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Frankenstein analysis essay
Why academic freedom is important
Frankenstein analysis essay
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In Ralph Waldo Emerson’s “The American Scholar,” Emerson defines key qualities of a scholar, describing, “Free should the scholar be, -- free and brave. Free even to the definition of freedom, 'without any hindrance that does not arise out of his own constitution.' Brave; for fear is a thing which a scholar by his very function puts behind him” (Emerson 1146). In this quote, Emerson defines the scholar as free, in the sense that he must not have any obligations except to his own desires and his own work, and brave such that his logic and reason should rid him of any fears. However, in Mary Shelley’s Frankenstein, Shelley shows through the actions of the eponymous protagonist and his ultimate end complicate Emerson’s ideas. Shelley undermines …show more content…
Emerson’s ideas of the necessity of freedom and bravery for a scholar by demonstrating how Victor’s neglect of his obligations and smug bravery lead directly to his downfall. Shelley first demonstrates how Victor’s conscious neglect of his familial obligations fits into Emerson’s descriptions of a scholar, but complicates this by demonstrating the excessive extent to which Victor regards his own freedom. When Victor is off studying at Geneva, he describes, “I knew well therefore what would be my father’s feelings, but I could not tear my thoughts from my employment, loathsome in itself, but which had taken an irresistible hold of my imagination. I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). In this passage, Shelley signifies that Victor knew full well that he should write his father, but instead intentionally ignores him. Furthermore, it can be said that the reason Victor ignores his father is purely because he is a scholar; when he says that he “could not tear [his] thoughts from [his] employment,” Victor selfishly feeds his intellect with his scientific work, and it is this hunger for knowledge that causes him to ignore his familial obligations. Thus, in this passage Victor fits the bill of Emerson’s scholar who has no “hindrance that does not arise out of his own constitution” (Emerson 1146). However, Shelley’s language and Victor’s retrospective perspective frame this devotion to work as not noble freedom, but rather as an addiction to Victor’s studies. Instead of the noble scholarly freedom that Emerson suggests, Shelley instead paints scholarly freedom as something “loathsome in itself” and something that “swallowed up every habit of [Victor’s] nature.” Through Victor, Shelley shows how freedom to pursue his desire for scientific inquiry is not so much freedom but an addiction to work that causes Victor to ignore his familial obligations. Not only does Shelley demonstrate Victor’s neglect of familial obligations, but she also shows that his scholarly freedom makes him neglect parts of himself that are not devoted to science, suggesting that Emerson’s ideas can, in fact, harm the individual. Victor describes, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object…should be completed” (41). Here, Shelley demonstrates that, in Victor’s devotion, he is no longer a whole person: he has shut down the feeling, affectionate part of his brain so that the logical part of his brain can focus fully on his project. As Victor makes a conscious decision to ignore his father, he makes a conscious decision to ignore his feelings entirely; he actively “wished” to shut down all feeling. Shelley here demonstrates the dangers of Emerson’s ideas of scholarly freedom, in that Victor shuts down all desires in light of his scientific pursuits, showing that the desires that “arise out of his own constitution” may not, in fact, be very logical or wise. Similarly, Victor later on describes, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health” (Shelley 43). Not only is Victor ignoring certain parts of his psyche to focus on his work, but he also ignores the needs of his physical body. Shelley uses Victor’s mental and physical neglect of himself to further complicate Emerson’s ideas and to show the dangers of devoting oneself to science too completely, a point that Emerson conveniently disregards. To further prove her point, Shelley demonstrates that Victor also neglects his obligations to his own creation, but highlights that Victor almost gave into his creation and instead changed his mind, letting his creation continue to suffer. Through this, Shelley shows that Victor despises the results of his scientific inquiry but takes no responsibility to correct his misdeeds, following the pattern of the unapologetically free scholar that Emerson describes and the ephemerality of his desires. After hearing his creation’s tale, Victor describes, “His words had a strange effect upon me. I compassionated him and sometimes felt a wish to console him, but when I looked upon him, when I saw the filthy mass that moved and talked, my heart sickened and my feelings were altered to those of horror and hatred” (Shelley 136). In this passage, the feeling Victor is struck with is “strange” in the sense that, after years of independence and scholarly freedom, the idea that he might want to do something for someone other than himself is unfamiliar. Contrasting before when Victor described, “I wished, as it were, to procrastinate all that related to my feelings of affection” (Shelley 41), he now channels his desires briefly towards his own creation, for he “felt a wish to console him” (Shelley 136). However, Victor is so intent on maintaining his independence that he quickly channels his feelings to those of hatred, rather than pity. Even though this creation was born out of the very experiment that Victor chose to so obsessively focus on, once the experiment goes wrong Victor rejects responsibility, a certain type of obligation that apparently does not “arise out of his own constitution” (Emerson 1146). Fitting Emerson’s descriptions of a scholar, Victor clutches on to his freedom at the expense of his own creation. Thus, Shelley demonstrates how Emerson’s ideas can be harmful to not only the individual but also the people around them. To comment on the dangers of complete lack of obligation and Emerson’s ideas of bravery, Shelley demonstrates that Victor uses bravery to avoid his obligations, and shows how this decision makes him a slave to another type of obligation: revenge.
