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The Uses of Enchantment by Bruno Bettelheim Essay
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Bruno Bettelheim, Austrian-American psychologist and author, devoted the large part of his life to studying human development—most notably the individual’s early growth, response to trauma, and long-term effects of various forms of repression upon the natural ego. His was the foremost scientific mind in child psychology of the post-World War II era, and his extensive theories regarding the power of fairy tales to provide insight into the “inner life of children” suggest that fairy tales confront juvenile issues in such metaphorical terms as to make them more readily universally accessible to children and therefore more resolvable. However, as assertive as Bettelheim’s arguments are and as all-encompassing his studies of the child psyche may appear to be, his career is not completely clear of spark controversies and questions of both academic and personal integrity. Ultimately, even if Bettelheim’s work were to be considered on account of its own merit alone, the detrimental effects of his own traumatic—and subsequently dissolute—life experiences on that work must not be overlooked. Thus although it is arguable that Bruno Bettelheim’s contribution to anthropology was indeed sizable, his theories as to the “uses of enchantment” are too personally biased and subject/vulnerable to critical censure to be considered applicable to any practical extent in the field of child psychology today.
Any biographical research of Bruno Bettelheim will yield results teeming with critical discretion regarding his work. Some general, highly publicized, and widely spread controversies shadow his greater contributions to psychology to an extent that his career has really come to be defined by the inadequacy with which he conducted his academic findings...
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...d the Fairy Tales." Children's Literature: Annual
of The Modern Language Association Group on Children's Literature and The Children's Literature Association 6 (1977): 93-114. Rpt. in Contemporary Literary Criticism. Ed. James P. Draper and Jennifer Allison Brostrom. Vol. 79. Detroit: Gale Research, 1994. Literature Resources from Gale. Web. 11 Mar. 2010.
Nussbaum, Emily. "Defending Dr. B. Bruno Bettelheim was a complicated man, but not
an evil one, his agent insists." The New York Times Book Review 24 Nov. 2002: 16+. Literature Resources from Gale. Web. 11 Mar. 2010.
Roazen, Paul. "The Rise and Fall of Bruno Bettelheim." Psychohistory Review: Studies of
Motivation in History and Culture 20.3 (Spring 1992): 221-250. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 143. Detroit: Gale, 2004. Literature Resources from Gale. Web. 11 Mar. 2010.
Wilson, Nance S. “ZINDEL, Paul.” Continuum Encyclopedia Of Children’s Literature (2003): 848-849. Literary Reference Center. Web. 24 Jan. 2014.
...ia J. Campbell. New York: Twayne Publishers, 1996. 39-65. Rpt. in Children's Literature Review. Ed. Scot Peacock. Vol. 82. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
In conclusion, critical evaluation of what makes a book good or bad depends on the selection criteria and agenda of those making the evaluation. The prizes have been criticised through the years and the selection committees have risen to this by changing the selection process, even if this change has been slow. Children’s Literature is in flux due to the ever-changing ideas and perceptions of childhood. Children’s books seen as prestigious today may become, like Blyton, unpalatable to the critics of tomorrow.
Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol.
Senick, Gerard J., and Hedblad, Alan. Children’s Literature Review: Excerpts from Reviews, and Commentary on Books for Children and Young People (Volumes 14, 34, 35). Detroit, Michigan: Gale Research, 1995..
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage, 2010. Print.
in Twentieth- Century Literary Criticism. Ed. Janet Witalec. The. Vol.
... (eds), Children’s Literature Classic Text and Contemporary Trends, Basingstoke, Palgrave Macmillan in association with Open University
Century Literature Criticism. Ed. Jay Parini. Vol. 14. Detroit: Gale Research, 1987. Literature Resource Center. Web. 24 Jan. 2012.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
Bettelheim, Bruno. “Fantasy, Recovery, Escape, and Consolation. “The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage Books, 1976.
Twentieth Century Literature 53.2 (Summer 2007): 153-181. Rpt. in Twentieth-Century Literary Criticism. Ed. Kathy D. Darrow. Vol. 280. Detroit: Gale, 2013. Literature Resources from Gale. Web. 14 Jan. 2014.
Literature has been part of society since pen met paper. It has recorded history, retold fables, and entertained adults for centuries. Literature intended for children, however, is a recent development. Though children’s literature is young, the texts can be separated into two categories by age. The exact splitting point is debatable, but as technology revolutionized in the mid-twentieth century is the dividing point between classic and contemporary. Today’s children’s literature is extraordinarily different from the classics that it evolved from, but yet as classic was transformed into modern, the literature kept many common features.