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A farewell to arms as a modern novel
The hemingway code hero
A farewell to arms as a war story
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Catherine as "Code Hero" in A Farewell to Arms
In the last book of A Farewell to Arms, when the pregnant Catherine Barkley is having painful contractions, Frederic Henry, the narrator and protagonist of the novel, reminds his "wife" that she is "a brave good girl" (FTA 313). A day later, after undergoing a caesarian section and giving birth to a stillborn baby boy, Catherine proves just how brave she is; though she knows she is dying, she still has the dignity and strength to accept such a fate. In fact, she finds herself in the (unfair) position of trying to comfort her distraught lover. With death approaching, Catherine's candor is remarkable since her final words to Frederic suggest she possesses some sense or understanding of her own mortality and of what is soon to come: "I'm not a bit afraid. It's just a dirty trick" (FTA 331). The "it" Catherine refers to is presumably death, but, in fact, the indefinite may be referring to life, a process Catherine views as a "rotten game" (FTA 31), since so much about it is left to chance and death is always the end. Such an insight advanced by Catherine is not at all unusual, for, from the time she and Frederic first fall into love and up until the time of her death, Catherine repeatedly reveals her inherent heroic qualities, especially in the way she reflects the Hemingway "code hero" criterion of "grace under pressure."
Yet critics have repeatedly misunderstood Catherine since the time of the novel's publication some seventy years ago. Those engaging in distinctly feminist analyses over the past twenty-five years have been particularly harsh on Hemingway's characterization of Catherine, viewing it as patronizing and shallow. In her response to the phallocentri...
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...s by Ernest Hemingway.
The New York Times 29 Sept. 1929: 5.
Lewis, Robert W. "A Farewell to Arms": The War of the Words. New York: Twayne, 1992.
Lynn, Kenneth. Hemingway. New York: Fawcett Columbine, 1987.
Nagel, James. "Catherine Barkley and Retrospective Narration." Critical Essays on Ernest Hemingway's "A Farewell to Arms."
Ed. George Monteiro. New York: Hall, 1994. 161-74.
Spannier, Sandra Whipple. "Catherine Barkley and the Hemingway Code: Ritual and Survival in A Farewell to Arms."
Ed. Harold Bloom. New York: Chelsea House, 1987. 131-48.
Spofford, William K. "Beyond the Feminist Perspective: Love in A Farewell to Arms." Fitzgerald/Hemingway Annual 1978.
Eds. Matthew J. Bruccoli and Richard Layman. Detroit: Gale Research, 1979. 307-12.
Young, Philip. Ernest Hemingway: A Reconsideration. Rev. ed. New York: Harcourt, 1966.
Pearl is a symbol of Hester’s transgressions and even has similar qualities as the sin which she represents. Pearl’s life and behavior directly reflects the unacceptable and abnormal nature of Hester’s adulterous sin. Hester is plagued with more than just a letter “A”; she is given a child from her affair who is just as much a reminder of her sin as the scarlet letter. Ultimately Hester overcomes the shame associated the scarlet letter and creates a sense of family for herself and Pearl. This relationship is integral to the theme of this novel and the development of its characters.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Hemingway, Ernest. "Soldier's Home." The Bedford Introduction to Literature, 6th Edition. Ed. Michael Meyer. New York: Bedford/St. Martin's. 2002. 152-57.
Trogdon, Robert W. Ernest Hemingway: A Literary Reference. New York: Carroll & Graf, 2002. Print.
In the beginning of the story, Pearl is a young infant who symbolizes the goodness of her mother’s sinful act of adultery. Although she is the outcome of her mother’s sin, Pearl does not let it define her. When Hester is first determined in the story she is put in front of everyone in the market-place for public shaming. The author states, “she bore in her arms a child, a baby of some three months old … acquainted only with the gray twilight of a dungeon” (Hawthorne 95). This quote shows that Pearl has only been in a dreary environment since she was born. Her mother’s sin has deprived Pearl of a normal life with sunshine and familial love. Stade expla...
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
One of Ernest Hemingway’s greatest novels, “A Farewell to Arms”, has been surrounded by controversy among literary, as well as historical, scholars regarding Hemingway’s inspiration for the famous novel. Many feel that Ernest Hemingway created this fictional book solely from his imagination rather than his experiences, while others believe that Hemingway drew the inspiration for this book from his experience as a volunteer ambulance driver throughout the war. Even though there has been much controversy, there is documented historical proof that the experiences that Hemingway had experienced from his time in the war had influenced his creation of “A Farewell to Arms”.
