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Historical background of punishment
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Early in European history, punishment for crimes was cruel and usually performed in public and for entertainment. As time progressed, the views of capital and corporal punishment progressed with it. People began to hate any kind of capital punishment, and many began to speak out against punishment, including major philosophes and prison reformers. Many eyewitnesses saw the delight of people watching the executions, and became disgusted. The factors that lead to this punishment also changed, going from absurd to more reasonable crimes.
Philosophes were very outspoken against capital punishment. In the satirical novel Candide, philosophe Voltaire pokes fun at the punishment of criminals in the eighteenth century. He describes an earthquake in Lisbon, and how another one was thought to be prevented by killing criminals. He satirized the death penalty by saying that another earthquake happened, even though people were killed to try and prevent another. Another philosophe, Cesare Beccaria, in his An Essay on Crimes and Punishments, explains that it is better to prevent crimes than to punish them. Being a legal reformer, he would believe in changing the ways of the legal system and making it more fair and humane. This document was written in 1764, when capital punishment was
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widely accepted and seen as a form of entertainment. The thought of preventing crime rather than punishing it was radical for the time. Panopticon, a plan for a penitentiary by the philosophe Jeremy Bentham in 1787 displays perfectly how many were moving towards a new view of punishment. Instead of being killed, criminals would spend time in penitentiaries for their actions. The views towards cruel punishment started to change, as documented by an anonymous eyewitness to an execution on “justice day” in 1773.
He described how he “distracted his eyes” while the condemned men climbed a ladder. He also accounted to the disgust in the crowd. There was no bias in this statement, since it was an eyewitness account for a pamphlet. While the crowd at this execution was disgusted, the general ideas of less cruel punishment were still progressing elsewhere. In 1788, Restif-de-la-Bretonne observed an execution in Paris, and wrote about it in his social criticism, The Nights of Paris. While he was disgusted, he observed a young woman in the crowd who was amused by the
killings. Prison reformers such as Walter Venning and Reverend John Clay also changed the minds of others on the topic of capital punishment. Walter Venning pushed for a Christian approach to punishment in his plans for a Russian prison system in 1817. He wanted criminals to be “informed and persuaded” towards God. He was a Quaker, and Quakers were peaceful people, so naturally he would be opposed to the death penalty. Another account by Reverend John Clay on the Pentonville Prison in France in the 1840s shows how solitary confinement can break a criminal of his ways. People moved towards a much gentler way of punishing criminals, changing in many ways from the punishments of one hundred years prior, which were usually bloody and harsh. The way punishment was brought about also changed. In 1757, Voltaire wrote in his novel Candide about “criminals” that were punished. Two men from Portugal were punished for “refusing to eat bacon,” a Spaniard was punished for marrying his godmother, and the two main characters were arrested, “one for speaking his mind, and the other for seeming to approve what he had said.” These factors for punishment were ludicrous, but that soon changed. In 1791, reasons for punishment included murder, as noted by Maximilien Robespierre’s speech “On the Death Penalty.” The data collected by Europa Publications in 1980 shows crimes against property from the years 1834-1914. Property crimes were another understandable factor for punishment. The factors that affected punishment changed from absolutely absurd to more reasonable within a short amount of time. In terms of capital punishment and factors leading to punishment, European history has changed drastically. Philosophes, eyewitnesses to executions and prison reformers all had a say in changing the way criminals were punished. The punishment went from intense hangings, guillotine deaths, solitary confinement and other forms of torture to more humane ideas like imprisonment. The factors for punishment also became more understandable as time progressed. As ideas change more as time progresses, maybe humanity will see a total irradiation of capital punishment.
The Elizabethan era lasted from 1558 through 1603. In American history, this time period is known as the golden age because during this England became much more of a wealthy nation. In this era, the nation was able to invest in arts and exploration. Many writers and poets, such as Shakespeare, shaped the ways of theatre and literature. This era is also vastly known for its ways of handling crime and punishment. In the Elizabethan era, unsparing, common crime and punishment flourished for reasons fluctuating because of social class, gender, religion, and the satisfaction of antiquated torture devices.