After he destroys the mate he was creating for his monster, Victor declares, “Devil, cease; and do not poison the air with these sounds of malice. I have declared my resolution to you, and I am no coward to bend beneath words” (Shelley 158). Here, Victor takes his independence a step further and denies two obligations: the obligation to fulfill the promise he made, and his fatherly obligation to the being he created. Addition, this time when Victor denies his obligations, he does it not out of addiction to his work or disgust at his creation, but through his new-found bravery. Thus, Victor also falls in line with Emerson’s discussion of a true scholar being brave, “for fear is a thing which a scholar by his very function puts behind him” (Emerson 1146). However, Shelley interestingly ties the ideas of a scholar being free and brave together by having Victor’s bravery arise out of his desire to be free. Victor maintains, “I am no coward to bend beneath words” (Shelley 158); however, it was the creature’s words -- his skillful use of ethos, pathos, and logos -- that caused Victor to agree to his terms in the first place. Thus, here Victor does not “bend beneath words” not because he is brave but because his desire to be free outweighs his fear of the creature. Shelley proposes that the bravery of the scholar comes not from his ability to but fear behind him for the good of learning, as Emerson suggests, but rather bravery comes from his crude obsession with his own freedom. Shelley shows that this refusal of obligation puts the nail in Victor’s coffin: the breaking of this promise causes the creature to murder first his best friend and then his wife. After this tragedy occurs, Victor describes, “Liberty, however,
had been a useless gift to me had I not, as I awakened to reason, at the same time awakened to revenge” (PAGE). As Victor vows to enact revenge on his creation, he shows that liberty had been a useless gift to him because he had wasted it on selfish desires and used it as an excuse to ignore all obligations, as Emerson’s scholar would. Shelley paints a tragic ending for a man who so long ignored his obligations, but in the end does not realize his folly until he is tangled up in the obligation to get revenge on his own creation, thus forever abandoning his scholarly pursuits. Throughout the novel, Victor exemplifies Emerson’s ideas of the scholar’s freedom by ignoring his obligations to his family, himself, his creation, and his promises in order to pursue his own desires. However, through Victor Shelley undermines Emerson’s ideas of freedom and bravery through the terrible consequences of Victor’s actions: namely, the creation of a creature who murders everyone he loves and awakens in Victor an unending desire for revenge, upon which Victor realizes too late that he had wasted his own freedom. In the flourishing age of learning and reason that was the Enlightenment, though Emerson argues for freedom and bravery in the pursuit of learning, Shelley shows that without checks and balances this freedom can be taken so far as to damage the scholar and terminate the scholar’s quest for knowledge indefinitely.
Victor's gradual descent towards the dark side of the human psyche is clearly portrayed through Shelley's writing. As stated in previous discussions, Victor's original motivation in pursuing a career in the science field was purely out of love for the world of science and a true passion for acquiring knowledge. However, as the novel continues, we witness his motives go from authentic to impure. As such, we delve into the dark side. His pursuit of knowledge and his creation of the monster are all on the purer or perhaps lighter side of the psyche. It isn't until he abandons him that we begin to see him cross over. His choices to abandon the creature, to let someone else to die for its crimes, to create it a companion only to kill her, to allow the ones he loved to die at its hand, and to still refuse to claim it in the end are all acts
Shelley characterizes Victor in a way that he acts on his impulses and not with rationality. As a result, Victor does not take the time to teach or talk to his creation. This action leads to his downfall as his loved one’s are killed by the Creature taking revenge on Victor for leaving him to fend for himself. Victor’s actions have consequences, hence why all his loved one’s are murdered because of his instinct to leave out of fear and safety. Shelley proves that our id demands immediate gratification of needs and thus, is in control of our actions.
