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Mystery murder story essay
Mystery murder story essay
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Brian Caswell adheres to several elements of the crime fiction genre in his novel ‘A Cage of Butterflies’. These include the archetypal antagonists, ‘bad manor’ and the conventional ‘battle of wits’ between criminal and detective. Although the text has certain features which appeal to the crime-fiction genre, it cannot be fully categorised as crime fiction since Caswell modifies several typical features. These include the structure, perspective, and ‘hard-boiled’ detective.
A key element which distinguishes crime fiction texts from other genres is their realistic setting and time period. This component is critical to the genre as it assists the readers to appreciate the inner world of the detective. Caswell incorporates this element through the setting of the text in a remote scientific research institute, colloquially referred to as “…the farm. An advanced learning facility” (Page 9), located in Sydney, Australia. This urban evil metropolis setting within the text is based on the conventional ‘bad manor’ prominent in the crime fiction genre. Furthermore, the enclosed isolated and secluded environment of the ‘Farm’ plays a significant role in creating suspense and tension for the audience.
Another element central to the crime fiction
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The use of first person also allows the reader to investigate the crime through the detective’s mind. Caswell, however, in ‘A Cage of Butterflies’ uses polyphonic perspective, allowing the audience to discover the thoughts of the other main characters such as Mikki, Greg, Erik and Myriam. The polyphonic perspective also enables the readers to interpret the situation from different angles and solve the mystery alongside the characters. The variety in perspective provides the audience with an innovative and exciting
This novel allows the reader to gain many different point of views from narrators within the 34 items in the book. Strange Objects depicts a variety of issues in a perceptive manner, promptly delivering Steven Messenger’s and other characters’ mental states, their character traits and the links between them. In Strange Objects it is clear to see that this novel deserves the awards that it has won, as it is a novel that has an effective way of combining different elements, summoning discussion and analysis of the many aspects within it, and engaging the audience by doing
“She still today never told me she loved me…never… never in her life … it’s too hard to explain,” says Anthony Sowell as he mentions his mother while he is being interrogated by Cleveland Homicide Detective (Sberna). The classic neighbor that every family wishes to have, friendly, helpful and caring was holding back numerous secrets. In Anthony Sowell’s actions of the rape, beatings and murder of 11 innocent women, he demonstrates the qualities of a human monster while showing how nurture creates a personality as well as proving that humans are capable of creation more fear than those who are written about in fiction.
Alvarez, Julia. In The Time of the Butterflies. New York, NY: Penguin, 1994. Print Hardback. 31 Oct 2013 - 8 Dec 2013.
A beautiful, captivating, and revolutionary story, In the Time of the Butterflies, was written by Julia Alvarez and is a true account about struggle, courage, and love between four sisters, their families, and the people they encountered in their lives. This captivating story is so easy to relate to, as it’s written by a woman, about women, for women. What comes across clearly throughout the story is the Mirabal sisters’ passion for the revolution and how it overwhelmed their lives and the lives of anyone that was involved, or came into contact, with them. This resulted in the sisters being better revolutionaries than mothers, wives, sisters, or daughters. Their passion for the revolution is what drove them the most and what ultimately drove them to involuntarily put their families’ lives at risk. They participated, and were involved in the revolution in spite of the risk of imprisonment and torture. The Mirabal sisters fought until death for what they believe in and the benefit of their country.
