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Buffy the vampire slayer and gender
Gender analysis of buffy the vampire slayer
Buffy the vampire slayer and gender
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In Buffy the Vampire Slayer, the main character Buffy Summers is the chosen Vampire Slayer, even though she does not want to be the chosen one, but there is always some type of danger in her town. As she is battling demons and vampires, she is struggling to live a normal life, but soon learns to embrace and accept her destiny. Buffy was a very popular show with seven seasons won two Emmy awards a Golden Satellite award and multiple Saturn awards. In every season Joss Whedon was able to incorporate something different to make each season stand out. A recurring theme throughout the episode “Hush” is that sometimes talking is not the most efficient way of communicating or showing affection. Buffy and Riley’s relationship is not really progressing, …show more content…
“They are close, leaning subtly in… ‘What papers?’ ‘Papers?’ ‘Grading what papers. There’s just the final coming up.’ ‘Oh. Okay, neat.’ ‘Right. So. Class.’ ‘I’ll see you then.’ The moment was blown. They part, each completely unsatisfied… ” When they start talking, their conversation was awkward and tense. It seems that they do not make an effort to make their conversation more interesting. “He shuts the door. Crosses to Willow’s bed and sits. Buffy sits on her own bed. After a beat… ‘Well i guess we have to talk.’ ‘I guess we do.’ They sit. Wait. BLACKOUT”. Again, when they have to face each other by themselves their minds start to go blank. Are they sure that their relationship is going to work out if they are not making an effort to improve their situation After everyone in town lost their voice, everyone had to attempt to communicate and show how they feel about things. “They fall into a strong embrace. Look at each other. She touches his face… They part as far as holding hands, then pull each other back into a kiss.” (Act Two). In this scene it looks like there was no hesitation They trust their instincts and internal feelings for each other. When it comes to not talking to each other they both look more comfortable together as
The story A Television Drama, by Jane Rule is an exciting story about an unusual event, which the main character, Carolee Mitchell, experiences the end of. The story is about her quiet street becoming unusually busy with police officers, and how the man who is being chased by these officers ends up being outside her front door. Through the point of view of the story, the characterization and character change of Carolee Mitchell, and the setting of the story, A Television Drama is an exciting read. The story conveys how important it is to be aware of ones surroundings, and what is happening around oneself through these elements.
In the prologue of Friday Night Lights, by H.G. Bissinger, football team, Panther, has players who have fears/problems to overcome before a important game with their biggest rival the Midland Lee. The main characters include Boobie Miles who had dealt with a tragic accident on his knee the last game he played causing him to get surgery leading him to not play as well as he did before, Jerrod McDougal who knows he can’t make a collage team because of his height, Mike Winchell who lives in poverty with his mother, Ivory Christian who has a love/hate relationship with football, and Brian Chavez who is a gifted football player and student being on top in every class.
When a nation is divided, so are it’s people. The American Civil War demonstrates this because of the two divided sides: the union and confederacy. In The Killer Angles it is extremely evident that the people and nation are divided. The novel portrays the different perspectives and opinions of soldiers and commanding officers throughout the Battle of Gettysburg. In the novel The Killer Angels by Michael Shaara, James Longstreet fought for glory, Robert E. Lee fought for his homeland, and Joshua Chamberlain fought for an ideal. First, we will evaluate Longstreet’s motives.
First titled Life and Stuff, Roseanne aired its first season in 1988 and its last season in 1997. The show starred Roseanne Barr as Roseanne Conner and John Goodman as Dan Conner. The couple lived in Lanford, Illinois with their three children Becky, Darlene, and D.J. They are a blue-collar, working-class family with both parents working outside of the home. They struggled just to pay the bills and put food on the table, sometimes each working two jobs. It portrayed real life issues such as pre-marital sex and pregnancy, financial struggles, sexuality, infidelity, death, drugs, and much more. In the first of its nine seasons, Roseanne (Barr) works at Wellman Plastics, along with her sister Jackie (Laurie Metcalf) and friend Crystal (Natalie West). Dan (Goodman) works as a self-employed drywall contractor for his company, Four Aces Construction. Roseanne's parents, Beverly (Estelle Parsons) and Al Harris (John Randolph), drive their two daughters crazy. Teenage Becky (Lecy Goranson) begins dating her first boyfriend Chip (Jared Rushton. Darlene (Sara Gilbert) wonders if she can still play baseball after having her first period. This season also deals with the issue of death, a terrifying tornado, Dan and his father’s relationship struggles, and Roseanne and her friends quitting their job. In season two, Jackie decides to become a police officer and begins a serious relationship with Gary (Brain Kerwin). Roseanne runs through a plethora of jobs, with shampoo woman at the beauty parlor being most influential. Roseanne also deals with issues of attractiveness when Dan's poker buddy Arnie (Tom Arnold) passionately kisses her. She is slightly disappointed when he does the same to Jackie. Crystal and Dan’s father begin a romance. Becky h...
As can be seen, the Bella’s have many roles. For example, Aubrey has task/individual, Chloe has maintenance, Beca has individual/task and maintenance, Fat Amy has task/maintenance and individual, Stacie has Individual/Task, Cynthia Rose has Task, and Lilly has Task. Also, Aubrey shows legitimate power because her seniority influences every Bella. Beca earns referent power. Amid, a key nonverbal communication is eye contact.
