sister. In parts of the story, sister Helen Prejean will slip in some essential details she has not recognized before but has learned later. This is how we know the book is written in a first person's

Helen Prejean uses a straightforward prose style. Dead Man Walking is not a flowery book which means written in a complex and intricate way, using labyrinthine language and accumulating knowledge that is not indispensable. The novel is composed in a style where it states what it means, getting straight to the point. The author does not use immense words, or over represents the characters and scenery. There is no unessential information provided, instead, it provides a correct measure of education for the reader to understand without having to feel fed up or fatigued. The purpose of the book is to advise you about the reality of the death penalty, the first sentence that is written in the book, gives the reader a sense of the straightforwardness style Prejean is writing about. "When Chava Colon from the Prison Coalition asks me one January day in 1982 to become a pen pal to a death row inmate, I say, Sure”. This is how straightforward the text is written in, Chava Colon ask a question, and without any distorts and whirls, Helen Prejean retorts with “sure”. It will not let one dive deeper and more aggrandized in the ocean to find fake pearls to which are no use for one, instead the story lets one find a very exorbitant and precious pearl that