1. I chose the Alamo Cenotaph Monument in San Antonio Texas. It is located adjacent to the front of the Alamo. Construction began in 1936 and took two years to complete. It was created by sculptor Pompeo Coppini from a design envisioned by architect Carlton Adams. The state of Texas provided the money to build the monument. It is sculpted using Georgia marble and the base using pink Texas granite sunk in concrete. The sculpture features a 60-foot-high shaft, sloping capstone and a 40-foot-long base.
2. The main face of the monument or the south side is the “Spirit of Sacrifice” standing 25-foot tall. It is a figure of a man with two men crouching below him. It looks as if water is surrounding them and he is keeping the men below him safe.
Lin's work, unlike most previous military monuments, rejects the emphasis on heroics in favor of a poignant, contemplative, apolitical design which conveys an almost unbearable sense of loss. Simple, graceful, and abstract, the design specified two 246.75 foot long walls of polished black southern India granite, set below grade and connected at a 125 degree angle.2 Each segment of the wall is composed of 70 panels. At their intersection, the walls are 10.1 feet high and they taper down to a height of 8 inches at their extremities.3 The largest panels have 137 lines of names.4 The smallest panels have just one line. Each line consists of five names, which were sandblasted into the polished surface by hand, rather than cut into it with machine tools.5 Currently, the monument wall lists the names of 58,175 members of the armed forces who were confirmed killed or listed as missing in action during the Vietnam War.6
Millions come to the Tomb to see the tomb and ceremony. The men laid in the tomb are a testament to all the unknowns, even though there are only three men in the tomb they are symbolizing all of the unknowns lost. The guard’s movement are very symbolic and mean so much to other soldiers. The movement of 21 steps and seconds is for the highest military honor a: 21 gun salute. The monument is one of the most famous and sacred military monuments in the United
The location should have a powerful connection with the person or event being memorialized. The location of the monument should not be a random site that has no correlation to the subject. In the instance of Crazy Horse the monument that memorializes the great Sioux leader was carved out of the mountain side in the Black Hills of South Dakota. This is significant because the Sioux tribe originated in the Black Hills (Source C). The location also represents the original inhabitants of South Dakota and pays honor to them and their leader. Whereas in Washington, D.C. the Lincoln Memorial was resurrected on a site near the Potomac River. Though the specific location does not have a direct connection to Abraham Lincoln, the district is the core of the United States government and Lincoln was a profoundly important president in U.S. history. The selection of Washington, D.C. for the memorial is meaningful because is provides a communal opportunity for U.S. citizens to gather together to bring honor to Lincoln (Source A). When establishing a monument the other key consideration is the type of materials used in construction. In the Lincoln Memorial the marble used and the grand scale of the statue conveys the importance of the man. It’s not just the materials chosen, but the intricacy of craftsmanship and refinement of these “lavish materials” that
Eye catching pieces like a giant reflective bean, or a woman holding a torch with a crown, or four men fighting to hoist our nation's flag. Each different place has it's own cultural viewpoints and personal taste. This shows the importance of history especially to Americans. We value our history and try to captivate it in a form that will be visible for ages. The different aspects going into the creation of buildings or monuments is simply put, monumental. To create a monument, the place, the theme and the response should be gauged beforehand to ensure it's building. Humans are inspired by their own doing just as much as they are by nature. Just who and why a statue is memorialized can be a very difficult topic to discuss, as will be discussed using varying sources.
Thousands of headstones in the far distance create magnificent mazes against the horizon. The immense land has very little room to spare as it is overflowing with graves of heroic soldiers. The white marble graves are like oversized dominos stacked precisely in the thick wind ruffled grass. It is almost inconceivable to imagine each tomb is the physical eternal home to a once courageous and patriotic warrior of our homeland. As the fireball in the heavens slowly descends, it creates a glorious silhouette of the infinite number of tombstones.
