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Slavery narratives tropes
Critical analysis of slave narratives
Critical analysis of slave narratives
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Butler’s Kindred induced a personal understanding of slavery that is relevant, as much as it is unique, to the modern views of African-Americans and society. The largest and most frequent theme of the novel is the underlying notion of society influencing behavior. Butler shows her readers the influence behavior has on society, by literally sending Dana back the source of the behavior. By portraying societal influence in her novel, Butler was able to craftily instill a sense of empathy, understanding, and even sympathy for events of the past. If these attitudes may be developed toward slavery, the most grotesque of all behaviors, they are surely applicable to lesser behaviors of today.
First and foremost, Butler establishes two very common attitudes
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toward slavery. One of these attitudes is the tendency to blame victims of past events. Events of the past are often understood from the advantage of hindsight. In retrospect to her sufferings in the past, Dana consistently criticizes her obedience to the white authorities. “I began to realize that I should have resisted, should have refused to let Fowler bring me out here where only other slaves could see what happened to me.” (211) By showing Dana, a victim, blaming even herself, Butler shows the great influence of victim blaming tendencies. Perhaps even more cringe worthy, is that people tend to be more critical of events in which they had no part or understanding. Having thought Kevin was being abusive toward Dana; her cousin goes as far as to criticize her for allowing herself to be beaten. "I never thought you'd be fool enough to let a man beat you." (116) The effects of hindsight bias are still around today, and cripple the ability for people to understand those victim to violence. Even privileged with modern thought, Dana acts in accordance to the laws of the time, which sends a very powerful message to Butler’s readers. Another society induced attitude, is the tendency to blame the performers of victimization.
While this attitude is seemingly the correct response to any given event, Butler is heartily argues against the notion of blame. One of the marks of a great writer is the ability to make a reader feel sympathy for a character of ill doing. This often involves unlikely misfortunes developed in a somewhat believable way, such as in Walter White from Breaking Bad. Butler does not use unlikely or unrealistic situations for her villainous characters. Instead, Butler directs her readers to realistic events to explain the real sources of mal doing. One such is example, is the power of values instilled by family. “Don’t argue with white folks, ‘Don’t tell them ‘no.’ Don’t let them see you mad. Just say ‘yes, sir.’ Then go ’head and do what you want to do. Might have to take a whippin’ for it later on, but if you want it bad enough, the whippin’ won’t matter much.” (96) Another example of this is Butler’s commitment to realistic events, even for characters that it seems very hard to make a reader understand. If Butler had wanted to make the reader sympathize with Rufus for the simple notion of a good book, she could have done in many ways. Yet, Rofus did not lose his wife and children in a tragic fire; rather, he was subjected to misfortunes that are realistic and common, especially during the time. “Tom Weylin had probably marked his son more than he knew with that whip.” (39) By doing so,
Butler is essentially showing her readers that Rufus is not just a character in a book, but an example of societal influence. By utilizing the technique of realism, Butler was able show her readers, while not accepting their actions, that if you truly understand their situation, empathy is naturally associated. She is able to show this most efficiently through Dana who, more often than not, understands of the tragic events in which she faces. Having Dana watch Rofus grow up as a child, Butler is able to establish the concept of understanding very early on in the novel. “The boy already knew more about revenge than I did. What kind of man was he going to grow up into?” (25) Even more amazingly, Dana understood Tom, stating that he: “wasn’t a monster at all. Just an ordinary man who sometimes did the monstrous things his society said were legal and proper.” (134) In so far as Dana develops a sense of understanding, Butler is able to draw her readers to the root of conflicts. In modern society, those who promote racism, bigotry, and prejudice are often attacked by society. Although this seems justified, Kindred was able to show how hate and blame do not lead to the resolution of problems. I believe that modern society should take a page from Kindred, and start to address issues of slavery’s counting impact on prejudice, and bigotry as a whole, in an intelligent, calm, and peaceful manner. After reading this book, I firmly believe that peace may be achieved through understanding.