When Victor flees the creature, he becomes lonely and unhappy. He rejects his own works. If he stayed and taught him the creature would at least have a chance of happiness. When the monster flees to the cottagers he learns about human nature. He quotes “I continued for the remainder of the day in my hovel in a state of utter and stupid despair. My protector had departed and broken the only link that held me to th...
...or was not thinking of others in his actions, but only of himself. He did not consider the tumult the abnormally large creature could cause in the world, nor what the feelings of the monster would be towards him if he abandoned him. Victor also did not contemplate the safety of his friends, as he had the chance to stop the creature’s misdoings but failed to do so, risking the life of his friends. Therefore, Victor was a selfish being, who only concerned himself with his wishes and never evaluated the situation of his loved ones, ultimately causing their demise. The misfortunate events that occurred through Victor’s life could have been prevented, and also discontinued when Victor had the chance. However, Victor’s irresponsibility overcame these opportunities and he in turn, caused misfortunes for himself as well as his loved ones.
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
Shelley also connects various points about the monster by saying that in most cases committing such cruel acts can only mean that it’s a cry for attention because the monster is desperate for attention that Victor can’t give. However, it’s easy to point the finger at the monster for all of the crimes that he’s committed towards Victor and his family. However, it can be reversed because the monster does suffer injustice in his own
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
...aused him to have a low tolerance to nurture. Shelley is conveying that trying is worth it; at the beginning of the story, Victor was passionate about his science and worked hard to complete his quest for knowledge with success in attaining the skills needed to create life, but once something went wrong (his failure in creating the Creature) he became disheartened and through his lack of perseverance, things only got worse. By leaving the Creature almost immediately, Victor demonstrates his low nurture. Conversely, if he would have had a high nurture then he would have stuck around and tried to get to know the Creature. Victor’s arrogance is another factor that contributes to his lack of nurture. By not visiting his family while he is away at school he is ruining his opportune relationship with them by portraying a lack of love and only turning to them when in need.
“.he declares 'everlasting war against the species, and, more than all, against him who had formed me, and sent me forth to this insupportable misery” (Bond). The monster is angry with Victor. He wants Victor to build him a companion, or he will kill everyone that Victor loves. After Victor rejects the idea, the monster wants Victor to feel the loneliness and isolation that the monster has felt all his life. “.if I cannot inspire love, I will cause fear; and chiefly towards you, my arch-enemy, because my creator, do I swear inextinguishable hatred” (Shelley, 204).
Frankenstein “supports a patriarchal denial of the value of women and of female sexuality” (Mellor, 356). Mellor’s point is significant here because a woman was devalued if she was not able to produce children or if she showed signs of independence. Mary Shelley’s own mother, Mary Wollstonecraft, defied gender roles and strongly advocated for the freedoms of women. This influence shines through Shelley’s novel as the deaths of the women
After Victor destroys his work on the female monster meant to ease the monster's solitude, the monster is overcome with suffering and sadness. These feelings affected his state of mind and caused him to do wrong things. He did not deserve to see his one and only mate be destroyed.
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.
The confrontation between the two demonstrates Victor 's weaknesses as an individual. Although Victor is the Creature 's creator, he refers to his creation as an "abhorred monster" (Shelley 68) and is willing to "extinguish the spark which he so negligently bestowed" (Shelley 68) upon him. This demonstrates Victor 's lack of responsibility. His goal was to create life, essentially to play God. Once the monster began to murder those dearest to Victor, he failed to take responsibility for the creature 's actions. Another weakness in Victor 's character is revealed through the dialogue exchanged between creator and creation. Instead of calmly trying to reason with the Creature, Victor lashes back at the Creature. He even suggests that the two "try their strength in a fight in which one must fall." (Shelley 69) The monster, however, maturely and eloquently urges Victor 's "compassion to be moved" (Shelley69). Because Victor is full of "rage and horror" he wants to destroy his own creation even though victor is playing god in recreation of humanity. They both are to blame due to the fact that Victor created the creature as well as the signs of irresponsibility between the two for the Creature killing people and for Victor trying to recreate