Throughout much of recorded human history, people have written tales of the dead returning to life, usually to trouble the living in some way. These traditional myths have progressed from ancient superstitions, to campfire ghost stories, to television shows such as Joss Whedon's Buffy the Vampire Slayer. In the series, vampires are created from the dead victims of other vampires (as long as a certain rite is performed during the victim's death). After a time they rise from their graves and immediately seek to kill and drink the blood of the living. Creatures such as these are, as Lacan [give first name when you first mention someone] describes them, "between the two deaths" and live again only to fulfill insistent, mechanical drive. This drive, often centered on killing, vengeance, or some other quest for closure, is distinct from desire in that it is not "caught up in dialectical trickery" (Zizek 21). According to Zizek [ditto], normal desires are not always what they seem, for when we desire something, we may be seeking something else entirely (21). Most of the vampires in Buffy the Vampire Slayer fit Lacan's profile of between the two deaths, and, as one might expect, they are antagonists to the protector of the living, Buffy. However, in the musical episode "Once More, with Feeling," Whedon explores two protagonists who are also between the two deaths, each struggling to revert back to their prior state of being, but both in a different situation. One of these characters, Spike, once fit the archetype of the vampire, but now faces difficulty as he is forced to cope with normal dialectical desire in order to exist in the civilized, symbolic world. The other, Buffy, fulfilled the death drive when she sa...
When coming home at night after a long day of work, all I want to do is relax and take my mind off of work. There is no better way to forget about my drama filed life than to watch a show full of drama. By watching the secret like of an American teenager you forget about your own problems and worry about the drama in the show. Many dramatic shows are on tv at night time. Generally the time to come home and watch tv. All tv shows should have certain characteristics to be considered excellent.
Hideyuki Kikuchi’s novel, Vampire Hunter D, is brought to life when it is produced into an anime film. Both are filled will the same action and intriguing plot. Nevertheless, most people tend to agree that the book version of a story is always better than the movie. The film stays true to the novel; though it does contain some significant differences. The two versions of Vampire Hunter D have similar plots but differ in the characteristics, deaths, and interactions of certain characters.
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.
The Walking Dead is a horror drama television series that takes place in a zombie infested post-apocalyptic world. The series revolves around a sheriff 's deputy named Rick Grimes, who was shot and wounded in an altercation with criminals. As a result, he falls into a deep coma for months and awakens in a world in complete chaos. Rick at the beginning of the series searches for his beloved son, Shane and his wife, Lori across the state of Georgia. Eventually, Rick reunites with his family at a camp outside of Atlanta, Georgia, where a group of survivors try their best to avoid becoming zombies. Rick naturally assumes the position as the leader of the group and becomes the person that everybody looks to for guidance. No decision is made without
After reading the directions and topic for this paper, I was extremely eager to get started. Adolescence is a stage of life that is very critical for a person. Speaking from my own experience, I know that the teenage years are a difficult part of life and during these years, one experiences a rollercoaster of different emotions, obstacles, and decision-making. Aside from the topic of Adolescence, I was glad that I could choose which movie I wanted to watch, and that was an easy decision. I decided to watch Sixteen Candles. The last time I watched this movie was when I received the DVD as a gift, which was when I turned sixteen. Watching the movie then, I obviously did not realize that most of the problems and events that occurred in the movie
Filling a scene with no backing track at all, leaving only the diegetic sounds. As Tara walks into the student lounge at that can be heard are birds and students crying, until one student drops a glass bottle. This stark scene with the abrupt loud sound reminds the viewer how the characters would be feeling, as they cannot hear the extra-diegetic sounds that the audience is privy to. All of these elements work together to convey both the downfalls and benefits of spoken language. Parts of the episode would be completely lost on the viewer if not for the help of the score and extra diegetic sounds. Though the episode does touch on the benefits of being unable to speak to one another; Buffy is unable to get past small talk with her love interest until small talk is no longer an issue. Sound plays a large part in this part of the episode as well. When Buffy is finally able to kiss her love interest all diegetic sound is washed out by the swelling romantic score that overcomes the scene. Almost as though they are the only two people in the town. Sound is a powerful tool in cinema and the director of the episode “Hush” did an excellent job using it to his advantage to portray a powerful
The premise that show runner Vince Gilligan pitched was simple, “We’re going to turn Mr. Chips into Scarface.” It was a bold claim at the time that most television executives dismissed as a bad idea. You would take the show’s main character and slowly but surely turn him into the antagonist. This was unlike most shows at the time who dealt with antiheroes, they had almost always padded them out with sympathetic qualities or redeeming actions throughout their respective seasons like Tony Soprano or Vic Mackey of The Shield. No show had ever fully committed to the idea that its lead character could truly be a villain. Yet Walter White’s transformation from a down on his luck, cancer ridden teacher to a depraved drug kingpin named Heisenberg has
The Walking Dead is an allegory for the real world. It presents audiences, the controversies of the conventional postmodern society amidst a post-apocalyptic drama. The series portrayal of dissolving humanity in unfeigned bleakness both reflects and inflames our societal perceptions and fears. Through an inhuman fallacy, (the zombie) The Walking Dead humanises the hopeless actualization of our corrupted world in all its postmodern traits. Therefore, the ambition for The Walking Dead is to exhibit a world pursuing a favourable equilibrium of peace and liberty but never achieving it as it is entirely a Sisyphean. In this essay, I will argue how cinema and humankind has fed into corruption within postmodernism.
In Paul Scheuring’s 4 season thriller there is no Gods you need to sacrifice for but rather the bond of family worth doing anything for. In Prison Break, protagonist Michael Scofield would go any extent for his family. Michael had his life together with a masters as a structural engineer while his brother was just a high school dropout. However when Michael finds out that his brother was accused for killing the vice president’s brother and put on death row, Michael gave up that future of his filled with opportunity to save his brother. How far would you go for others? Michael got a full body tattoo and got himself incarcerated in order to break Lincoln, his brother, out. He did this for him because he loves his family. Although Scofield is