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The role of the woman in literature
The role of the woman in literature
The role of the woman in literature
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How do Phillip Larkin and Carol Ann Duffy write about women in their poems?
Both Carol Ann Duffy and Phillip Larkin use ambiguity and emotive language in their poetry to express their attitudes towards women. The poets utilize many congruent and contradictory techniques in the way they explore the theme of women which can be showed in Larkin’s Collection ‘’Whitsun wedding (1964)‘’ and Duffy’s collection ‘’Mean Time(1993)’’.The poems I chose from both poet’ collection coevals the theme of women in detail which I analyse in detail.
The poem Sunny Prestatyn by Philip Larkin mainly focuses on the violence and coercion against women in the society. The poem convenes with a quotation from an advert, ‘’Come to Sunny Prestatyn’ with an alluring girl on the poster. Larkin describes what the poster looks like originally by using low frequency lexis ‘’tautened white satin’’ in the first stanza which symbolises the innocence and the immaculateness of the poster. The use of Larkin’s language begins to change at the borderline of that stanza, he uses vernacular words such as ‘’ thighs and breast lifting arms’’ to focus on the sexuality of the lady. The prosodic tone develops in the second stanza as Larkin’s phraseology becomes vulgar and ill-favoured as he reveals what happened to the poster.
Larkin uses idiom in the third stanza ‘’slapped up in March’’ to create constriction which ultimately aggravates a sympathetic reaction from the audience. The untarnished face of the lady has been annihilated. Larkin presented the lady as a sexual object and uses sarcasm to exaggerate in the poem, Larkin concludes in the final stanza ‘’she was too good for this life’’ he compares the poster to the real life of a woman. A woman’s Childhood is innocent...
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...erfect. Duffy uses paralinguistic to explain the incident ‘’told me to fuck off’’ An accident leads to chaos and embarrassment for the mother, a male telling a female off shows how dominant the male are in society.’’ My mother mute shame’’ this also indicates the lack of initiative, Duffy uses sensory language and juxtaposition at the end of the stanza ’the taste of soap’’ to show the extent of the astounding sense of embarrassment which epitomizes the way women were wrapped up in their own world. Both poets share the idea that women are unrealistic but due to their gender it’s been showed in a different understanding, In Litany Duffy portrays women as being stereotyped and controlled by a male dominated society which leads them to be untrue and in contrast in Large Cool Store Larkin portrays women as being deluded because they are naturally unreal and not normal.
The social group of women is often focused on by Gwen Harwood within Selected Poems of Gwen Harwood through the themes of motherhood and domestic life which play an integral role in many of her poems. These themes define a stereotypical role for women representing them as subordinate in a patriarchal society through a range of her poems such as In the Park, The Violets and Prize Giving. Harwood portrays women as subservient and inferior, with the main purpose to be household mothers and wives which was based on society’s expectations during Harwood’s time however her later poems such as Father and Child develop to contain hope for societal progression through occasionally defying these stereotypes.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
Influenced by the style of “plainspoken English” utilized by Phillip Larkin (“Deborah Garrison”), Deborah Garrison writes what she knows, with seemingly simple language, and incorporating aspects of her life into her poetry. As a working mother, the narrator of Garrison’s, “Sestina for the Working Mother” provides insight for the readers regarding inner thoughts and emotions she experiences in her everyday life. Performing the daily circus act of balancing work and motherhood, she, daydreams of how life might be and struggles with guilt, before ultimately realizing her chosen path is what it right for her and her family.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
Many of the short stories within the collection The Things They Carried, written by Tim O’Brien, can be compared and contrasted in regards to elements including theme, characters, and technique. In “Sweetheart of the Song Tra Bong,” the character Mary Anne Bell appears to be apparently similar to the character Martha from “The Things They Carried,” in that both are young women who have relations with a soldier in the war. Though upon further analysis of Mary Anne, it appears she is far from alike to Martha. Rather, an unexpected parallel can be drawn between the characters Mary Anne and Elroy Berdahl, from “On the Rainy River,” in that both appear to be epitomes of masculinity. The peculiar connection between these characters developed by Tim O’Brien shines a light on the ambiguity of conventional gender roles of men and women.
