Careful He Might Hear You, by Sumner Locke Elliot, is a complicated novel, revolving around the story of a six year old boy named PS and his search for personal identity amidst the conflicts of his closest relatives. The narration of these conflicts, as well as the history behind their origins, forms the basis of the novel, and while the different types of relationships between the characters are not the main focus of the novel, the author links them with each of the characters’ sense of identity and their personal desires. Careful He Might Hear You is a book about people finding their true identities, and the truth or imbalance of the relationships that result from this. Through comparison and contrast, Sumner Locke Elliot highlights the flaws in each of the relationships presented, and the ramifications these have on the individuals involved; their present lives and their probable futures.
The first significant relationship presented in the novel is that between PS and his Aunt Lila and Uncle George. PS sees himself solely as Lila and George’s child and this perception that he has on himself directly influences the nature of his relationship with them. Being a six year old child yet to develop his own personal sense of identity, PS trusts implicitly in Lila and George and believes, in his innocent naive way, that they will always do what is best for him. This is not so much carelessness on PS’s part, as an ignorance of any other type of upbringing and love than that administered to him by Lila and George. His unawareness of the outside world and any other style of life but his own causes the power of their relationship to be solely in the hands of Lila.
PS’s innocence and trust in Lila becomes one of the major contributors to the clash which develops between Vanessa and Lila once Vanessa takes partial custody of PS. The nature of the relationship Vanessa demands from PS is so entirely different to that of Lila that PS finds himself torn between two women who, with their secrets, lies and constant quests for the upper hand, disrupt his own sense of personal well-being and security. This inner disquiet and uncertainty causes PS to change, and the nature of the relationships he hold with both his Aunts changes with this. These changes run parallel to PS’s emerging sense of identity, and the highlight, in the end, how important it is to be sure of who one is and what one wants in order for one’s relationship with other people to work.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
Exploring the minds of six-year-olds can be a very interesting experience. Gary Soto narrates this story as a young boy at a time when he seems to be young and foolish. Soto does a great job of showing the contrast between right and wrong through a child’s eyes. He successfully conveys the guilt of the boy through his use of imagery, repetition and contrast. He uses these tools to get the reader into the mind of the boy so that they can explore his guilt and thoughts.
James Baldwin once said, “Children have never been very good at listening to their elders, but they have never failed to imitate them.” In any family, one can see how parental guidance makes or breaks a child’s future. The author of The Other Wes Moore, Wes Moore, explores this idea by contrasting the outcomes of two men with the same name. As a decorated veteran, Rhodes scholar, and White House Fellow, the author hears of a man with his name wanted for murdering a police officer. Haunted by the coincidence, he reaches out to the “other” Wes Moore after he is imprisoned years later. From there, Wes Moore uncovers countless decisions, sacrifices, and mistakes that diverged the two men’s seemingly similar lives,
Towards the middle of the memoir, the theme is shown through the irony of Jeannette’s mother’s situation as well as Jeannette’s feelings towards
Tracy’s identity development is heavily influenced by her new friendship with Evie from that moment on. Evie is so popular, but she makes very poor choices and Tracy follows her lead because she wants to seem just as “cool” as her new companion. This is a type of peer pressure that affects many teenagers daily.... ... middle of paper ... ...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Eventually, David and Carolyn are able to relinquish the triadic relationship with their daughter, Claudia. This restructuring in the family essentially alleviates many of the problems that were the cause for the family to seek therapy in the first place. Claudia is able to break free from the well worn routines of arguing with her mother and her unwanted behaviors diminish. After removing the pressure placed on Claudia to be their source of intense emotion, David and Carolyn are left to face the daunting task of exploring and eventually reorganizing their relationship with one
Another realization that helps the narrator gain more of an identity is the realization of his grandfather’s advice.
Oates creates a vision for the reader of a powerless child in need of mental help and reacting violently to a tragedy. The emotional distress Aaron struggles through his entire life demonstrates how severely his life is im...
Although Woolf, Brown, Vaughan are women that are struggling with their own internal issues of restlessness in the place of where she lives, contemplating suicide, unhappiness in a marriage, living with mental illnes, and feelings of failure. Yet, each of these women had secret sexual feelings for other women.( Woolf for sister Vanessa, Brown for neighbor Kitty, and Vaughan for Sally).
Due to constant emotional and physical abuse from his peers, Peekay begins to hide behind a facade, “I knew then that the person on the outside was only a shell, a presence to be seen and provoked. Inside was the real me” (Courtenay 46). Starting at the age of five, Peekay realized he had to fend for himself. With no adult to shield him from the maltreatment he was receiving, he was required to adapt and protect himself.
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
The patterns or interactions between different types of relationships even family ones show that there are different types of dynamics. Every power dynamic is different and unique in its own way. No matter how close or distant the relationship’s parties are they are always influenced by their surroundings and what is portrayed around them. In her short story “Storms” Claire Keegan manipulates the theme of cruelty in order to explore power and family dynamics in a relationship.
Peter and Clarissa’s memories of the days spent at Bourton have a profound effect on them both and are still very much a part of them. These images of their younger selves are not broad, all-encompassing mental pictures, but rather the bits and pieces of life that create personality and identity. Peter remembers various idiosyncracies about Clarissa, and she does the same about him. They remember each other by “the colours, salts, tones of existence,” the very essence that makes human beings original and unique: the fabric of their true identities (30). Clarissa Dalloway is content with her life with Richard, is content to give her party on a beautiful June evening, but she does regret at times that she can’t “have her life over again” (10).
...e complete without the care and heartache handed them by the families they gain and lose throughout the courses of their short lives. Woolf states it perfectly, realizing that “life is but a procession of shadows, and God knows why it is that we embrace them so eagerly, and see them depart with such anguish, being shadows... Such is the manner of our seeing. Such the conditions of our love” (Woolf, 96). Jacob is only partially loved and cared for by his mother, and therefore carries this half-affection into his social interactions, eventually regretting the supremely human act of falling in love. Likewise, Chris is two completely different people between Margaret and Kitty– loving and content with Margaret, once he is returned to reality he becomes one of the “brittle beautiful things” that Kitty so loves to have in her presence, a mere shadow of his soul (West, 6).