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Baroque composers influenced by Johann Sebastian Bach
Baroque composers influenced by Johann Sebastian Bach
Baroque composers influenced by Johann Sebastian Bach
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On May 8th, 1745 Maria Antonia Luneborn and Jan Václav Antonín Stamic (Germanized as Johann Wenzel Anton Stamitz) welcomed their son, Karl Phillip Stamitz into the world. Although born in Mannheim, a city in Southwestern Germany, Stamitz’s family came from what is now known as Maribor, Slovenia with Czech ancestry roots. He was the oldest of Maria and Johann’s five children; his brother Anton Thadäus Nepomuk, his sister Maria Franziska, and two other siblings who didn’t survive infancy. As the son of one of the greatest baroque and classical violinists of all time, Karl was born into a prodigal family of musicians and would live on to continue the legacy.
Karl’s father Johann left his alma mater, the University of Prague, to begin his career as a violinist at the age of eighteen. Eventually, he was appointed director of the Mannheim Court sometime in 1750 after attending the school for about nine years. Throughout his lifetime he had composed over two hundred works, his best known compositions being his fifty-eight symphonies and ten trios. Christian Cannabich (born Johann Christian Innocenz Bonaventura Cannabich) was the twelve year old student and prodigy of Johann’s. He studied violin with him until appointed to play in the orchestra around 1746. Cannabich was a good friend of many famous musicians such as Mozart, and would eventually replace Johann as the director of the Mannheim court in the future. Karl and his brother Anton first began their music training on the violin with their father, and Cannabich.
After changing his name to Carl at a young age, he and his brother followed in his father’s footsteps and attended the prestigious Mannheim school. The school’s court orchestra comprised of a group of composers and musicia...
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...ude: “Concerto for Flute in G major, Op. 29”, “ Concerto for Viola no 1 in D major”, “Symphonie Concertante for Violin and Viola in D major”, and “Quartets for Clarinet and Strings, Op. 19: no 2 in B flat major ”.
Even today, many classically trained musicians play his works, which are known for their appealing melodies. His works are often compared to those of Mozart’s, and are perceived as mostly being happy and appealing scores. Although Stamitz started his music career as a well-trained violinist who came from a long line of violin players and composers, he is now considered one of the top viola players to ever have lived. His fame and recognition resides on his decision to tour with the harmony of a richer instrument. In the end, just as his father had left a trademark behind after his wake, Carl Stamitz brought forth a contribution in their family’s legacy.
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
Zaslaw, Neal. Mozart’s Symphonies: Context, Performance Practice, Recteption. United States: Oxford University Press. 1989, Print.
A sinfonia (Italian for symphony) broadly refers to a number of instrumental works from the Baroque period, including symphonies, sonatas, canzonas, concerti, and Italian opera overtures. Even J.S. Bach titles his “three-part” inventions for harpsichord “Sinfonia”. Torelli’s Sinfonia in D (G.8) is a four-movement “concerto” for trumpet, strings and harpsichord continuo. Unlike a concerto grosso, where a main theme is presented and then reappears in fragments, the main themes of Sinfonia in D are developed rather freely. The second movement (Adagio) is a very short, slow, interlude without trumpet that introduces the third movement (Allegro). Hence, the program shows these two movements as “adagio-allegro” joined together.
When Johannes was in his tenth year he had made such remarkable progress that Cossel thought it best to secure a more advanced instructor. He was thus put under the care of Eduard Marxsen (Cossel?s own teacher), the royal music director at Altona, who took him unwillingly ...
In 1681, Georg Philipp Telemann was born into a family connected to the Lutheran Church. He had exceptional musical abilities, mastering the keyboard, violin, zither, and flute by the age of ten. He composed an opera “Sigismundus” at the age of twelve as well. Telemann was determined to excel in music especially with the disapproval from his parents. After finishing grade school at Hildesheim Gymnasium, he began college at Leipzig University studying language and science. That eventually changed when he created the student Colle...
Mozart’s Symphony No. 41 was his last and longest symphony he composed. While listening to this breathtaking piece of music, one specific aspect of this piece stood out to me; this being the instrumentation. In this symphony, many different instruments were used. While listening, I recognized many of them. A flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings make up this famous piece that is known world-wide by millions of people.