I felt this morbid and realistic presence of the soldiers and for a mere second felt the gloom and menace of the war they were in. I walked around the site to gather more information on what the memorial was dedicated to. I walked past the mural wall and as I did, I paid particular attention to the various images of people and equipment on the wall. All of the facial expressions of the people on the wall gave the memorial a very real presence to it. I continued walking down the granite walk
The U.S National World War II Memorial is a national memorial to honor and remember the sixteen million people who served in the armed forces of the United States and also the people at home during World War II. It is also a monument to the spirit, sacrifice, and commitment of the American people (National). The memorial is located on the National Mall in Washington, D.C., on the former site of the Rainbow Pool at the eastern end of the Reflecting Pool, between the Lincoln Memorial and the Washington Monument. Composed of 56 fifty-six pillars and a pair of arches surrounding a plaza and fountain (Fig.1), the memorial is symbolic of the defining event of the 20th twentieth century. The northern arch is inscribed with Atlantic; the southern one, Pacific. Each pillar is marked with the name of all the 48 forty-eight ...
The buildings that I chose to do were an advert for a powerful civilization. The emperors showed their power that they are the great leaders with a lot of money that could get many workers as they possibly could to erect their pattern of monument. The emperor Augustus used propaganda to ensure a vast base of support leading up to his renunciation in 27BC. The Roman emperors also built all these monuments in regard to public entertainment for their political advertising.
The Devil’s Postpile, covering 798 acres, monument that is, in fact, is very beautiful and very important to me. The Devil’s Postpile is a monument in Southern California, a mountain that has waterfalls, rocky terrain, and natural artitecture. A 100,000 year old monument that has more meaning to me as a whole than what meets the eye.
The Alamo was built in 1718 by the Spanish Empire was originally known as Mission San Antonio de Valero, the former Roman Catholic Franciscan mission it was used as a place to educate the local Native Americans about Christianity. The mission became a non-religious compound in 1793 and shortly after abandoned. After ten years, it became a fortress, it housed the Second Flying Company of San Carlos de Parras military unit. In December 1835, Mexican General Martin Perfecto de Cos give up the fort to the Texian Army. A group of Texian volunteer soldiers then stayed at
The Memorial is located in Washington, DC in an area of the city known as "The Mall" (Weeks, AIA Guide to the Architecture of Washington DC, pg.61). It is dedicated to America's third president, Thomas Jefferson.. Jefferson was a man of many talents, in addition to being president Jefferson was once a statesman, architect, drafter of the Declaration of Independence, adviser on the Constitution, and founder of the University of Virginia (Pamela Scott and Antoinette Lee, Buildings of the District of Columbia, pg. 102). The Memorial was officially dedicated in April 1943, on Jefferson's 200th birthday, by FDR. The Jefferson Memorial is surrounded by other national monuments, some of which are the Washington Monument, the Lincoln Memorial, and the Vietnam Veterans Memorial. The chief architect responsible for designing and building the Jefferson Memorial was John Russell Pope in 1939 to 1943. Pope was a neoclassicist who was inspired by the Roman Pantheon. The Memorial's basic form is a domed rotunda fronted by a Greek portico, or entrance porch, and surrounded by Ionic columns. At first glance ...
Álamo, located in San Antonio TX, made a mark. A mark in history.But technically it’s not the building, it’s what happened inside.
The Denton Confederate Monument, erected in 1918 by the United Daughters of the Confederacy, is hotly debated on the basis of what the monument represents. Advocates for the removal of the monument maintain that it is a glorification of slavery and racism that cannot be tolerated. Proponents for its retention argue that it is a tribute to the soldiers who died in the Civil War. The monument is in the style of a triumphal arch, with the Confederate soldier set atop it. These formal elements suggest both that the Confederacy won the war, and by extension that the racism of the Confederacy is still alive, and that the Confederate soldier is dominant over the viewer, similar to the way in which
If we choose to not acknowledge what the key factors of making a monument are then we will alway ben making pointless monument. A monument has the ability to depict history without even defining anything, the ability to be unnoticed, but still important, and the ability todo much more than that. When building a statue we must ask our selfs, does this monument cause pain for many, does it interact with its environment, and does it represent history accurately? If those guidelines are met then there will be no problems with how a monument is presented to