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Who is durga
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Out of more than six hundred Nepalese objects in the Rubin Museum’s collection, this sculpture Durga Killing the Buffalo Demon is located in the forth floor of Rubin Museum that the “NEPALESE SEASONS: RAIN AND RITUAL” exhibition. Durga Killing the Buffalo Demon is made by gilt copper alloy in the 13th century in Nepal, which is about 11.125 inches height, 12.875 inches width and 7.375 inches depths. This magnificent sculpture of Durga is a jewel of Nepalese art. She is believed to be a Hindu goddess. She has numerous personalities and she can destroy the oak. Moreover, she has the ability to control the world in order. This sculpture is formed by three figures and Durga’s figure is in the center front with a very open pose. In India, the …show more content…
He hide himself in the mountains from where he hurled boulders at Durga with his horns. However, Durga drank the divine nectar, the gift from Kuber. Then, she pounced on Mahishasura, pushing him to the ground with her left leg. She clutched his head in one hand, stabbed him with her sharp trident held in another, and another of her ten hands she wielded her bright sword, beheading him. At last he fell dead, and the scattered surviving remnants of his once unbeatable army fled in …show more content…
There is a legend of the Nepalese Mara Dynasty (about 12 to 17 century) that the king Jayaprakash Malla was often playing dice game with a goddess who plays the similar role with Durga. She told the king that other mortal cannot see her , but oneday the king was followed by the queen. The goddess was furious and told she will no longger protect the king and the state. However, the goddess said she would spirit possession in a Nevada Shakya girl's body after the king’s pure-hearted asking. From then on, every king will look for the qualified girls and respect it as the goddess. As the goddess was turn into a red python, so if any preganant woman dreamed of a red python, her baby girl will be seen as
It is from the Neo-Assyran period during 883-859b.c.e. The highest relief would be its head. The writing was all around the statue in a different writing. It is very big and tall. It is on a good portion of the corner of a hallway. It looks kind of cool with a bull’s body with wings and a human’s head on it. The face is kind of funny because of the beard I guess if long and real even. The human-headed wing bull had five legs.
The process by which this particular statue was created involved using a method developed by Kaikei, a Japanese sculptor. It was a groundbreaking process that involved carving different pieces of wood separately and then joining them together (“Amida”). Instead of using a single object for creating a sculpture, multiple parts could be used to make the statue easier to construct and put together. After the parts were all joined together, the statue was covered in a lacquer finish and gilt was added to the face to give it the golden look.
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
Selvadurai uses an allusion to demonstrate his grandmother’s role as a negative mentor in Shivan’s life. His dream of seeing his grandmother “incarnated as the demoness Kali” running after him (in the body of his mother) is very telling of what Shivan subconsciously thinks of his grandmother. (Selvadurai 371) The demoness Kali is the Hindu goddess of destruction. Though she is seen as a god, her physical appearance is quite appalling. Her dark skin, red eyes, fangs and necklace made of human heads are all quite terrifying. When portrayed, she is often seen standing on top of the Hindu god Shiva as well. Kali’s frightful appearance, paired with her relationship with the god Shiva is very telling of Shivan’s relationship with his aachi. He fears her with every fibre of his being. In said dream, he imagines himself as his mother, carrying a child, running from his grandmother, but proving to be unfruitful when Kali, “snatches the infant from [his] arms and opens her mouth wide to consume him”. (Selvadurai 371) This baby is Shivan, and Kali eating the baby shows how as a mentor, she has taken away all the innocence from Shivan and taken him away from his mother. Shivan’s ammi shows how even negative mentors can push their mentees into
What is even more intriguing is that, in the Dagara culture, when a baby is born he or she is not considered a new being, as it is believed in Western culture and religion. He or she is considered a being from the other world who has entered this world, as a human, in order to carry out a mission. The name has taken on a great spiritual significance in Dagara culture.
This is an extremely high relief sculpture made of limestone. It is to be viewed from a frontal standpoint. It however does have a potential for movement. There seems to be a great deal going on in such a close space. It is very crowded, but dramatic. The figures are intertwining with each other all at once even though there are different things happening. It reminds me of a play with scenes. You can actually step in to it and feel as though you are a part of what is happening because of all the different directions each individual is facing.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
One of the most colorful figures of the Old West became the best known spokesman for the New West. He was born William Frederick Cody in Iowa in 1846. At 22, in Kansas, he was rechristened "Buffalo Bill". He had been a trapper, a bullwhacker, a Colorado "Fifty-Niner", Pony Express rider (1860), wagonmaster, stagecoach driver, Civil War soldier, and even hotel manager. He earned his nickname for his skill while supplying Kansas Pacific Railroad workers with buffalo meat. He was about to embark on a career as one of the most illustrious prairie scouts of the Indian Wars.