One of the many ways Larkin portrays the message of influence is by using multiple tenses throughout the poem. The first stanza is very relatable to the immediate audience, and this is because the first stanza is written in present tense. The present tense looks directly into the life of the reader, which gives the poem an overall captivating aspect. By starting off with, “They fuck you up, your mum and dad.” Larkin is looking at the present day life of his
The way the Gurlesque applies mockery and exaggeration through a feminist perspective is more often than not directly linked with a subverted language, a language that purposefully deviates from what is standardized as “the proper language for a woman”. Refusing such standardization and responding to masculine “high-art”, the poems exhibit a political stance through the Gurlesque which employs the feminist understanding that multiplicities and even conflicting alternatives could very well coexist (Irigaray 28-29). The aesthetics of the distasteful comes into question in that regard and constitutes the third completing element of the Gurlesque. The Gurlesque copies the masculine culture without identifying with it, that is to say, it kitschifies
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
`Plays and Poetry by early modern women are primarily concerned with negotiating a position from which women could speak. A concern for ideas of gender, language and silence is, therefore, central, though its expression is sometimes open, sometimes covert.' Discuss with reference to Aemilia Lanyer and / or Elizabeth Cary.
Before discussion of these poems can truly begin, some background information of each other is necessary to understand why they have written their respective poems and maybe shed some light onto why they have taken certain positions on each of the three topics. Considered one of the greatest English poets of all time, Philip Larkin gradua...
Evelyn Cunningham once said, “Women are the only oppressed group in our society that lives in intimate association with their oppressors.” For thousands of years women have been oppressed, not in the bondage of slavery but in the bondage that comes from a lack of education and a dependence on men for their livelihood. Women have been subjected to scrutiny and ostracization, belittling and disparaging comments, and even at times they have been feared by men. Women themselves have even taken on the beliefs that they require a man in their life to be taken care of and have a satisfying life although some women and even some men have seen that the differences between the sexes is purely physical. This oppression, as well as the enlightenment of some, is well noted in many literary works. Literature has often been an arena for the examination of the “woman question,” as it was termed in the Victorian age. Four works that examine the role or view of women in society are John Stuart Mill’s The Subjection of Women, T.S. Eliot’s “Love Song of J. Alfred Prufrock,” Virginia Woolf’s A Room of One’s Own, and Carol Ann Duffy’s “Medusa.” Although each work examines a side of the woman question in its own way with a variety of views on the question, all of the works examine the fear that women incite in men, the idea that women are dependent on men, and the idea that women are separate from men in some way and each piece works to show that there is actually an interdependence between men and women that is often not expressed.
The poem “The Lover Not Taken” share an identical structure with “The Road Not Taken,” with an extra stanza containing two lines where Farley throws in the punch line to make a point. Both the poems develop a unique pattern of rhyming, where the first, third and fourth line rhyme; also, second and the fifth line end with rhyming words. Despite the use of similar words such as “stood” (2) and “sigh” (16), Farley manages to create an unrestrained and dynamic lead character, while Frost portrays a slow pace. Farley, although portraying similar theme to that of Frost’s poem, intentionally contradicts the ideas in “The Road Not Taken,” only to unexpectedly choose the path “less travelled by” – the path of lust over love (Frost 19). She is willing to sacrifice an understanding lover for something that maybe a one night stand or worse. It is difficult t...
To what extent does Carol Ann Duffy’s poem ‘Medusa’ challenge stereotypical masculine and feminine attributes?
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
Confessional poetry of women poets of the then 1950s and 1960s opens a new vista for them to express their ‘self’ and to foreground their identity. These poets feel the need for self-affirmation because of their experience of marginalization in society. They found all the experiences are gendered in the 1950s and 1960s patriarchal society and so they also develop a gendered image of their ‘self’ in their confessional poetry. At the time when Sexton and Plath were children, the authoritarian figure within the nuclear family was the father and so he was the representative of society’s rule. Hence, the delineation of the Electra complex in their confessional poetry is one of the approaches of scratching their gendered ‘self’ because through the Electra complex the poets inscribe the female sexuality into the text. So, “with their autobiographical works, they write themselves into the canon and represent and deconstruct cultural images and linguistic codes of ‘woman’ and suggest alternative modes of self and identity” (Carmen