After scientists studied and became familiar with plutonium and uranium 235, they were able to begin the manufacturing process (Gerdes 91). One of the first things that the scientists needed to do was determine what the plutonium and uranium 235 would do when the bomb was dropped (Bondi 494). The bomb used approximately 10,000 to 20,000 tons of trinitrotoluene, TNT (Gerdes 144). The plutonium and other high explosives were put ...
Physicists from 1939 onward conducted much research to find answers to such questions as how many neutrons were emitted in each fission, which elements would not capture the neutrons but would moderate or reduce their velocity , and whether only the lighter and scarcer isotope of uranium (U-235) fissioned or the common isotope (U-238) could be used. They learned that each fission releases a few neutrons.
Pearl is Hester Prynne and Arthur Dimmesdale’s daughter, but she is much more than that. She represents her parents’ sin, and the puritan community sees her as the devil’s work. She is a constant reminder that Hester committed adultery. In chapter eight, Hester tells the pious committee what Pearl means to her. “She is my happiness! — she is my torture . . . See ye not, she is the scarlet letter, only capable of being loved, and so endowed with a million-fold the power of retribution for my sin?" (Symbolism in The Scarlet Letter). This shows that Pearl is more of an object of symbolism than an actual character. She also serves as the connecting link between Hester and Dimmesdale. She represents their love and passion for each other. “Pearl was the oneness of their being. Be the foregone evil what it might, how could they doubt that their earthly lives and future destinies were conjoined, when they beheld at once the material union, and the spiritual idea, in whom they met, and were to dwell immortally together?” (Baym and Levine, pg.563). Pearl is also a physical consequence of Hester and Dimmesdale’s sexual sin. Although Pearl is often looked at as a negative symbol, she is a positive blessing in Hester’s
A Hemingway Code Hero is a character from an Ernest Hemingway novel that follows a particular pattern of how he or she conducts life on a day to day basis. Catherine Barkley from A Farewell to Arms lives with a respect for honor and courage as a Code Hero should. Catherine Barkley is the original code hero of the novel. She has all of the traits of a Hero, and implements them onto Frederic as he matures throughout the story. Catherine’s three main traits that define her as a Hemingway Code Hero are her values of human relationships over materialism, her idealism, and her grace under pressure; she is fearful but not afraid to die.
Spanier, Sandra Whipple. "Hemingway's Unknown Soldier: Catherine Barkley, the Critics, and the Great War." New Essays on A Farewell to Arms.
In A Farewell to Arms, by Ernest Hemingway, the novel concerns itself primarily with Hemingway's philosophy of life: unordered and random. There is no God to watch over man, to dictate codes of morality, or to ensure justice. Hemingway’s hero must accept his place as something insignificant, yet continue to fight endlessly against the meaninglessness of life. The universe is indifferent to man's plight. In the book, this indifference is best exemplified by the war -- an ultimately futile struggle of man against man and the death of Catherine Barkley – someone good and pure. She did not die due to her “sins”, but merely because life is short, unfair, and unorderly.
Ernest Hemingway’s classic novel, A Farewell to Arms, is one of the greatest love and war stories of all time. The success and authenticity of this tale is a direct result of Hemingway’s World War I involvement. The main character, Frederick Henry, encounters many of the same things as did Hemingway and creates a parallel between the author and character.
From an early age, Ernest Hemingway found himself obsessed with the subject of heroism. He looked up to his grandfather, who he saw as a hero, and sought to fulfill the war legacy left behind by joining the army. Hemingway was a participant in many wars, but one in particular shaped the rest of his life and his outlook on the world. It was during the end of World War I and Hemingway was serving the Italian army as an ambulance driver. During the battle at Fossalta di Piave, Hemingway circulated the trenches with chocolates, providing them to soldiers. Out of nowhere, an Austrian trench mortar shell exploded a few feet away from Hemingway, killing one man and wounding many others (Meyers, p.30). Hemingway was one of these wounded men. It was once said by Ted Brumback that Hemingway had acted heroically, for once he regained consciousness, he picked up a wounded man and carried him to the first aid dugout despite his own serious leg wounds (Meyers, p.30). Considered the turning point in his life, Hemingway had faced death but been called a “hero” as a result of it. Even though Hemingway’s obsession with heroism was still prevalent throughout his life, and this event on July 8, 1918, made its way into many of his novels, the heroes Hemingway wrote about never forsook glory or fortune. They were more concerned with the righting of wrongs and the longing of experience (Baker (2), p.129). In Hemingway’s novel, A Farewell to Arms, the protagonist Frederic Henry is more obviously a form of Hemingway, but also a prime example of the heroes Hemingway liked to write about. Even though Henry faced danger, pain, and death throughout this wartime novel, none of it was glorified. Despite his obsession with heroism in war, while writing the novel...