Drummond, Pippa; “The Concertos of Johann Adolf Hasse.” Proceedings of the Royal Musical Association, Vol. 99, Iss. 1, 1972.
Volondat, Pierre-Alain, perf. Variations OP 20. By Clara Schumann. Rec. 15 May 2010. Saphir Productions, 2008. Florida College's Classical Music Library. Web. 17 Nov. 2013.
Beethoven’s early life was one out of a sad story book. For being one of the most well-known musicians one would think that sometime during Beethovens childhood he was influenced and inspired to play music; This was not the case. His father was indeed a musician but he was more interested in drinking than he was playing music. When his father saw the smallest sliver of music interest in Beethoven he immediately put him into vigorous musical training in hopes he would be the next Mozart; his training included organ, viola, and piano. This tainted how young Beethoven saw music and the memories that music brought. Nevertheless Beethoven continued to do what he knew and by thirteen he was composing his own music and assisting his teacher, Christian Neefe. Connections began to form during this time with different aristocrats and families who stuck with him and became lifelong friends. At 17 Beethoven, with the help of his friends, traveled to Vienna, the music capitol of the world, to further his knowledge and connection...
Born in September 8, 1841, in the Bohemian village of Nelahozeves, near Prague, in what was then Bohemia, Antonio Dvorak was inundated with Bohemian nationalist folk music from a young age. His father, who played the zither, first exposed young Dvorak to the music that would launch his career. At the age of six he began studying music, and attended Prague’s only organ school, graduating with proficiency in many instruments including the organ, violin, viola, and piano. In the 1860s, he began teaching piano lessons, and it was through them that he ...
Born on October 1, 1903, in Kiev Russia, Vladimir Horowitz developed into one of the greatest pianists of the 20th century. His mother, Sophie Horowitz, was a professional pianist and teacher at the Kiev Conservatory (also spelt as Kyiv conservatory). When his mother took note of his natural ability to play the piano, he began receiving lessons from her at the age of three. He entered the Kiev Conservatory in 1912, where he was initially taught by Vladimir Puchalsky, then Sergei Tarnowsky in 1915, and lastly, Felix Blumenfield, in 1919. By his late teens, Horowitz was already composing several songs, and made his first public debut in Kharkiv, Russia in 1916. Horowitz aspired to become a composer, but he had to continue performing to support his family, who had suffered economically from the 1917 Russian Revolution. Interestingly, to prevent Horowitz’s hands from being damaged, his parents altered his birth year to 1904 so that he would appear too young for military service.
The brilliant composer Clara Schumann was born as Clara Josephine Wieck on 13 September 1819. Even before her birth, her destiny was to become a famous musician. Her father, Friedrich Wieck, was a piano teacher and music dealer, while her mother, Marianne Wieck, was a soprano and a concert pianist and her family was very musically gifted. Her father, Friedrich, wanted to prove to the world that his teaching methods could produce a famous pianist, so he decided, before Clara’s birth, that she would become that pianist. Clara’s father’s wish came true, as his daughter ended up becoming a child prodigy and one of the most famous female composers of her time.
Being the son of a professional violinist enabled Vivaldi to meet and learn from outstanding musicians and composers. As a result, alo...
The last Piece of the program was Symphony No1. In g minor, op7 (1891-1892), features the work of the composer Carl Nielsen (18...
A high-minded composer from the Baroque Period Johann Sebastian Bach is remembered for his musical, talented work. Born on March 31, 1685, Eisenach, Germany. Composer Bach was raised in a family with musicians that were talented as well. Sebastian Bach’s father, Johann Ambrosius was a well-known man in his hometown in Eisenach. Ambrosius was the one that taught his youngest son Bach how to play the violin, Bach became an expert at playing the violin as he got older. He also had a beautiful voice and was part of his church choir. At such a young age Bach was a gifted kid, he learned many learning materials; such as studying latin and other courses. Bach had a strong belief as a Lutheran, having that type of faith motivated him for the future, as he worked on his musical career. As Bach became older, at the age of 10, he had been through so much at that age. He had lost both of his parents two months apart from each other. Bach later than moved to Ohrduff, Germany to live with his older brother Johann Christoph.