This book is a correlation themed of masculinity but with a twinge of a common sense approach angle. This enables the readers to play out the entire scene, comprehend all the laid out clues and through relating himself or herself with the major detective in this work, an understanding is easily gained. The style and tone of this piece can only be termed as hard-boiled. ‘Well, sir, there are other means of persuasion besides killing and threatening to kill.’ (119) such blatant disregard for the law is
While staying at Mel’s home, the adolescent female narrator personifies the butterfly paperweight. The life cycle begins with the narrator “hearing” the butterfly sounds, and believing the butterfly is alive. The butterfly mirrors the narrator’s feelings of alienation and immobility amongst her ‘new family’ in America. She is convinced the butterfly is alive, although trapped inside thick glass (le 25). The thick glass mirrors the image of clear, still water. To the adolescent girl, the thick glass doesn’t stop the sounds of the butterfly from coming through; however, her father counteracts this with the idea of death, “…can’t do much for a dead butterfly” (le 31). In order to free the butterfly, the narrator throws the disk at a cabinet of glass animals, shattering the paperweight, as well as the glass animals. The shattering of the glass connects to the shattering of her being, and her experience in fragility. The idea of bringing the butterfly back to life was useless, as the motionless butterfly laid there “like someone expert at holding his breath or playing dead” (le 34). This sense of rebirth becomes ironic as the butterfly did not come back to life as either being reborn or as the manifestation of a ghostly spirit; instead its cyclic existence permeates through the narrator creating a transformative
Although different, the cultures in In the Time of the Butterflies by Julia Alvarez and Nectar in a Sieve by Kamala Makandaya share a lot of the same conflicts. Conflicts between the characters and society are what cause the themes. The two books are very different but they share three main themes that are still prevalent in societies today. Feminism, societal classes, and the struggle of power are the themes that fill both books.
Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre.
The Battle of Franklin was fought on November 30, 1864, at Franklin, Tennessee, as part of the Franklin-Nashville Campaign of the American Civil War. It was one of the worst disasters of the war for the Confederate States Army. Confederate Lt. Gen. John Bell Hood's Army of Tennessee conducted numerous frontal assaults against fortified positions occupied by the Union forces under Maj. Gen. John M. Schofield and was unable to break through or to prevent Schofield from a planned, orderly withdrawal to Nashville.
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
The sensational novel is usually a tale of our own times. Proximity is indeed one great element of sensation. A tale which aims to electrify the nerves of the reader is never thoroughly effective unless the scene be laid out in our own days and among the people we are in the habit of meeting. In keeping with mid-Victorian themes, Lady Audley’s Secret is closely connected to the street literature and newspaper accounts of real crimes. The crimes in Braddon’s novel are concealed and secret. Like the crimes committed by respected doctors and trusted ladies, the crimes in Lady Audley’s Secret shock because of their unexpectedness. Crime in the melodrama of the fifties and sixties is chilling, because of the implication that dishonesty and violence surround innocent people. A veneer of virtue coats ambitious conniving at respectability. Lady Audley’s Secret concludes with a triumph of good over evil, but at the same time suggests unsettlingly that this victory occurs so satisfyingly only in melodramas (Kalikoff, 9...
John Clare’s “The Mouse’s Nest” introduces the setting of the story in the first line, “the hay.” All of the 14 lines have ten syllables; some lines are in iambic pentameter, which contains an unaccented followed by an accented stress. This consistency of the rhyme indicates the steady life of the rural life Clare presents. The “a” sound of the simple words “grass” and “hay” seems to be similar in meaning, which reflects the simplicity of life in this rural environment. The observer’s point of view seems to be close when he sees the ball of grass. But in line 2, he “passed and went away,” indicating a shift in perspective as if there is nothing going on. The assonance of “as” and “passed” highlights the observer’s ignorance, as if his focus is not on the grass ball anymore.
Agatha Christie depicts a descriptive, fictional murder mystery in the novel ABC Murders. With the help of the narrator, Captain Arthur Hastings, Hercule Poirot solves the murders of four victims who are killed in alphabetical order by Franklin Clarke, more commonly known as ABC. The story elicits copious high points but the rare low point as well. Examples of these aspects can be found within the plot, setting, characters, conflict, and theme of the book. According to Stanford’s Suggested Reading List, the book is considered a “must read.” ABC Murders definitely holds up to the reputation placed upon it by Stanford and would be a favorable choice for anyone wishing to read a well written novel.
In John Wyndham's The Chrysalids, the repercussions of the static community of Waknuk and the community that the Zealanders built, that is willing to change, are derived from the influence of the Old People. After the tribulations, the people of Waknuk did not accept change they felt as though the Old People's ways were best. Their goal was to reach the same standard of civilization, but that was only achievable if they lived exactly how the Old People did. However the Zealanders believed that change was necessary in order to live life. This choice that both communities made affected their growth as a society. The Waknuk community remained static whereas the Zealanders advanced their society in respect to technology.