In the book Brief Interviews With Hideous Men, the author writes a set of 23 individual short stories totally set apart from each other in their own right. The stories stem from the lengths of a half-page to lengths of almost 30 pages. In these short stories, the plot ranges from a female individual who is in a deep, depressed state to a female individual who worries and is paranoid that her sexual practices do not please her lover. Mixed into these short stories are separate pieces of an interviewer, a female individual whose identity is never revealed, listening to the responses to her questions that are also never revealed, from a numerous set of men, each completely different from one another with the stories that they tell her. It is always the man who starts off the conversation, and the interviewer's response and question is identified as "Q." I believe the author, David Foster Wallace, intentionally made these series of short stories completely different from each other. The structure of the book, the author's choice to not include the interviewer's questions, and the organization of the individual short stories emphasize a meaninglessness and randomness in the lives of the hideous men.
The structure of the book implies the complete randomness in the lives of the subjects of the interviewer. The book's structure does not have one central plot that the reader can focus on. Instead, the author uses a series of short stories, each completely different from each other. The titles of Wallace's short stories are random within the structure of the story. Some examples of these titles would be "The Depressed Person", "Think" and "Signifying Nothing". These are just a small portion of the 23 titles of the short stories, but show...
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..." (Wallace 75). From Brief Interviews With Hideous Men, Wallace talks about the events that go on in a men's restroom. "The soft plopping sounds. The little involuntary grunts. The special sigh of an older man at the urinal, the way he establishes himself there and sets his feet and aims and then lets out a timeless sigh you know he's not aware of" (Wallace 86). All of these excerpts are vastly random and are in no way connected.
The hideous men that the interviewer interviews are all vastly different from each other. Their meaningless and randomness in their lives is portrayed throughout the book by its structure, the authors choice to not include the interviewers questions or responses, and the organization of the 23 individual shorts stories. This was all made intentional by the author to show the hideousness, randomness, and unimportance of the hideous men.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
His annotation of the “women with six children and varicose veins mapping their legs and nobody, including them, could care less” (Updike 159) and “the sheep” (Updike 162) in the checkout lines are an illustration of his everyday repetitious life working at the A&P. He compares these women to animals showing his undeniable sophomoric juvenile behavior.
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
In the novel Of Mice and Men, John Steinbeck brings out the themes of Lonliness and companionship, and strengths and weaknesses through the actions, and quotations of the characters. Irony and foreshadowing play a large roll on how the story ends. Lennie and his habit of killing things not on purpose, but he is a victim of his own strength. George trying to pretend that his feelings for Lennie mean nothing. The entire novel is repetitive in themes and expressed views.
(A discussion of how the author uses discrimination in the novel Of Mice and Men)
‘Of Mice and Men’ is based on the experiences of a migrant farmer, set in 1930’s America. The characters are also symbolized as realistic people, but influenced by the issues and circumstances based on the Wall Street crash, the American Dream and being set after WWI. I empathies for these characters for the consequences of these historical events are what to have made ‘Of Mice and Men’ a tragedy in relation to loneliness.
Humans are creatures of this planet that act in complex ways. A writer’s job is often defined as a way to reveal the complexity of the characteristics of people and to illustrate them. John Steinbeck the author, Of Mice and Men, exemplifies a multitude of characters that have an overall lonely existence. Although most are unhappy, Lennie Small is a warm-hearted, sympathetic man. Lennie has the unfortunate aptitude of carrying out massive destruction in others life’s, even though, it was never intended.
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
To create living people should always be the goal in literature. It is how a writer can illuminate a new facet of existence and can only be achieved through the use of a sympathetic imagination. Hemingway erred however, when he argued, “A character is a caricature” (153). A caricature may be a character sometimes, but it may also be a fully realized and living person at others. As in Watchmen, when a caricature lives, it can be an extremely powerful thing.
Males are stereotyped in movies, books, magazines, television, almost any type or medium with a male figure exhibit some type of male stereotyping. The most common male stereotypes in the media are often very well known and referred to as normal traits that men are suppose to posses, and these male traits are the following: man are naturally stronger than the opposite sex, men are the family providers, bread-winners , men are tough, adventurous, brave, protectors, and most importantly a men must be able to shoot guns, jump off cliffs, ride motorcycles, and must be able to save the damsel in distress. While I have some idea of how men are stereotyped, my main focus here will be on how men are stereotyped within the media.
are based on embarrassing you. I think that these four stories show you how your
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
Chimamanda Adichie, in one of her eye-opening speeches, The Danger of a Single Story, provides the audience with a new insight into the negative impacts that can occur as a result of viewing a story from a single perspective and not putting in an effort to know it from all available viewpoints. Adichie in her simple, yet well-grounded speech, filled with anecdotes of her personal experiences effectively puts across her argument against believing in stereotypes and limiting oneself to just a single story using a remarkable opening, the elements of logos, pathos and ethos, repetitions, as well as maintaining a good flow of thoughts throughout the speech.
In this mode the narrator is someone outside the story being omniscient (Abrams, p.301). Nevertheless, the author as the narrator in this story gives the reader virtually no access to the couple’s thoughts and does not even interpret the emotional quality of their words or movements by using adverbs; he simply records. Hemingway termed his own literary writing style The Iceberg Theory, a method in which he held back key details of his stories. He carefully detected and omitted all the words that did not work, keeping only the words that were of highest importance to his story, and leaving readers to sift through the remaining dialogue and bits of narrative on their own (Yanling, p 109). There are no descriptions of the couple’s real names, their occupations or any physical attributes. He further omits dialogue tags (she/he said) and skips any internal monologues. The story has a documentary style with sparse wording which makes the language restraint, intensified and precise. The author seems to be indifferent both to the characters and to the reader; he pretends to be merely an objective observer content to report without comment the words and actions of the protagonists (Yanling, p 108). The reader is on the basis of her or his own interpretations forced to piece together the facts of the difficulties in the couples disjointed conversation (Yanling, p