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Psychological issue in the cask of amontillado by edgar allan poe
The cask of amontillado – edgar allen poe essay
The cask of amontillado – edgar allen poe essay
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Poe describes a change in Montresor, a dynamic character’s attitude, toward Fortunato, where in the beginning of the short story, “The Cask of Amontillado”, Montresor thought of Fortunato as a living thing but near the end he no longer had this thought. In the beginning of the short story, the author described Montresor’s point of view toward Fortunato as acquaintances, which makes the reader think Montresor wasn’t impacted deeply by the incident between him and his “friend”. According to Poe, my dear Fortunato, you are luckily met. How remarkably well you are looking to-day!” (Poe, 2). In this quote, Poe conveys the relationship between Montresor and Fortunato. Montresor is considering Fortunato as a friend and greeting him. He also shows his underhandedness because later in the story his feelings change. By the end of the story Montresor’s point of view changed and had gone from compassionate to heartless. For example, after Montresor buried Fortunato alive he mimicked his “friends” screams. “I reechoed -- I aided -- I surpassed them in volume and in strength” (Poe, 6). Montresor had changed his attitude toward Fortunato by this point in the story, he was now only considering the man as nothing more than a sound in the wind.
Literary devices are tools used by the author to help the reader understand a given literary work. Writers use different literary devices depending on their style and what they wish their reader to get out of their work. One important literary device that is essential for a successful literary work is theme. Theme is the general insight into life that the author shares with the reader. There are a number of different methods from which an author can choose to present his/her theme. One common strategy is to communicate the theme through the use of mood; the overall feeling or emotion conjured within the reader. In Edgar Allan Poe's short story, "The Cask of Amontillado," and in Saki's short story, "The Interlopers," the mood evoked within the reader is used to communicate the short story's overall theme.
In Edgar Allan Poe’s, “The Cask of Amontillado,” the main character and narrator, Montresor begins the story by expressing how he has put up with many insults from a man named Fortunato and that he has had enough and vows revenge against him. Montresor lures Fortunato into the catacombs to taste the Amontillado so as to kill him secretly. Montresor portrays in the beginning of the story that he is going to be lying to Fortunato’s face, acting one way while really thinking another. This fact indicates that Montresor is an unreliable narrator for telling the story because he lies to people he knows, gives hints that he is jealous of Fortunato, does not offer an explanation for wanting to murder Fortunato and his tone of narrating the story.
With a premeditated motive to commit such an act, the culprit, Montressor, thinks, constructs and orchestrates a presumed murder against his insulter, Fortunado. “Poe begins by describing, in characteristically precise and logical detail, Montresor’s (and Poe’s) idea of perfect revenge. At the same time, he needed to end his story by telling how his revenge had affected him. When Fortunatosays, “For the love of god, Montresor!” and Montresor repeats, “Yes, for the love of God,” Poe is indicating that Montresor is already experiencing the closure he sought”(Delaney 39) Unbeknownst why he wants retribution, or what it is that his victim has done to compel Montressor to kill him. What is given is a recount of the night under discussion.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
Poe creates a horror story of a psychological revenge and murder that occurred fifty years ago. Montresor is able to recall with clarity the details of his crime. Does he feel remorse for what he has done to Fortunato? The reader would think that he does, Montresor seems to be making the haunting confession from his death bed. The last thing that Montresor says to Fortunato is “In pace requiescat” which means “In peace may he rest” (557)! This is what Montresor wants for himself, this is why he is confessing to his sins.
In the story "The Cask of Amontillado", Edgar Allen Poe tells the story of Montresor and Fortunato. This story has a much lighter mood to it, but from the beginning there is some tension between Fortunato and Montresor. The story its self has a
An important element in any story is setting. Authors use setting to convey certain feelings brought on by the character’s surroundings. It also subliminally serves to illustrate the character’s intentions. In “The Cask of Amontillado” Edgar Allen Poe uses the dark, imposing setting to do just that, communicate the underlying theme of the story, being death, revenge and deception.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Irony and symbolism are tools used in writing to convey individual messages throughout the story. It is Edgar Allan Poe’s intense use of symbolism and irony throughout the Cask of Amontillado that gives this short story its suspense and horror filled theme.
How simple, indeed--at least until we examine a group of irreconcilable paradoxes in the story. To begin with, the names Montresor and Fortunato are synonymous. (Hoffman 223) Secondly, we find that the motive for the crime was some unnamed insult. Motives for killing someone should be important enough to detail. Why does Poe have Montresor gloss over the motives? One view is that Montresor relates the details of the murder not to justify his actions, but as a form of confession. But if this be confession, where is the regret? Again, Poe leaves his readers mystified concerning the time and location for issuance of the narrative voice. If Montresor still lives, he must be a very old man. If so, the phantasms of his deed may have horrified him all of his life. Then why does he not seem horrified? If this be confession, then why does he seem not penitent?
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
Fake people are to be encountered with everywhere, especially in the days of middle school and in high school. Many adolescents have come across these people, and movies have even been made about these people. For example, the movie Mean Girls is made about a group of 4 girls who will act nice to people at their high school, then they will turn around and write mean things in their “Burn Book”, along with saying mean things behind their back. In “The Cask of Amontillado”, Edgar Allan Poe demonstrates through indirect characterization that the narrator, Montresor, is fake towards his arch nemesis, Fortunato. In the short story, Fortunato eventually tricks Montresor and buries him alive. It begins with Montresor declaring
In “The Cask of Amontillado”, Edgar Allen Poe uses indirect characterization to show the different traits that Montresor possesses while carrying out his revenge. Montresor’s deceitful character is shown by his speech. For instance, it states in the text, “‘And I, Fortunato — I drink to your long life.’” Montresor says that he drinks to Fortunato’s longevity with irony, knowing that later on, Fortunato will face death as a result of his vengeance. Another example states, “‘But is it not late? Should we not be going back? They will be expecting us. Let us go.’ ‘Yes. Let us go.’ As I said this I lifted the last stone from the ground.” In this part, instead of freeing Fortunato the way he sounded like he would, he did the exact opposite. Montresor covered up the only opening of the room. His speech, as he desires strongly to do harm to Fortunato, shows that he is a deceitful man.
The last of poe’s characters is Montresor, a man tormented by his acquaintance, Fortunanto. Instead of lunacy, the urge to kill seems to be alive and well within the soul of Montresor. Its almost through sheer annoyance that Montresor whips up the idea to kill Fortunato, and so he devises his plan. Later, he seduces his acquaintance with alcohol. Montresor leads his play into his wine cellar, playing their false relationship to it’s last note. Within the crypt of Montresor’s family he leads Fortunato to his grave and buries him alive. Sealing his acquaintance
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.