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Character development of othello
Character analysis cassio by Othello
Character development in Othello
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Cassio, the Lieutenant, in Othello
Michael Cassio, the lieutenant who supposedly stole away Iago’s coveted promotion in Shakespeare’s Othello, is a strange sort of character. He shows great appreciation of other people; he is radiant with truth and honor; and yet he patronizes a prostitute, Bianca. This essay will delve into the character of Cassio.
Blanche Coles in Shakespeare’s Four Giants comments on the character of Cassio:
In a casual reading of Othello, it may seem that the character of Cassio is not sufficiently well drawn, because, for reasons connected with his portrayal of Iago, Shakespeare delays the full characterization of Cassio until almost the end of the play. However, we have a number of brief revelations of his personality that mark him distinctly – in his genuine anxiety for Othello’s safety, in his abstaining from taking part in the bold and suggestive comments of Iago to the two women as they wait for Othello’s ship and, a little later, in his sincere regret about the loss of his reputation after he has partaken of the wine which Iago has forced upon him. (85-86)
Cassio makes his first appearance in the play in Act 1 Scene 2, when he is conducting the official business of the duke of Venice, namely the request of the “haste-post-haste appearance / Even on the instant” of the general because of the Ottoman threat on Cyprus. Brabantio’s mob briefly delays matters, and then Cassio disappears from the stage until Act 2. He disembarks in Cyprus and graciously announces: “Thanks, you the valiant of this warlike isle, / That so approve the Moor!” After chatting with Montano and other gentlemen of the isle, he welcomes Desdemona, “our great captain’s captain,” ashore: “The ric...
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...s corpse produces a letter which “imports the death of Cassio to be undertook / By Roderigo” – another emotional revelation for Michael Cassio. Finally, the ultimate emotional blow to the ex-officer comes when Othello stabs himself and dies: “This did I fear, but thought he had no weapon; / For he was great of heart.”
As “lord governor” of the island of Cyprus now, Michael Cassio has charge of the “censure of this hellish villain, / The time, the place, the torture.” Lodovico appeals to Cassio to let his justice, not his mercy prevail: “O, enforce it!”
WORKS CITED
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.
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The Othello of the Fourth Act is Othello in his fall. His fall is never complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the following scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation. But in the Fourth Act "Chaos has come". A slight interval of time may be admitted here. It is but slight; for it was necessary for Iago to hurry on, and terribly dangerous to leave a chance for a meeting of Cassio with Othello; and his insight into Othello's nature taught him that his plan was to deliver blow on blow, and never to allow his victim to recover from the confusion of the first shock. Still there is a slight interval; and when Othello reappears we see at a glance that he is a changed man. He is physically exhausted, and his mind is dazed. He sees everything blurred through a mist of blood and tears. He has actually forgotten the incident of the handkerchief, and has to be reminded of it. When Iago, perceiving that he can now risk almost any lie, tells him that Cassio has confessed his guilt, Othello, the hero who has seemed to us only second to Coriolanus in physical power, trembles all over; he mutters disjointed words; a blackness suddenly intervenes between his eyes and the world; he takes it for the shuddering testimony of nature to the horror he has just heard, [Endnote 6] and he falls senseless to the ground. When he recovers it is to watch Cassio, as he imagines, laughing over his shame. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before. But he is safe now. The sight only adds to the confusion of intellect the madness of rage; and a ravenous thirst for revenge, contending with motions of infinite longing and regret, conquers them. The delay till night-fall is torture to him. His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. He is so lost to all sense of reality that he never asks himself what will follow the deaths of Cassio and his wife.
Shakespeare depicts Othello as a person who is wholly sure of himself and truly believes in the righteousness of that he does. Ordering Iago to have Cassio killed proves his character is strong and is very determined and ready to accept serous decisions. He also becomes very passionate and even violent when he runs up against supposed Desdemona’s affair with Cassio.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
of choosing him to be his lieutenant, Othello chose Cassio. In the end of scene,
A classic megalomaniac, Iago suffers from a massive ego, and therefore feels intensely jealous when talent other than his own is recognized. The play opens to Iago announcing that he hates Othello,”Despise me If I do not. Three great ones of the city, In personal suit to make me his lieutenant, Off-capped to him; and by the faith of man, I know my price, I am worth no worse a place” (1,1,8-12). It is Othello’s pride and partiality towards his friends, Iago claims, that caused him to choose Cassio as lieutenant in lieu of his “Ancient”. While Iago is understandably slighted that a man, whose knowledge of war came from a book rather than the field, has been appointed to a position over him, saying that it was Othello’s pride that produced Cassio’s promotion suggests that Iago t...
All of the violence in this story revolves around the deception of Iago. Iago has a built up rage because he feels that he did not get the recognition that he deserved from Othello when he was not named lieutenant and Cassio was. The first obvious form of physical violence that occurred was when recently named lieutenant, Cassio fought Roderigo in Act two Scene three. Iago persuaded Cassio to drink even though he didn't want to. Cassio's drunkenness caused him to act differently and start a fight with Roderigo. Cassio says, "A knave teach me my duty! I'll beat the knave into a twiggen bottle (p. 48)." At this point he strikes Roderigo much to the dismay of Governor Montano. Montano tries to stop Cassio from inflicting any more pain on Roderigo, but Cassio says, "Let me go, sir; or I'll knock you o'er the mazzard (p. 48)." Montano lets Cassio go and at this point he and Roderigo fight. This fight ultimately leads to the dismissal of Cassio as Othello's lieutenant. This instance specifically shows how Iago's manipulation leads Cassio to mental insanity, and causes him to become physically violent.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Cassio is newly promoted as Othello's lieutenant at the beginning of the play even though he has little experience on the field, '. This position is what triggers Iago's inferiority complex, so he plans the bring Cassio down. One can easily say that through the course of this tragedy, Cassio's fortunes change considerably. In Act I, he is Othello's loyal and trusted lieutenant. In Act II, he is Othello's loyal friend in Cypress and respectful admirer of Desdemona but in Act II, Scene III, is manipulated to fight Roderigo, hitting him and Montano, and consequently losing his position as Othello's "lieutenant".
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The Korean War was a significant event in the cold war, it is also known as the ‘forgotten war” because it has been overshadowed by a much larger communist war in Vietnam. The main cause of this war was the constant spread of communism, As communism swept through taking over countries including china, the United States became terrified of it spreading, they quickly made a plan to stop it, and it is known as the Truman doctrine which states that the U.s will help any country that is being threatened by communism. However in 1950 South Korea which was under U.s control was invaded by North Korea. Now it was time for the United States to take action. At the end of the Second World War, the north was taken over by the Soviet Union, and the south was taken over by the Americans. At the Potsdam conference the United States and USSR agreed on a line which dived the north and south known as the 38th parallel line. There had always been tight relationships between the North’s leader Kim sung and Syngman Rhee the ruler of South Korea. North Korea had a much larger and powerful army than South Korea which made most of South Koreas population communist. In order for the south to win, they would need the help of United States troops. United States president Truman and General Douglas MacArthur worked together to save South Korea but, there goal was to take over Korea and get rid of communism.