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Role of women in colour purple
Sexualpolitics in the color purple
Role of women in colour purple
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Ruining her chances of fulfilling her more intimate desires, Celie discloses her sexual vulnerabilities in The Color Purple, a novel written by Alice Walker. Walker uses Celie’s frankness to ensure to readers that she is considerably the most innocent protagonist in the entire book, at which contributes to how readers can blatantly identify the sexual tension Celie shares with Shug Avery (Shug) and Albert (Mr._____). Celie lives in her own head so frequently that she becomes objectified by her promiscuous husband. When she is home alone, he beats her and the irony of it all is how he cheats on her with the woman she was falling in love with; Shug Avery. What seems to pull these two closer to Celie is her inviting, motherly touch which is the
mold for this sporadic love triangle. Celie unveils to readers that she is moderately cornered by her two lovers, where she can, in some way sustain a viable grip on reality, however, is still suffering from the sexual aggravation on both ends. The theoretical framework that Celie is silently suffering, gravitating to these two deuteragonists, notions to the superfluity of greater meaning that spurs from the novel whereas daunting as it can be, exposes the rather prismatic nature in Celie other than initially introducing her as the girl who was raped by her uncle.
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
Historically, people were granted certain rights and privileges based merely on their skin color. Persons of darker skin are often less opportune; persons of lighter skin are almost automatically glorified. However, with the mass interracial breeding, many African American descendants started to look “white” even though they were of “black” descent. Many “mulattos” used this to their advantage to acquire higher social status and respect. The act of identifying as a different race and hiding one’s true race is known as “passing.” In the short novel, “Passing” by Nella Larsen, it follows two childhood friends of mixed-race, Irene Westover/Redfield and Clare Kendry, who later reconnected later in their different adult lives; both appear to have light complexion but one embraces her ancestry while the other tries to “pass” as something else. The latter’s decision usually ends unpleasantly. So while it may seem beneficial to “pass,” the end result is that the truth will come out. Literary articles which critique “Passing” such as “Sororophobia” by Helena Michie and “Black Female Sexuality in Passing” by Deborah E. McDowell discusses the issues of passing. Juanita Ellsworth’s “White Negros” provide scenarios where skin color played a factor in education and professional experiences. Louis Fremont Baldwin’s “Negro to Caucasion, Or How the Ethiopian Is Changing His Skin” explains the different ways people pass and how it can be undetected. Blatantly “passing” as a different race can lead to catastrophe and should be avoided.
In The Color Purple the realities of an abusive upbringing are deeply explained to the reader. Celie, the main character, is taught the importance of being strong and standing up for herself through Shug Avery. She portrays strength and independence that women have. In The Color Purple, Shug Avery teaches characters to hold the vigor and autonomy that is hidden somewhere inside of them.
The short story “Lust” by Susan Minot details the life of a high school girl who has succumbed to the pressure of her surroundings. The pressure of sex by her peers and all of the boys she came across led to the multiple sexual encounters that make up this story. This realistic view on the teenagers of the early 1970’s shows the ups and downs of sexual movement of the 1960’s. In “Lust”, Susan Minot shows the reality of a teenage girl’s life throughout her high school years and the problems her actions give her as she gets older.
Celie's mother, in the beginning of the novel The Color Purple, is a very small but effective setting character. Her character flaw was irresponsible parenting because she did not protect her daughter. With this lack of protection, Celie did not have any female role models when she was growing up. Therefore, Celie was not able to become knowledgeable about life and have good female company. Another effect this flaw had on the protagonist was that she had no one to teach her how to understand herself. Celie was unable to realize all of the wonderful qualities of being and becoming a woman. Because she could not appreciate being a woman, she was unable to appreciate herself, and therefore had a lack of self confidence.
First, by demonstrating the importance of the color purple, Celie opened her eyes towards God and then became more self-aware of all the small elements that God set to make her feel joyful, like the color purple. Then, many years pass in the book and Celie truly understand what Shug meant by the color purple in the field. She understands that “[her] ability to find a sense of self-worth, is symbolized by her attainment of color purple.” [Kerr, 177]. Celie’s life did not start on the right foot. She lived and saw a lot of things that killed her deep inside. The color purple in the story was not only an original name for a book that Walker wrote. It means something important in the story. This wonderful color, associate with royalty and prestige, follows the total progress of the young black girl who was, in some words, dead inside, that end up being a lady that now lives of freedom, love and happiness. In other words, the small surprises that, according to Shug, God puts in our life, made Celie stronger and increases her
In the graphic novel Fun Home, by Allison Bechdel, sexual self-discovery plays a critical role in the development of the main character, Allison Bechdel herself; furthermore, Bechdel depicts the plethora of factors that are pivotal in the shaping of who she is before, during and after her sexual self-development. Bechdel’s anguish and pain begins with all of her accounts that she encountered at home, with her respective family member – most importantly her father – at school, and the community she grew up within. Bechdel’s arduous process of her queer sexual self-development is throughout the novel as complex as her subjectivity itself. Main points highlight the difficulties behind which are all mostly focused on the dynamics between her and her father. Throughout the novel, she spotlights many accounts where she felt lost and ashamed of her coming out and having the proper courage to express this to her parents. Many events and factors contributed to this development that many seem to fear.
