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Rebellion in modern literature essay question
Establish the link between freedom and authority
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Rebellion is an action of resisting authority or control that has been established by a government. Three authors have given tension throughout the story they tell. Reading three stories’, “Cairo: my city, my revolution”, “Reading Lolita in Tehran”, and “Persepolis 2” the authors will be giving their perspectives of rebellion, how rebellion is being described, and the effects of rebellion on not only them but others. No one likes to be controlled in any way but for many people it is difficult because it is enforced by law, so many people have had to act with rebelliousness. In the story, “Cairo: my city, my revolution” Ahdaf Soueif is guiding through her city of Cairo and traces the path of the revolution that’s redrawing its future, she charts a story of the revolution that is both intimately hers and publicly Egyptian. According to the story, Soueif states, “… a mass of people, all in motion, but all in place” (pg 73). The author says that a crowd of people are in a single place, but to do what? According to the story, Soueif states, “…our project was to save and to reclaim our country. We stood …show more content…
According to “Persepolis 2”, Satrapi states, “Are they going to whip me?” (pg 84). Men like to go for the weak, one who has no power. Governments established these hurtful laws, if women don’t go by what he authority’s say you automatically get punished. When women don’t fallow orders, or do whatever they want the authorities consider it as an act of rebellion. According to the article, Satrapi states, “Showing your hair or putting on makeup logically became acts of rebellion” (pg 84). As said within these story’s women have been taken as useless in which the government believe they can take control of them, but knowing women can in fact rebel against authorities to overrule them. No one likes to be controlled by anyone
Persepolis Argumentative Essay In the memoir “Persepolis” by Marjane Satrapi we learn the effects the revolution had on the Satrapi’s family. To summarize, Marji grew up around the Islamic War. This caused her to become very curious about why people act a certain way or do things. In the story, she is constantly learning from what’s right and wrong.
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
J. Brown’s Paradigm for National Development define the Identifiable People Group of a Nationalistic movement based on four main criteria: language, race, history, and location. These characteristics often serve to demonstrate how and why people united. In the case of Egypt’s revolution, the Identifiable People Group lacks any major ethnic or racial divisions, and though historically there have been tensions between Christians and Muslims, both parties orchestrated the revolution, so the IPG lacked Egypt’s traditional religious divisions. Racially, Egypt’s population is 99.6% Egyptian according to the 2006 census, and historically, the majority of the population has been Arabia since the seventh century. Ninety percent of Egyptians practice Islam, and the in Tahrir majority of them are Sunni. All of the people lived in a geographically well defined area, Egypt, and though Cairo was the epicenter of protests, Egyptians traveled from all over the country to take part in Tahrir Square Protests, and protests occurred throughout the country. Also, Arabic is both the official and most common language of Eg...
Each author had a different point of view for rebellion in each of the 3 stories, “Lolita In Tahran”, ‘Cairo: My City, Our Revolution”, and “Persepolis”. Rebellion is the action of resiting control or authority. The womens in all 3 stories had almost the same rebellion going on in there city.
Heroes and victims—these common roles are found in “The Joy of Reading and Writing: Superman and Me,” by Sherman Alexie, and in Azar Nafisi's, “From Reading Lolita in Tehran.” Both Alexie and Nafisi were shaped by the societies into which they were born, turning to literature to escape from the confinements of their existence. Sherman Alexie is an Indian who works with students openly in the Catholic school system to help the students of the reservation find their own way into the world, while Azar Nafisi, a native of Iran, works with her most trusted and brightest students, taking them "underground" for lectures in order to conceal her educational efforts from her country’s regime. Together, these authors might be viewed as dangerous by their cultures. Each is an example of individuals who took the lot they were cast in life and used their abilities and educations to help others. In the world we live in today, the concept of personal freedom is a matter of perspective, and the society that an individual is born into greatly influences their reality.
In Marjane Satrapi’s memoir, Persepolis, the characteristics and qualities of revolution are portrayed through rhetorical devices such as visual text, similes, and pathos. Satrapi’s use of rhetorical devices enhances and supports her expression of the revolution in Iran. Persepolis was Marjane Satrapi’s way of allowing people to see how the revolution in Iran affected her family's lifestyle and her upbringing. This memoir also allows the readers to analyze how war changes the way of the people and government in a country.
