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Critical Analysis of "Midsummer Night's Dream
Critical Analysis of "Midsummer Night's Dream
Critical Analysis of "Midsummer Night's Dream
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In canto three there are many people with flawed perceptions. At the Hampton Court Palace Belinda sits down with two knights for a game of cards the game of cards is representing a heroic battle. The sylphs Belinda and the baron all have their own set of flaws and some are noticeable and some are hidden for good reason, but the hidden flaws can be seen as harm to goods eye. The sylphs are the witness of all nonsense in the rape of the lock, but especially in canto three when they see the evil in people and try to help beautiful virgin girls but just aren’t able to. The sylphs are worried for Belinda when she starts the game of Cards with the baron and another young man to a game of cards. The sylphs are like Belinda’s fairy godmothers; they watch out for her and protect her beauty from harm. During the card game the sylphs kept a close eye on the action. They are the protectors but their flaws are that they cannot save beauty from evil. The party guest gather around for coffee and the Sylphs come around her fanning the hot drink to cool it down and make sure to protect her dress from any spills. The sylphs are almost perfect that they have no flaws, but almost are not perfect …show more content…
because the lock of hair from Belinda’s head still got raped. So you could say that they did not succeed in their duties to protect her but did the best of their ability to try. Belinda flaw is that her beauty is so strong that men can’t stand to stay away.
The sylphs are the ones who protect Belinda from vile men. Not only that Belinda’s beauty is powerful its that she is also a pure virgin and they protect her virginity. Belinda plays the game of cards and comes out on top. Lines 40-44 are one long extended metaphor on how Belinda and the baron are both generals in their card game. The faces on the cards seem like living Queens, Kings and Jacks commanding an army. Another flaw of Belinda’s is that some time she is blinded by the good to see the bad headed her way. After she won in cards in line 124 is states how the sent of coffee sent new ideas to the Barons brain on how to cut the rape of hair from Belinda’s head but she did not see the evil coming to
her. The Barons flaw is a flaw that everybody deals with and it is jealously. After the Baron has gotten beaten several time he started to get a little steamed. Once the game ended the entire party guests helped themselves to a cup of coffee once the baron took a sip he started to obsess over Belinda’s lock once more. His obsession turns into a reality and he finds himself an ally, Clarissa that is also Belinda’s friend and she lets him borrow her silver scissors. He walks up behind Belinda and cut the lock and Belinda realizes that she has been beaten. Alexander Pope is trying to relate to a mock epic in this story with the society of the elite in the 18th century. He benefits from his own story by seeing what flaws come out of different charters that his own imagination created. He might of used ideas from his own lifestyle or his family had their own rivalry between another families. The charter Belinda that he created was used as a magnet between the two rival families and once her lock had been cut by the Baron (the devious character) all of the characters realized that the hair was the rift between two families and now that the lock is gone the rift is also gone. Alexander Pope used creativity from his imagination but also seems like he put some of his own family feuds in the story.
Faye, like many inhabitants of the novel, seems helplessly focused on the sordid history of her family and the poison that seems to infect their very souls. She is obsessed to the point of madness and this poison is best described by Jasmine when she comes upon Faye the morning of Faye’s decision to create order out of the chaos that has been her life.
...d longs for her elder sister and mother. Frances is a good person – at heart – and is always looking out for her younger sister. Moreover, even though she has different views that her father and will always do the opposite of what is expected of her, it is seen that this insecurity is caused by James indeed. Frances feels that in order to gain security in her life, she must perform these actions. She feels compelled to live her life the way she does. Frances’s naughty and mischievous behaviour can be viewed as a weakness she possesses, and she longs to correct these weaknesses by her actions. She is not a role model by any means, but she is by no means the Devil’s advocate. A sincere heart – compelled by circumstances – does its best to make the situation turn out for the better than the worse, and Frances, through her love for her mother, inevitably does just that.
The play "Tartuffe", by Moliere, is a work that was created to show people a flaw in their human nature. There are two characters who portray the main flaw presented in the play. Both Madame Pernelle and Orgon are blinded to the farces of Tartuffe and must be coaxed into believing the truth. The fact that Orgon and Madame Pernelle are too weak to see the truth is an important theme of the play.
