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Analysis of the "Atonement
Theory of atonement
What is immorality? a term paper
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At best, the actions of Briony Tallis in Ian McEwan’s Atonement can be described as highly questionable. Using little more than a single piece of unconfirmed, circumstantial evidence, she sends Robbie Turner – who is later revealed to be innocent – to several years in prison. This action alone can be used to label Briony as immoral and possibly evil, but it is not her only action that could be categorized as thus. If Briony were able to apologize and make amends for her actions after she realized their inherent wrong, she would not be an immoral character, but she is never able to make said reparations. This failure to atone for her wrongdoing further classifies Briony as an immoral character. Despite all of these corrupt actions, to the reader, Briony does not appear to be an evil character. Because of the way in which McEwan crafts his story, Briony is shown to be a complex and dynamic character who is deserving of some degree of sympathy from the reader. Based on her actions alone, Briony Tallis from Ian McEwan’s Atonement can be considered immoral, but the full presentation of this character may make readers feel otherwise. McEwan’s diverse presentation of Briony Tallis begins in the first pages of the novel; most of the beginning of the book is spent establishing Briony’s mindset. Based on her actions and thoughts, it soon becomes apparent that Briony has a highly oversimplified interpretation of the …show more content…
Despite this, McEwan goes out of his way to make the reader sympathetic of Briony by painstakingly describing her mindset and unclear interpretations of certain events. These events lead Briony to believe she is doing a positive good and not committing a wrong. The sympathy that is created with this immoral character strengthens the ending of the book, allowing McEwan to state that it is possible to partially, but not wholly atone for a past
The novel is organized in an unusual manner that can make it seem unclear to the reader. Krakauer does not introduce the work as a whole, yet he pieces together the story through different chapters. McCandless’s journey is described out of chronological order, requiring the audience to pay careful attention in order to understand the events that unfold.
There are many ways to decide what makes a man guilty. In an ethical sense, there is more to guilt than just committing the crime. In Charles Brockden Browns’ Wieland, the reader is presented with a moral dilemma: is Theodore Wieland guilty of murdering his wife and children, even though he claims that the command came from God, or is Carwin guilty because of his history of using persuasive voices, even though his role in the Wieland family’s murder is questionable? To answer these questions, one must consider what determines guilt, such as responsibility, motives, consequences, and the act itself. No matter which view is taken on what determines a man’s guilt, it can be concluded that Wieland bears the fault in the murder of Catharine Wieland and her children.
Zora Neale Hurston focuses on the evolution of an African-American woman as she goes through adulthood and three marriages in Their Eyes Were Watching God. Hurston expresses the framed narrative through Janie Crawford’s point of view as she recounts her story to her friend Phoeby, and uses two dialects throughout the novel. The clear dichotomy of the narrator’s diction and the characters’ African-American dialect gives importance toward Janie’s struggles and progress to find her strength and independence. Hurston magnifies the theme of voice and language, not only with the characters’ personalities, but also with the form of the novel as she employs a third person omniscient point of view, provoking imagery and shifts in tone.
Those living in today’s world are constantly bombarded with the stereotypes and distorted images of a consumerist society. As a result, they often struggle with a loss of identity because mass media try to dictate what they should want to be and do. Zora Neale Hurston tackles this age-old search for self-discovery in her fictional frame story Their Eyes Were Watching God. Janie Crawford tells her best friend, Pheoby, about her quest for her own voice, despite setbacks in the form of relatives, two husbands, and entire towns that attempt to silence her. From a young age, Janie yearns for enlightenment; however, the roles Nanny, Logan Killicks, and Joe Starks force upon her prevent her from reaching selfhood until she meets and falls in love with Tea Cake, her equal.