First, political Islam has rogue Egypt and held it down, suffocating the country, not allowing it to stand a chance. President Hosni Mubarak was ousted and people thought that Egypt was getting better. It has not been the case. While Zaki lives in faded luxury and chases women, Bothayna endures sexual harassment while working as a shop assistant to provide for her poor family after the death of her father. Meanwhile her boyfriend, Taha, son of the building's janitor, is rejected by the police and decides to join a radical Islamic group. Egypt is heading towards a bottomless abyss. Everything is controlled by the elite. Jobs are no more; it is preserved for the top. This increases the plight of the people and leads them into committing some of the acts seen in Islam as bad or as a taboo. The political elite are crashing its opponents and ensuring that whoever com...
Revolutionary fashions made it acceptable to show more skin, develop different styles, and able for women to express themselves. Women began to liberate themselves from the traditional long hairstyles and turn to the new and short masculine hairdos. “The bob appeared in the US shortly…Women with bobs needed more frequent haircuts, and wanted permanent waves” (Monet). Women began to cut their hair shorter, cringing their hair, and finger waving it. Although many women saw it as outrageous and boyish, many people today have cut their hair the same way and even shorter. It wasn’t permissible for a woman to display her body. Skirts were to be covering their legs all the way down to their ankles. If the skirt d...
I am writing the analysis of three comics, which are, The Pride of Baghdad, The Lady and The Tramp, and The Persepolis. When I read The Pride of Baghdad and The Persepolis, I think that it is very fasctinating story. In my opinion, when I read The Pride of Bagdad, it reminds about the Iraq War. In addition, it also tells me on how terrible the war can be.
In the chapter “The Veil,” Satrapi’s graphic novel displays a connection with advertisements; that being a theme of oppression toward women. In the chapter “The Veil,” Satrapi introduces her readers to her life in 1980. A frame from “The Veil,” Satrapi includes a caption and image that 1980 was the year when wearing the veil became enforced by the law (681). The frame prior to the enforcement of the veil explains that the reason behind this law is due to ‘The Islamic Revolution’ (681). With these two frames, readers see that new laws such as the veil were enforced due to “religious” reasons because the government. Having men in government enforce such laws on women demonstrates the control they are attempting to gain. Women face oppression in advertisements similarly by society telling women how they are seen and how they should look. The types of advertisements that target women this way are sexual advertisements. An example of an advertisement oppressing a woman is displayed in Dolce & Gabbana. Dolce & Gabbana created an adver...
The way they dressed quickly changed as shown when Marji asserted that “In no time, the way people dressed became an ideological sign. There were two kinds of women. The fundamentalist woman [and] the modern woman. There were also two sorts of men. The fundamentalist man [and] the progressive man” (75). Satrapi uses the two frames on page 75 to illustrate the idea associated with the two different ways in which both men and women chose to dress whether it be tradition, or not. Satrapi expounds how their choice of dressing then depicts their view on the Islamic Revolution. She explains how the modern women rebelled by wearing heard scarves, instead of the traditional full veil, along with letting some hair slightly fall out to show opposition against the Iranian regime. She continues with how the progressive man also showed their opposition by tucking their shirts in and shaving their facial hair, in contrast to the fundamentalist man who leaves his shirt hung out, along with a full beard. Satrapi denotes that both genders of characters take the risk of not dressing like a fundamentalist, in order to show their form of rebellion in a settle way, knowing of course that there is always a possibility of
Egypt. (2012). In Cultural Sociology of the Middle East, Asia, and Africa. Retrieved from http://proxy.consortiumlibrary.org/login?url=http://www.credoreference.com/entry/sagecsme/egypt/1
In the novel Woman at Point Zero the author, Nawal El Saadawi, retells the life story of Firdaus, the main character, a tragic hero who rebels against the social norms within her oppressive culture seeking the same respect and prestige that is bestowed upon her male oppressors, only to be executed for her attempt to obtain the same privileges as men. This essay will demonstrate how the aspects and expectations of Egyptian culture influence Firdaus’s decisions as she struggles to be her own woman in a society controlled by dictatorial political and patriarchal structures all while exposing the evident discontentment she has with the way Egyptian society views women, and the glorification of things that go against ideal societal structures.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
When most people think of Egypt, images of barren deserts, towering pyramids, and ancient Pharaohs are the usual. However, almost 4 years ago a new face of Egypt was shown to the world, a face of the people. On January 25th, 2011 the Egyptian populace joined together in an attempt to overthrow Authoritarian President Hosni Mubarak by overtaking Tahrir Square in protest.