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
The type of narration, the plot’s rising action, and the overall imprint that is left on the reader, pushes this book above and beyond. Whaley creates a picture for the reader by using third- person omniscient point of view. This method helps the reader better understand the main characters. The rising action development was extremely easy to follow. The descriptions of the characters and the background information helps explained how the story was laid out. Also, the author seemed like he wanted the reader to realize the purpose of the three-way friendship. It represented how a relationship allows everyone to learn from their flaws and unwarranted decisions from other’s reactions. This book is truly unique, from the composure to the character’s
Candide is well known for its critique of optimism by Voltaire. The title character, along with his companions, bears many hardships throughout the novel and philosophizes about the nature and necessity of good in the world. Whether there is truly any good in the world is debated between the characters, particularly between the very discouraged Martin and Candide, who carries with him the optimistic words of Dr. Pangloss, a believer in the good nature of the world. While the characters debate why man must carry such burdens, Voltaire shows us that it is dealing with the bad that makes us human. While discussing Cunegonde Martin says to Candide, "I wish" that she may one day make you happy. But I very much doubt she will. ‘You are a bit hard,’ said Candide. ‘That’s because I’ve lived,’ said Martin.
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
Deception causes characters to feel pain and to have lowered self-confidence. It also causes people in real life pain. Therefore, deception versus reality needs to be recognized in real life and its effects on people can be seen from characters in Great
Herman is so determined to find his holy grail of gambling that he does not consider that the Countess may be serious when she swears that the story “was a joke” (Pushkin 80). In Douglas Clayton’s essay, “The Queen of Spades: a seriously intended joke,” Clayton points out that, at the time of her debt, the story “was a joke at her husband’s expense” and a “story told to [her husband] to disguise the truth” of how she actually paid off the debt (Clayton 12). Clayton goes on to suggest that, in order to pay her debt, the Countess may have slept with Saint-Germain in order to repay her funds, discounting any real mysticism in the story. However, Herman is far past his former rationality that he believes she is just withholding the secret from him. There is not other explanation for her silence. He reasons with her, begs her, and eventually threatens her, resulting in her death. Herman’s actions are based off of a rumor he heard when he was drinking with his friends, which he takes at face value. Even when he hears that the story was a joke, he cannot believe it because he has allowed so much irrational change to transform him. If he were to accept that the story was not true, he would have irrationally obsessed over nothing. In order for him to maintain his internal façade of rationality, the only thing he can do is
Throughout the play, Lady Macbeth contributes to the story’s conflict with her hunger for power, her un-lady likeness, and her manipulative ways. Macbeth shows that ambition will drive a person crazy and may bring the ones they love to fall down along with them. It teaches us that our greed and selfishness can easily take over and control the things we do if we give it the chance, and may even lead us to our
It would seem that Macbeth is a man of virtue, that he upholds some form of honor to his king, for if not then why fight for him? However, there is a slip in his code, a slip in his character; upon meeting with the Weird Sisters and their prophetic words a change can be seen in Macbeth. Whether the Weird Sisters have turned Macbeth anew or magnified who he was even more, there is no reason to doubt that this is where Macbeth experiences dramatic changes. Once the first part of the prophecy comes true, Macbeth is no longer content with just a Thane of Cawdor, instead his eyes have set upon the crown itself. While the this snippet of the play is short, it is the trigger that would unleash a monster on Scotland. Now Macbeth questions his morality, wondering
Just as Narcissus stole Echo’s heart and broke it, Dorian Gray ruins Sybil Vane’s life and leads her to an untimely death. Influenced by Lord Henry Wotton’s advice on not being young forever and pressured by Basil’s perfect painting of him, Dorian Gray quickly begins to look at life through a different lens. He stumbles upon a theater in a London slum and by extension upon a beautiful young actress— Sybil Vane. He courts her and she is smitten with him instantly. Their relationship escalates quickly, so much so that Dorian Gray proposes to Sybil. As they are engaged, Sybil is unable to contain her love for Dorian. Her newfound passion leaves her unable to assume other characters on the stage, and as a result her talent diminishes. Disgusted at a terrible performance from Sybil after their proposal, Dorian berates her. Angrily, he tells her: “You have killed my love,” (Wilde 88). Sybil is heartbroken and all of a sudden her life feels meaningless. She is unable to cope with so before Dorian can reconcile with her, she commits suicide. Dorian is speechless and shocked at first, however Lord Henry convinces him that she was selfish to kill herself. H...
Set in Scotland in the Middle ages, Macbeth powerful tragedy by William Shakespeare, where Macbeth and Lady Macbeth let their ambition overtake them and are ultimately destroyed. He draws attention to the inner lives of these two characters, described as “the butcher and his fiend-like queen”. He subverts the audience’s expectation by introducing a powerful female character, creates vivid imagery in the hallucinations that reflect the inner turmoil of the characters and juxtaposes the destructive force of ambition on the chain of being to reflect the inner conflict of the characters.