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Columbus voyage essays
Columbus voyage essays
Essay about native american literature
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In Journal of the First Voyage to America, Christopher Columbus described his first journey to the New World: "Everything looked as green as in April in Andalusia. The melody of the birds was so exquisite that one was never willing to part from the sound, and the flocks of parrots obscured the heavens... A thousand different sorts of trees, with their fruit were to be met with, and of a wonderfully delicious odor." Europeans were intrigued by descriptions like these, detailing a land completely unlike anything they had ever heard of or seen before. Even the name "New World" implied a mysterious and fantastical place. The centuries following the “discovery” of the Americas were a time of great excitement. William Shakespeare, living in 17th …show more content…
If this was true, however, Shakespeare would have portrayed Caliban, a symbol of the repressed native, as a much more innocent and sympathetic character. While Caliban does have a special connection to the island, evident by the poetic and heartfelt language he uses when describing it, he is not simply a helpless native being oppressed by an unreasonable colonizer. Prospero treats Caliban with kindness and respect at first, until Caliban attempted to “violate the honour of” Miranda, Prospero 's daughter and the symbol of purity in the play, by trying to have sexual intercourse with her. Caliban is also unapologetic about the incident, as shown in act I scene ii, in which he laughs at the matter and wishes Prospero had not stopped him so he could have “peopled else This isle with Calibans.” This paints Caliban as an immoral character that is undeserving of the audience’s sympathy. When people today look at the colonial period through a postcolonial lens, they find many things wrong morally with the treatment of natives. However, this was not the message Shakespeare was trying to convey in 1611 when he wrote the
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
Another way that the treatment of Caliban by Prospero is similar to the treatment of Native Americans by the Europeans is the adaptation of the language. When the Europeans came to the New World they forced the Native Americans to learn their languages and live according to the European culture. People who had spoken one language all their lives, now had to learn another. They had to live by customs they have never heard of even before. In the Tempest, Prospero does this also. When Prospero came to the island he forced Caliban to learn the language that he spoke. Caliban had to adapt to a style of living that he had never experienced before. Caliban had to change completely to adapt to the life forced upon him.
Psychoanalytic Analysis of Caliban and Trinculo of The Tempest. From a psychoanalytic perspective, both Caliban and Trinculo in Shakespeare’s The Tempest are interesting characters. Caliban is very sexual and bitter, while Trinculo is at odds with everything: his situation of being washed ashore and wrongly accused of saying things when he did not utter a word, as well as Caliban’s worship of an unkingly man, his drunken friend Stephano.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
His mother being a witch does him no favours, but her treatment of Ariel (who we believe to be a “fine apparition” with his beautifully energetic language) certainly reflects badly on Caliban as a blood link, since she imprisoned Ariel in a “cloven pine...(for)...a dozen years”. Then there is Caliban’s attempt to “violate the honour of” Miranda; and at present not to be filled with guilt at this event but to say “would’t had been done!...I had peopled else this island with Calibans”. This certainly portrays Caliban as cold, evil and relentless that he would have repeated the rape.
Caliban is treated in a highly demeaning manner since Prospero is a man of magic and has infinite power to control Caliban in every aspect. It is seen early on in the play the amount of control that has been placed over Caliban, to the extent that memories make him cringe and satisfy all of Prospero’s needs. Prospero is obviously the Duke of that island similar to how he was Duke of Milan before being usurped and banished to the island, which is Caliban’s home. In general, the relationship of Prospero and Caliban is a model of early colonization into the New World considering Caliban is it’s only inhabitant. In reality, colonization is the chief reason slavery was implemented which was to maintain laborers in order to prosper in the New World.
Shakespeare shows this by having Prospero, the rightful duke of Milan and Usurping ruler of the island, call Caliban. “A devil, a born devil on whose nature nurture can never stick” but then having Miranda, Prospero’s daughter, say. “I pitied thee, took pains to make thee speak, taught thee each hour one thing or another.” Prospero is saying that Caliban is a “savage” who can not be educated, yet we hear that Miranda has taught him to speak, amongst other things. This gives a conflicting view of the character of Caliban.
Prospero, when we first meet him, emerges as a very controlling and dominant figure on the island, mainly because he refers to the character Caliban as his “slave”. This shows us that Prospero must be a powerful man and that he has authority over the island and its people. Prospero uses his power to abuse Caliban, and he threatens him with phrases such as “thou shalt have cramps, side-stitches...” if he does not comply with his orders. But when Caliban refuses to obey him, Prospero resorts to insults in order to control him because he tells Miranda, his daughter, “But, as ‘tis/We cannot miss him” meaning that they cannot survive on the island themselves. Through the language used, we quickly learn how Prospero believe that he is “above” Caliban, because he calls him names like “savage”, “hag-seed” and “poisonous”.
Prospero disparages Caliban, enslaves him, sends his magic to torment him, and generally mistreats him. He justifies his actions because Caliban tried to rape his daughter, Caliban is a witches’ son, and Caliban is deformed. Caliban is one of Shakespeare’s most layered characters. This leads one to ask whether Caliban would be evil if given the chance, or if it is his mistreatment at Prospero’s hands that has shaped him. An analysis of the character of Caliban focuses on the way he is a mirror, a contrast, or foil in many ways to Prospero, Ferdinand, Ariel, Antonio, and native cultures.
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
Caliban wants to rename himself, so the name Caliban itself does not continue to dictate his life as Prospero’s slave. As Timothy Scheie states, “ Indeed, the master/slave dynamic dominates the text [A Tempest], at the expense of the love story between Ferdinand and Miranda and the political intrigue among the Europeans that compete with it in Shakespeare's text.” Cesaire shifts away from Shakespeare’s centralized spotlight of the play to the complex relationship between a colonizer and the colonized. Cesaire’s A Tempest portrays the symbolic dynamic between two critical characters to convey the representation of Prospero as the colonizer and Caliban as the colonized.
Ariel, he sees more as a companion, and someone that can help him reach his goals. For this reason, Prospero treats Ariel better than he would Caliban. Caliban is very rebellious when is comes to dealing with Prospero. Prospero sees Caliban as a lowly beast and not even human. This is a recurring theme throughout the play. This is also how Native Americans were seen but the colonists. Prospero tortures Caliban whenever he does something wrong. For example, Caliban tried to rape his daughter Miranda. Prospero tortures him because of this and this can represent how the colonists treated Native Americans. Prospero does not want more Calibans, and the colonist felt the same way towards Native Americans. They did not want them to have children. This would only lead to more problems and would benefit anyone. They were also concerned they would lose their power. Prospero and the colonists both want to ward from reproducing so they can keep their power over Caliban and the Native Americans. The treatment of Ariel can be seen as the Native Americans that accepted the culture of the colonists and they were able to use the Native Americans in a useful manner. Ariel and the Native Americans that had accepted the colonists’ culture complied to whatever restrictions they were given. They did this to survive the colonization of their
Prospero’s trust is broken with Caliban because he tried to rape Miranda. There is no evidence of rape, however Miranda was the only female on the island practically supports the idea. Caliban being a natural creature he would not know the different in societies rule against sexual engagement. Prospero learns from his second betrayal, apparently tyrannical state is revealed in verbal abuse ...