When the our criminal justice system introduced punishments, sanctions for criminal behavior tended to be public events which were designed to shame the person and deter others. These punishments included ducking stool, the pillory, whipping, branding and the stocks. As years progressed, these punishments have slowly started disappear from our penology and capital punishment was introduced. According to Kronenwetter,
Capital punishment, also referred to as the death penalty, is the judicially ordered execution of a prisoner as a punishment for a serious crime, often called a capital offence or a capital crime. In those jurisdictions that practice capital punishment, its use is usually restricted to a small number of criminal offences, principally, treason and murder, that is, the deliberate premeditated killing of another person. In the early 18th and 19th century the death penalty was inflicted in many ways. Some ways were, crucifixion, boiling in oil, drawing and quartering, impalement, beheading, burning alive, crushing, tearing asunder, stoning and drowning. In the late 19th century the types of punishments were limited and only a few of them remained permissible by law.
A great philosopher Liebnitz once said that this is the best possible of all worlds. Voltaire disagrees. In Voltaire's Candide, the impartial narrator travels to distant lands and experiences a range of extremes. After having spent a great deal of time away from his homeland, and having seen more than most people see in a lifetime, the narrator is forced to conclude that this may not be the best possible world because of the reality of evil. Voltaire relates this point very effectively through his mastery of language and the choices he makes, both gramatically and content-related.
Capital punishment has been a hot topic debate the past years, especially now that it is slowly dying out throughout the states. In this paper I have brought out four people’s opinion on their views about capital punishment. With these people ideals, I wanted to bring forth a small sample of people’s ideals to leave the you, the reader, with some perspective on others
“Candide” by Voltaire is a controversial satirical novella that tells the story of a man named Candide, a naïve man, who goes through a series of events resulting in an adventurous journey. Candide meets various people on his way while he visits several different areas on his journey. Voltaire uses additional characters and locations to emphasize the representation of topics like religion, class and the goodness of nature. He uses these aspects to portray his opinions which relate to his attack on these ideas. For instance, the baron is a character that epitomizes the idea of following the laws of a social hierarchy. As a character, he continues to look at social hierarchy as the only thing that matters in his life. Voltaire uses him to attack
Famous politician and activist, Eleanor Roosevelt, once said, “All wars eventually act as boomerangs and the victor suffers as much as the vanquished”. This criticism can easily align with Voltaire’s own anti-war sentiment as illustrated in his famous novel, Candide. Voltaire took advantage of his literary capabilities in order to present to the world a novel that attempts to not only dismantle social norms, but also subvert humanity’s common - and corrupt - way of thinking about war. More specifically, being personally influenced by the 18th century Seven Year’s War, Voltaire turned away from any positive opinions on war and instead, developed intense opposition toward the armed conflict so prevalent within our society. With this anti-war
Voltaire’s “Candide or Optimism” was written in the enlightenment era. Voltaire’s story is published in The Norton Anthology of Western Literature. Voltaire’s character Pangloss is a philosophy who taught about the all-powerful God, who created the world. Pangloss indicated the world must belong to God, for he was the only divine creator. Pangolss was also a mentor to Candide, who was the main character in the novel. Candide had a good heart, but felt very hopeless in life. Pangloss took Candide under his wings teaching him the “best of all possible worlds.” The enlightenment movement is closely seen in Voltaire’s writing style on page 378. Pangolss had an optimistic viewpoint, and belief that the world was good. Pangloss believed that a powerful God had created the world. Pangloss also believed that if people believed something was evil and wrong, it was mainly because they did not have a close relationship with God. The interpretation of the passage continues below on page 378 transforming from its original form of Enlightenment writing style to a piece literary work that represents Romantic content and style. The changing style of writing transforms, from the beliefs of natural law to humankind of freedom.