The novel showed a pivotal point prior to the Civil War and how these issues ultimately led to the fueling of quarrel between Americans. While such institutions of slavery no longer exist in the United States, the message resonates with the struggles many groups ostracized today who continue to face prejudice from those in higher
Kindred by Octavia Butler is incredible book that leaves the reader hypnotized as she depicts the antebellum period that left a deep and unremovable scar in United States history. This story educates people who might be ignorant
Paul Butler says in his article, “Jurors Need to Know That They Can Say No”, “If you are ever on a jury in a marijuana case, I recommend that you vote ‘not guilty’…As a juror you have this power under the Bill of Rights; if you exercise it, you will become part of a proud tradition of American jurors who helped make our laws fairer.” This is in reference to jury nullification. It is an actual constitutional doctrine that is premised upon the idea that the jury (ordinary citizens), not government officials, should possess the final word on whether an individual should be punished. As Butler explains, jury nullification is for the most part a good thing. It was necessary to end prohibition, it has caused prosecutors over the years to change tactics when
In kindred Octavia Butler writes about how a modern day black woman, Dana, is traveling back to the past to save a man that would become her ancestor. Whenever Rufus faces danger he calls upon Dana to save his life. Each time Dana goes back she finds out the brutal reality of the slave trade in America. She finds out the true meaning of freedom when she compared her life to the slaves in Tom Weylin’s plantation. She discovers that being a slave is not as easy as the books show it; instead it is a complicated relationship between master and slaves. Most of the slave masters depend on slaves for economic survivals. Throughout the novel Butler compared and contrasted Rufus and his father. She compared the way they cared for power and money and she contrasted their attitudes about education for their slaves and relationships with slaves. His father was a man who only cared about money and his power, but on the other hand Rufus is a man with feelings for his slaves.
The poem, “My Great-Grandfather’s Slaves” by Wendell Berry, illustrates the guilt felt for the sins of a man’s ancestors. The poem details the horror for the speaker’s ancestors involvement in slavery and transitions from sympathy for the slaves to feeling enslaved by his guilt. Berry uses anaphora, motif, and irony, to express the speaker’s guilt and provide a powerful atmosphere to the poem.
Butler alludes to the significance of the problem by choosing the adjective kindred as a title for her work. Throughout this novel, familial bonds are built up, and at the very end get a perverse form because of gender and racial mistreatments. Throughout time, Dana witnesses families clinging to each other while they are treated unjustly. The veracity of this assertion is confirmed by examining scenes where the heroes stick together with their family because they are put in circumstances where it is impossible to escape racial violation. An example of such a case is the incident between the slave called Tess and Dana. After Weilyn sells the man for attempting to flirt with Dana, other slaves try their best to not displease their masters because they do not want to be separated from their family. This scene suggests that racial violation was so horrifying that African Americans could not even choose to live with their family, and it made them even more dependent on each
In the novel, the author proposes that the African American female slave’s need to overcome three obstacles was what unavoidably separated her from the rest of society; she was black, female, and a slave, in a white male dominating society. The novel “locates black women at the intersection of racial and sexual ideologies and politics (12).” White begins by illustrating the Europeans’ two major stereotypes o...
In conclusion, readers identify with the human form and use it as a vehicle for defamiliarization to show the mechanical functions they serve themselves and others. The characters in “Bloodchild” behave as part of a process and show a lack of respect for their human qualities. As they desensitize their bodies, they allow the Tlic to engage with them in an unbalanced power relationship. Then, the Tlic interact with them in a sheltering way and inhibit their thought process. Through this interaction chain, Butler effectively conveys that the way humans treat themselves will dictate how others treat them. As the afterword said, “Bloodchild” is not about slavery; it’s about the relationships humans take on because they allow themselves to be
This turns out to be an ironic contrast to life at the Weylin plantation, where a slave who visits his wife without his master's permission is brutally whipped. Perhaps a more painful realization for Dana is how this cruel treatment oppresses the mind. "Slavery of any kind fostered strange relationships," she notes, for all the slaves feel the same strange combination of fear, contempt, and affection toward Rufus that she does.