India has produced provocative (From Western standards) sculptures, from Mithuna the Hindu, representation of male and female sculpture locked in a passionate embrace. During the time period of 500 through the 1300 CE, Hindu temple architecture, and sculpture reached new levels of imagination and complexity. A great example would be the Mithuna couple showed in a tight hug with the female leg crossed over the males arms wrapped around each other, and what appears to be the couple kissing, which on western standards, would exhibit a state of an erotic pose. India’s artistic ability’s showed an advanced style, when it produced the marvelous Shiva Nataraja, Lord of the dance, from southern India, Chola period, eleventh century, Bronze height 5ft surrounded by a ring of fire, Shiva dances the eternal rhythms of the universe, birth , death, and rebirth. This sculpture too, not one of eroticism, just magnificent with a women dancing inside a ring of fire, the overall size, just added to the statue, and present of this piece of art. Hindu devotional practices elevate, and promote a sculpture, to an individual’s state of looking or gazing at God’s image; Hinduism holds that God is present in its representations, thus visual contact with a sculpture is like viewing the divine. This is referred to as darshan (Literally, “seeing and being seen by the God”) the very act of beholding the image is an act of worship. Gothic design with its flare, when thinking about sculptures it leads you to the grotesque’s gargoyles waterspouts, these were grotesque figures or hybrid beasts that adorn the rooftops or flying buttresses of the Gothic cathedrals, and were said to ward off evil. The one’s adorning Notre Dame , in Paris are astonishing , Whe...
Birth is an amazing ability. It is a uniquely female power. The Theogony provides a portrait of the struggle between the sexes for control of the womb. Men attempt to gain access to birth by monitoring and grasping control over what leaves the womb, through sexual force, and by destroying the powerful mother-child bonds. Nonetheless, women retain autonomy. Sheer force of will, as Hera’s birth illustrates, deceit, and strong mother-child bonds preserve female power of procreation. Through birth women influence and control the course of human (or deities) destiny. Through their wombs women gain powerful agency.
Golden Demon (Konjiki-yasha) is the most important work of Koyo Ozaki, who was a pionner in modern Japanese literature. Since its publication in the form of a serial story in a daily newspaper, the novel has commanded high opinions, and many films and plays have been made of it.
...merged in his ascetic meditation. In that time Sati was reborn as Parvati; the girl who had fallen in love with him desired to marry Shiva. The god of desire, Kama, was reduced to ashes with the flame of Shiva’s third eye when the God tried to arouse him with an arrow. Parvati, realizing Shiva’s lack of interest, spent years performing severe ascetic austerities to win her husband over from his denial of domestic life. Finally, the God tests Parvati by appearing himself as an old Brahman to criticize Shiva; her devotion and desire for Shiva made him to marry her. There are many version of the story all over the India; ones tells that instead of an unpleasant man, he appeared to her as a crying baby, while she had the forms of Kali trying to calm her fury and awaking her maternal instincts. Other adaptations debate the form where Ganesh and Karttikeya were conceived.
Durga is a warrior queen who slays demons in the battle to keep the cosmos at balance. Durga is universally beautiful. She rides on a lion into battle and holds many weapons with her many hands attached to her many arms. David Kinsley, author of Hindu Goddesses, describes Durga as "The great battle queen with many arms, each which wields a weapon. She rides a fierce lion and is described as irresistible in battle." This is very different from the description of Kali, as said by the above author, "The goddess Kali is almost always described as having a terrible, frightening appearance. She is always black or dark, is usually naked, and has long disheveled hair." Kali likes to accent her naturally scary beauty by wearing severed heads, arms and dead children as jewelry. Blood seems to be her favorite cosmetic.
All of the preparations were made accordingly, and for the very first time, the art of ‘Natya’ was performed before an audience of Devas and Asuras. In this Natya, the Devas were portrayed as victorious and the Asuras as losers. The Asuras (demons) got angry and rose in protest and threatened even worse consequences.