Within The Color Purple by Alice Walker, women are treated as inferior to men therefore they must obey them. Through the strength and wisdoms Celie gains from other women, she learns to overcome her oppression and realize her self worth as a woman. The women she has met throughout her life, and the woman she protected since young, are the people that helped her become a strong independent woman. Sofia and Shug were there for Celie when she needed someone to look up to and depend on. Nettie was able to push Celie to become a more educated, independent person. The main source of conflict in this book is Celie’s struggle with becoming an independent woman who needs not to rely on a man. Throughout the book we see her grow as a person and become independent in many ways through her experiences with the powerful women in her life.
Most of all, without Shug, Celie would have never been reunited with her beloved sister Nettie. The Color Purple is a tale of epic proportion and is beautiful, tear-jerking, passionate, and suspenseful. Even after all of the abuse that Celie received and after all of the struggles that she faced, she found it in her heart to forgive and move on. Her life was truly remarkable, and she was a brave woman who defied the odds in a time of division and hatred. The love that was shared between Celie and Shug was extraordinary and went against all customs of the time period.
In The Color Purple by Alice Walker, numerous symbols influence and drive the plot of the novel. One of the most important symbols that Walker incorporates into the plot is the letters written by Celie to either God or Nettie, signifying the power of voice. The epistolary format of the novel itself enables readers to understand Celie, whose letters are initially addressed to God. After being raped by her stepfather at the age of fourteen, he tells her to “never tell anybody but God” (Walker 1); thus, Celie’s original letters are presented more as confessions and prayers. This first letter itself “initiates the story of Celie's unrelenting victimization” (Bloom, and Williams 77-88), and the audience notices that the way in which Celie narrates the events occurring in her life over the course of the next several letters lacks sentiment and opinion....
The second most important relationship that develops in Alice Walker’s “The Color Purple”, is the relationship between Celie and Shug. Even before Celie meets Shug, she is envious of her; she starts with just word of mouth, then a picture, until finally they meet. Shug represents everything that is frowned upon in the patriarchal society. She is fatherless, sexually promiscuous, and a very talented singer. She is a strong, independent, and free woman, and because of this she is outcast from society.
Events in history have influenced writers’ style, genre, and emphasis in their stories. 1 Alice Walker was greatly influenced by the time period of the 1940’s. There was much racism and oppression during that time, especially for black women. Women were beaten and abused simply because of their color and gender. Celie, a young black woman, endured many hardships reflective of the time period including racism, oppression, and sexism but remained strong in her faith in God and overcame these obstacles to show the quiet strength of a woman. The oppression of black women is very evident in The Color Purple (Ryan 3062). It is especially shown in the relationship between father and daughter, Alphonso and Celie(Fulmer 1). From the time Celie is very young she is subject to oppression. She is raped repeatedly by her stepfather and is told to keep quiet about it (Walker 1). This is very demeaning to Celie and it causes her to fear men for a good portion of her life (Walker 6). Celie gets pregnant twice with her stepfather. He takes the first baby and “ kilt it out there in the woods.” The other he sells to a family in a nearby town (Walker 3-4). Celie is oppressed all throughout her life, but she learns to overcome it and support herself (Ryan 3062).
The Color Purple follows Celie's transformation from an ugly duckling into a beautiful swan. What is remarkable is the fact that this transformation does not merely compose the plot of the novel, it also dominates the layout of the pages. The book's chapters are not written in a typical fashion as each chapter is a letter written from Celie to God, Celie to her sister Nettie, or Nellie to Celie. Alice Walker utilized this method of storytelling to give the reader a very personal glimpse into Celie's mind and soul. The writer gets a feel for Celie through her writing style- she uses specific phrasing to express herself and, over time, her mechanical writing skills improve greatly. We see Celie's thought process as she makes decisions and then writes about them. This powerful narration is the main driving force behind the words.
Alice Walker's use of characterization in her novel The Color Purple depicts her main theme of female empowerment and the importance of maintaining an assertive voice. The tyrannical male characters, the victimized female characters, and the development of the protagonist, Celie, express Walker's firm views of female independence in a male dominated society. Her feminist views have been influenced by her experiences with discrimination as an African-American woman as well as her involvement in the Civil Rights Movement. These experiences serve as an inspiration for developing the character Celie, a young black woman discovering her own sense of self while battling a male dependent environment. The progression of civil rights for black women that existed throughout the twentieth century mirrors the development Celie makes from a verbally debilitated girl to an adamant young woman. The expression of racism and sexism that evidenced itself during the postmodern era presented Walker with an opportunity to compose a novel that reveals her strong animosity toward discrimination. Without these outlets, Walker would not have had the ability to create a novel with such in-depth insights into the lifestyle of an immensely oppressed woman.
Published in 1982, Alice Walker’s novel The Color Purple focuses on the lives of African-American woman and their struggles in the 1930s. The novel begins with Celie, who is the protagonist and narrator, writing letters to God telling him about how her father rapes and abuses her. We then find out that Celie had been pregnant twice and that her father took them away, presumably killing them. Celie and her younger sister Nettie learn that a man, who is only known as Mister wants to marry Nettie but their father refuses and tells him to take Celie instead. He then settles for Celie but only so she can take care of his children since he has a lover called Shug Avery. Just like her father, Celie is abused by Mister and is told by his sister to