"Today's system, where imprisonment is a common penalty for most crimes, is a historical newcomer." Many crimes during 1718 and 1776 were punishable by death. This was usually done by hanging, sometimes by stoning, breaking on the rack and burning at the stake. Towards the end of the 1700's people realized that cruel punishment did little to reduce crime and their society was changing the population grew and people started to move around more frequently. There had to be a search for new punishments. "New punishments were to rely heavily on new ideas imported from Europe in the writing of such social thinkers of the Enlightenment as the baron de Montesquieu, Voltaire, Thomas Pain and Cesare Beccaria". These thinkers came to believe that criminals could be rehabilitated."
The topic of capital punishment has been the subject of debate for many years as it should be on the minds of society. A society that seek to found justice for the victim who lost their lives at the hand of another human beings. The critics of capital punishment would argue that the government has over reached it authority and have sought to judge in God stead. However, the advocates of capital punishment will argue that many nations whether modern or ancient has used capital punishment as a method of justice.
In the novel Candide written by Voltaire there are several symbols throughout the story. One of those symbolic figures that seems to stand out in the story is the character Candide, a gullible and innocent boy who experiences many hardships after being vanished from the castle of the baron von Thunder-ten-tronckh. Candide seems to be a representation of people's innocence and how they tend to lose it throughout their lifetime as they witness and experience new things in the world and grow wary of the consequences that every different situation may hold. For example, Voltaire mentions in the beginning of the story that “nature had bestowed upon [Candide] the gentlest of dispositions. His countenance expressed his soul” which shows to the reader that Candide is kind and innocent at the beginning and that he has not the slightest intentions of interfering with another persons life in a negative manner (3). However, later on in the story after Candide has killed Don Issachar and the Grand Inquisitor, Candide justifies his murderous behavior to Cunegonde by saying that “when you are in love, and jealous, and have been flogged by the inquisition, there is no knowing what you may do” which demonstrates that the gentle and kind Candide has turned into a murderer as a result of his previous life experiences which in turn provides an excellent example of how people lose their innocence and turn to violence overtime (22).
By simply examining the characters in Candide Voltaire’s opinions on varying religious denominations become clearer. Perhaps he most unabashed display of his malice can be found in the character Grand Inquisitor. The Grand Inquisitor was an prominent official for the Catholic Church, which was the dominating religious organization of Early Modern France. His hypocrisy in his beliefs manifested in a very plain manner. The Inquisitor compelled a Jew to relinquish Cunegonde to him by proposing him with religious persecution. He intimidated the Jew with an “auto-¬da¬-fé,” which is more universally known as the burning alive of him and his kin (Voltaire, 32). The Jew, also from a religious denomination, faithlessly treated Cunegonde as a prostitute.
A dystopian novel is a literary genre that satirically criticizes existing societies and taken for granted beliefs. The word dystopia has Greek origin and is made up of two morphemes “dys” meaning “bad” and “topia” meaning “place”. The word describes a harsh environment, namely society . The dystopian fiction presents a society which despite its antagonism, is not challenged by citizens. On the contrary, it is viewed as the best of all possible worlds. Indeed, even though individuals are constantly controlled by an oppressive political or religious ideology and dehumanized, they still abide by the imposed rules and never question them. The protagonist of the dystopian novel tries throughout the plot to question the utility and fairness of the established socio-political
Just a hundred more yards before reaching the end of the tunnel. Light is radiating brighter as each step follows the other. Approaching the end, the only thing seen is another room leading to an endless maze with infinite obstacles. Hoping for the best outcome is a desire the majority of people crave, but the inevitable failure continues to diminish expectations. The optimism many desire often shadows the reality most fail to realize. Voltaire reveals the role of philosophical optimism through Candide and the journey the protagonist follows in search for his beloved. While it is valid to consider the optimism in situations, it is detrimental to neglect the reality of such outcomes because creates an illusion and diminishes actuality.
person knew that a particularly painful punishment was in-store for them, they would not commit the crime. This led to the creation of such punishments as beatings, torture, banishment, death, fines, and public humiliation.