The issue of Slavery in the South was an unresolved issue in the United States during the seventeenth and eighteenth century. During these years, the south kept having slavery, even though most states had slavery abolished. Due to the fact that slaves were treated as inferior, they did not have the same rights and their chances of becoming an educated person were almost impossible. However, some information about slavery, from the slaves’ point of view, has been saved. In this essay, we are comparing two different books that show us what being a slave actually was. This will be seen with the help of two different characters: Linda Brent in Incidents in the Life of a Slave Girl and Frederick Douglass in The Narrative of the life of Frederick
In this essay I intend to delve into the representation of family in the slave narrative, focusing on Frederick Douglas’ ‘Narrative of the Life of Frederick Douglass, an American Slave’ and Harriet Jacobs ‘Incidents in the Life of a Slave Girl.’ Slave narratives are biographical and autobiographical stories of freedom either written or told by former slaves. The majority of them were ‘told to’ accounts written with the aid of abolitionist editors between 1830 and 1865. An amount of narratives were written entirely by the author and are referred to as authentic autobiographies. The first of more than six thousand extant slave narratives were published in 1703. Primarily written as propaganda, the narratives served as important weapons in the warfare against slavery. Slave narratives can be considered as a literary genre for a number of reasons. They are united by the common purpose of pointing out the evils of slavery and attacking the notion of black inferiority. In the narratives, you can find simple and often dramatic accounts of personal experience, strong revelation of the char...
The first novel, Kindred involves the main character Dana, a young black woman, travelling through time to explore the antebellum south in the 1800’s. The author uses this novel to reveal the horrific events and discrimination correlated with the slaves of the south at the time. Dana, who is a black woman of modern day, has both slave and white ancestry, and she develops a strong connection to her ancestor Rufus, who was a slave owner at the time. This connection to Rufus indirectly causes Dana to travel into the past where she helps many people suffering in the time period. Butler effectively uses this novel to portray the harshness of slavery in history, and the impa...
The history of slavery in America is one that has reminders of the institution and its oppressive state of African Americans in modern times. The slaveholders and the slaves were intertwined in a cruel system of oppression that did not yield to either side. The white slaveholders along with their black slaves became codependent amongst each other due to societal pressures and the consequences that would follow if slaves were emancipated with race relations at a high level of danger. This codependency between the oppressed and the oppressor has survived throughout time and is prevalent in many racial relationships. The relationship between the oppressed and the oppressor can clearly be seen in Octavia Butler’s novel Kindred. In this novel, the protagonist Dana Franklin, a black woman, time travels between her present day 1977 and the antebellum era of 19th century Maryland. Throughout her journeys back to the past, Dana comes in contact with her white ancestor, Rufus Weylin, a white slave owner and Dana ultimately saves his life and intermingles with the people of the time. Butler’s story of Dana and her relationship with Rufus and other whites as she travels between the past and the present reveals how slaveholders and slaves depended on and influenced one other throughout the slaves bondage. Ultimately, the institution of slavery reveals how the oppressed and the oppressor are co-dependent; they need each other in order to survive.
The relationship between slave and master. One of the the most complicated, unspoken of relationships in history. The book Kindred by Octavia E. Butler tells a compelling story of the relationship between a white man and an african american woman during slavery in the 1800’s. The tale starts with a woman, Dana, who travels back in time to 1800’s where she meets Rufus a young white boy. Throughout the story Dana learns about slavery through her experiences with Rufus and he eventually teaches her to truly understand the relationship between master and slave.
Octavia Butler’s novel Kindred is categorized as science fiction because of the existence of time travel. However, the novel does not center on the schematics of this type of journey. Instead, the novel deals with the relationships forged between a Los Angeles woman from the 20th century, and slaves from the 19th century. Therefore, the mechanism of time travel allows the author a sort of freedom when writing this "slavery narrative" apart from her counterparts. Butler is able to judge the slavery from the point of view of a truly "free" black woman, as opposed to an enslaved one describing memories.