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Cassius as Tragic Hero in Julius Caesar
William Shakespeare wrote Julius Caesar around 1599. The role of the `tragic hero' is extremely important as many of the characters in Julius Caesar exemplify the `tragic hero' qualities. Marcus Brutus, and Julius Caesar, display all the qualities of the `tragic hero': they are great men, with character flaws, and as a result of a mistake in decision-making many people suffer. In Cassius one can see these same qualities. Cassius can be seen as another tragic hero in Shakespeare's Julius Caesar.
Cassius is a talented general, and does not like the fact that Caesar has become `god-like' in the Roman people's minds (see above quote Act I, Scene ii). Cassius can be seen as a great man because of his standing and title; however, his role as conspirator is much larger, and shows his power over others. Thus, in the eyes of the audience, he is perceived as great. However, he has a flaw, as all tragic heroes do: it is obvious from where his power is situated that he lacks integrity. He is impulsive and unscrupulous; this is...
In the beginning of the Book Cassius uses anecdotes of Caesar’s weakness and faults, argumentum ad antiquatum, and ethos on Brutus to persuade him to join the conspiracy to kill Caesar, this works on Brutus and shows that anyone, even people as stoic as Brutus, can be persuaded by appealing to their motivations. Cassius, a very suspicious character thru ought the play tells Brutus to “be not jealous on me” (827), in the quote he tells Brutus to not be suspicious of him because he is just a friend who genuinely cares. Cassius does this to put himself on Brutus’ side and not seem like a distant person, this allows him to criticize Caesar and suggest that he is a bad influence on Rome which appeals to Brutus’ desire to keeping Rome safe. After setting himself up as a friend to Brutus, Cassius uses harsh anecdotes on the weakness of Caesar to show that he isn’t fit to rule Rome. Cassius recollects on a time when he and Caesar went swimming in the river Tiber and Caesar screamed “Help me, Cassius or I sink” (828) to de...
In The Tragedy of Julius Caesar, by William Shakespeare, Julius Caesar could definitely be thought of as a tragic hero. A tragic hero is a character in a story that is high standing in society, but has a flaw that inevitably leads to their downfall. Julius Caesar definitely fits this description. He is a leader in Rome and has everything he could ever want. However, he does have a weakness which will be devastating to his life. There are many people who would like to kill him but Caesar is not worried. Julius Caesar’s flaw is arrogance and believes he is invulnerable. He also, right before his death discovers a discernment more devastating than the knife wounds, and finally he is and unsympathetic character because of many reasons.
Cassius is a sly, deceitful and an untrustworthy character. Caesar described him best. He said (act1, scene 2, line 195), “Yond Cassius has a lean and hungry look; He thinks too much. Such men are dangerous”. Cassius is very superstitious. This is shown when he says (act 5, scene 1, line 75) “ you know I held Epicurus strong, and his opinion. Now I change my mind, and partly credit things that do presage…”. He believes in omen and signs that foretell events to come. Cassius is conceded. This is shown when he says to Brutus (act1, scene 2, line 116), “ And this man is now become a god, and Cassius is now a wretched creature, and must bend his body if Caesar careless but nod on him…”. Cassius continues on saying about times when he saved Caesar from drowning and when he saw Caesar with a fever and he started to shake. All this tells us that Cassius thinks he is just as good or even better than Caesar.
The definition of a tragic hero is perceived as on who is neither wicked nor purely innocent, one who “is brave and noble but guilty of the tragic flaw of assuming that honorable ends justify dishonorable means”. In The Tragedy of Julius Caesar, Brutus takes the role of the tragic hero. Brutus’s honor, nobility, and self-righteousness makes him “a tragic figure, if not the hero” (Catherine C. Dominic).
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
The US has been in and out of debt countless times throughout history, going as far back as the Civil War. However, debt did not become a truly relevant problem until much later, in the 1980s (Budget Deficits). Up to that point, large budget deficits were generally only allowed during wartime, but this pattern ended after the Great Depression. Roosevelt’s New Deal meant that the government spent much more than it previously did, even after the economy improved (Budget De...
...heir gearing within a band of around 25% to 30% and to maintain our dividend policy of paying out 50% of underlying mid-cycle earnings. BP Amoco will continue to plan on the basis of a low oil price, driving down supply cost to ensure the group’s robustness at $11 a barrel. Capital spending this year should be around $7 billion and disposals $2 billion. Some $2.2 billion of the cost-reduction targets is expected to come from the upstream business, $1.4 billion from refining and marketing and $400 million from petrochemicals. After the $10 billion of divestments, the group expects to see gas production growing by 5% a year, and oil production by 8% a year.
In general, an increase in government spending and decrease in the collection of government taxes and other receipts, increases the debt held by the local government. Government taxes and receipts fluctuate annually, and are frequently less than government spending. In the past, the U.S. public debt has increased for the duration of wars and recessions. When the government consumes more than what it accumulates in taxes, there is a budget deficit and the government then borrows from the private sector or from foreign governments to protect their spending. The compilation of historical borrowing is what materializes the government debt.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
The tragic hero is one of literatures most used (and sometimes abused) characters. The classical definition of a tragic hero is, “a person with heroic or potentially heroic qualities”. The person is doomed by the Gods or some other supernatural force to destruction or suffering. The hero struggles against the fate, but due to a personal flaw, ultimately fails in the battle against fate. It is my personal opinion that Brutus, as he is portrayed in Shakespeare’s Julius Caesar, is a tragic hero by this definition.
This paper focuses on the oil industry, limited to crude oil and refineries U.S. based companies, is identified as oligopoly in U.S. market due to their market shares and powers.
Public debt, which comes from securities and bonds issued by the United States Treasury, is responsible for over 60 percent of the debt (“Debt Position and Activity Report” 1). These debts are being held by the public inside and outside the US. Over 25 percent of the debts are held by foreign governments, in which China and Japan accounts for almost half of the sum (“Treasury Bulletin: September 2009” 60).
... middle of paper ... ... Cassius commits the murder because of his jealousy of Caesar's elevated power and mounting dominance over everyone, even his friends.
There is no such thing as the perfect person. We may dream of such a person, but sadly, everyone has flaws. These flaws are what make us human. Something else that makes us human is our need for heroes. We attribute 'perfect' qualities to our heroes. In reality even our heroes are flawed. The closest thing to the idealized person, or hero, is the Shakespearean tragic hero. The tragic hero is someone of high standing, good character, and a flaw. While it may be only one flaw, it is often fatal. An example of a tragic hero can be best seen in William Shakespeare's play Julius Caesar. Marcus Brutus is a prominent leader and noble citizen of Rome who leads in the assassination of Julius Caesar. We see that Brutus plays the role of the tragic hero through his noble standing, fatal flaw, and legacy.
Both Cassius and Brutus conspire against Caesar, yet Shakespeare depicts Brutus as doing a noble job compared to Cassius as doing a greedy and envious task. Cassius believes that he is stronger than Caesar. Therefore, Cassius does not understand why Caesar is in power and he is not. Cassius is also envious of Caesar. In Act I Scene II, Cassius describes to Brutus the time he had to save Caesar in a swimming race. Since then, Cassius feels superior to Caesar. In Cassius’ mind, kings’ right to rule should be based off of strength, not intelligence or virtue. On the other hand, Brutus knows that although a king should be strong, he must also be virtuous. Brutus always elaborates on the topic of honor. In fact, his first priority is to keep his own honor intact and Brutus fears that Caesar will change when he is crowned. Brutus says, “He would be crowned: How that might change his nature, there’s the question.” (Act II, Scene I, Page 49, lines 12-14) He senses Caesar’s greed for power, and ...