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Hurston masterfully utilizes four basic Southern literary elements to illustrate the plight of a woman that achieved self-expression and independence in the 1930’s: narrative language, allegory, and symbolism. The combination of the three elements utilized by Hurston in her novel “Their Eyes Were Watching God” bring about a much greater theme of the story—self-expression and independence. Throughout the book, Janie is faced with many trials and tribulations on the road to achieve her ideal life. But everything throughout her journey happened for a reason for her to learn from and keep pushing. She finally got her ideal relationship with Tea Cake.
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
At the beginning of the novel, Briony has a childish view on love and passion, derived from fairytales and her own writings. Although Briony’s mother loves her, it is a fruitless love because there is no clear benefit or care given. As an outsider in her own family, Briony does not feel normal childish emotions, only speaking of a “passion for tidiness” and “love of order” (McEwan 7). Her older sister, Cecilia, assumes the role of
Hurston’s use of rhetorical questions, allusions, and extended metaphors help guide the readers through each passing phase of Janie’s life. “Their Eyes Were Watching God” is potent in the way that it depicts the journey of finding oneself, in particular, the finding of an African American woman. Zora Neale Hurston successfully demonstrates Janie Stark’s coming of age with the use of multiple rhetorical devices to help guide readers through the maze of self-fulfillment of which all must go.
...he theme of guilt that builds within Briony character and writing. The structure of limitations provided by McEwan’s highlights the emotions of Briony herself. As the critic Finney addresses the narrative form, McEwan presents the corruption of the negative appearance displayed in the writing of the narrator her self. Briony uses the novel to atone for her sins, in a way to make up for the foolish acts she as committed, giving the readers sympathy to forgiver for her actions. The inability to achieve atonement is demonstrated within the novel continuously highlights the element of guilt. The attempt at atonement helped Briony, which alludes the over all theme that the ability to achieve atonement is in the hands of the beholder. Untimely, the consequences amplified the writing style that conveyed the understanding of the selfish actions that tore apart two lovers.
perceive the novel in the rational of an eleven-year-old girl. One short, simple sentence is followed by another , relating each in an easy flow of thoughts. Gibbons allows this stream of thoughts to again emphasize the childish perception of life’s greatest tragedies. For example, Gibbons uses the simple diction and stream of consciousness as Ellen searches herself for the true person she is. Gibbons uses this to show the reader how Ellen is an average girl who enjoys all of the things normal children relish and to contrast the naive lucidity of the sentences to the depth of the conceptions which Ellen has such a simplistic way of explaining.
...and realities hidden from the reader. If the reader had been aware of everything from the beginning, there would have been no point at all to the story. Carefully revealing pieces of Miss Brill's character through this point of view illustrated her own passage into a new reality. Keeping the point of view limited to Miss Brill and excluding the thoughts of the other characters kept the reader centered on Miss Brill so that the same realizations could come about simultaneously. The reader, through masterful use of point of view, was able to share a very meaningful experience with the character and go through the same steps that she did to reach the end.
When trying to understand these particular characters’ experiences, it is very important to consider their worldviews, which promote “[th...
In today’s society women are viewed as equals with men, but in the time period in which Their Eyes Were Watching God takes place, it was believed that a woman needed a man. In this novel, Hurston portrays Janie as an independent woman, but throughout the book she is almost always with a man because of her placement in society. She does to show that women are capable of independence but are not the given the opportunity to be independent. In this essay I will examine the independent elements of Janie’s personality as well as the dependent elements of Janie’s character.
To start of, the practice of passing story through generations by words of mouth is a prominent folkloric trait that the novel embodies. Their Eyes Were Watching God, written by American folklorist Hurston, represented the options and dynamism of the culture and folklore of the Southern Black folk, given the novel’s “textualization of oral traditions” form. This method is simply translating the mostly oral folklore into fictionalized written text and, although it challenges the tradition of oral story telling; however, did not undermine the authenticity of folkloric embodiment throughout the book. For instant, the novel’s frame story, brought about by Janie sharing her story with her friend Phoebe by word of mouth, is in fact based on the oral tradition of storytelling. Furthermore, though Janie did not share her story with the town, given her complicated status within the community; yet, te...