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Roles and functions of theatre and drama
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For my Coursework I studied ‘Bouncers – 1990s Remix’ by John Godber,
and ‘Shakers-Restirred’ by John Godber and Jane Thornton.
For my Coursework I studied ‘Bouncers – 1990s Remix’ by John Godber,
and ‘Shakers-Restirred’ by John Godber and Jane Thornton. Originally
set in the 1980s but later adapted for the nineties, the plays are
often performed together. They tell stories about urban nightlife from
the points of view of nightclub bouncers and cocktail waitresses. Each
play only involves four actors, and they play all the parts. I enjoyed
studying the plays as they use comedy, melodrama and music to portray
some very different characters. I also noticed that sometimes, beneath
the comic aspects of the play, there were more serious messages about
life.
Area of Study 1 – Character and Context
Our play was similar to ‘Bouncers’ and ‘Shakers’ as we worked in
groups of four too.
Our characters were police officers, as we felt that the police see
just as much of the things that go on in nightclubs and bars as
Bouncers do. As well as being police officers, we also played all the
parts of the smaller characters in the bars and clubs. We took this
idea of playing multiple characters from the plays we read.
My main character was a female police officer called Karen Smith. She
comes across as a very strong, blunt and confident character, from a
rough background, but she hides a secret. When Karen was younger her
dad was really violent to her, her mum and her sisters, and it was
years before he was finally caught and arrested. It was as a ten year
old, seeing her dad taken away, and feeling so relieved, that she
decided to be a Police officer when she grew up, so she could help
other people.
(See Role on the wall) I wanted to show the hard and soft side of
Karen’s character, and so I tried really hard to show the reason for
her harshness. At one point she speaks directly to the audience about
her past; this is when her true character is revealed. The others in
my group played the following roles:
Matt – Tom Rivers – a police officer who has only recently joined the
force. He is gay, and is worried that people will find out. He tries
to seem extra tough.
Sam – Ron Brown - he has been a police officer many years and thinks
he knows everything. His wife died a year ago and now all he has is
his work.
Anna – Marie Graves – a young policewoman who is very pretty and
When I was little I remember driving across country, going to Florida, and past neighborhoods that were anything but mine. They had old houses that looked like they were going to fall down any minute, real trashy looking. In Colorado, my house was nice and always kept up. I sat in the car wondering what kind of people lived in those run down places and what they were like. The answers came to me years later when I read the book, Famous All Over Town, by Danny Santiago. The main character, Chato, is a young Hispanic boy living in a neighborhood like the ones I saw when I was little. After reading the book, although I never thought I would have anything in common with people who lived like that, I learned that Chato and I have do have similarities, but we have more differences.
Decision Making – Police officers have considerable decision making powers at their own discretion. This is true for low ranki...
...is novel with an outstanding salute to those who serve in law enforcement saying, “And so I tip my hat to all the good cops throughout our nation who risk their lives and strive to do the right thing when facing split-second decisions about life and death every day in the kill zone” (Klinger, 2004, page 274). Pulling the trigger of a gun can cause a variety of issues both within and outside of a police officer’s life, but it could also potentially save another human being from harm and keep the safety of our society intact.
Throughout his novel, Texas Tough: The Rise of America’s Prison Empire, author and professor Robert Perkinson outlines the three current dominant purposes of prison. The first, punishment, is the act of disciplining offenders in an effort to prevent them from recommitting a particular crime. Harsh punishment encourages prisoners to behave because many will not want to face the consequences of further incarceration. While the purpose of punishment is often denounced, many do agree that prison should continue to be used as a means of protecting law-abiding citizens from violent offenders. The isolation of inmates, prison’s second purpose, exists to protect the public. Rehabilitation is currently the third purpose of prison. Rehabilitation is considered successful when a prisoner does n...
Walker, S., & Katz, C. (2012). Police in America: An Introduction (8th Edition ed.). New York:
A description of the wall is necessary in order to provide a base for comparison with the rest of the story. Because we only get the narrator s point of view, descriptions of the wall become more important as a way of judging her deteriorating mental state. When first mentioned, she sees the wall as a sprawling, flamboyant pattern committing every artistic sin, (Gilman 693) once again emphasizing her present intellectual capacity. Additionally, the w...
Izzy Young was the organizer of the riot and the supervisor of Folklore Center. “In 1961, Izzy Young was running the Folklore Center on MacDougal Street. At the time it was the heart of the Greenwich Village folk scene” (51st 2). “Young was the guy who had applied for the permit to sing in Washington Square. And when it was rejected, he helped organize the protest” (Simon 2). Izzy attempted to construct a peaceful demonstration asking people’s right to sing.
It is to no surprise that America has a large amount of its people incarcerated for a variety of reasons. One must ask themselves how we can help these individuals get back on track. The answer is America’s most powerful weapon known to man; an education. This is an annotated bibliography for research on the effects of education in the prison system and if these effects are worth taxpayer’s money.
3. Herivel, Tara and Paul Wright. Prison Profiteers: Who Makes Money From Mass Incarceration. New York: The New Press, 2009. Print.
Everyday law enforcement personal have the possibility to face dangerous events in their daily duties. In performing such duties a police officer could come by a seemingly ordinary task, and in a blink of an eye the event can turn threatening and possible deadly. When or if this happens to an officer they won’t have
When dealing with a criminal, officer safety is always the key priority. When it comes to the
In 1564, a man was born by the name of William Shakespeare. He was born to a poor family, was given little education, and had no interaction with sophisticated society. Thirty-eight plays and over 150 sonnets are not attributed to this ignorant man. Those who believe that Shakespeare was the author have no definitive proof but instead point to Hamlet’s declaration: "The play’s the thing(Satchell 71)." The true author, however, lies hidden behind he name of Shakespeare. Edward de Vere the premier Earl of Oxford is not only considered a great poet in history, but he may also be the great playwright who concocted the sonnets and plays which are now attributed to William Shakespeare of Stratford, England.
Dodd, Vikram. "Why Prison Education?." . Prison Studies Project, Teaching Research Outreach, 16 Jan. 2010. Web. 12 Apr. 2014. .
“Depart from discretion when it interferes with duty” says Hannah More, an English writer and philanthropist. Police officers are given discretion for their line of work; however, if there is a means of it interfering with their job, which protecting public safety, then discretion is inappropriate. Detectives, Jed Dineen and Ross Nemeroff, present their perspective on policing. One of the detectives mentions that officers, who are on patrol, have discretion to either look for crime or wait until crime to happen. They also mentioned that a police officer may use whatever force is necessary, based on the particular officer’s discretion, to conduct an arrest. These particular uses of discretion are inappropriate because police may not have enough initiative to finding crimes and the public trust of police is lessened.
The VOX 5 is part of the VOX Cycle composed by Trevor Wishart between 1979 and 1988. The six independent movements of the VOX Cycle were written for four amplified voices (soprano, tenor, mezzo and bass) and electroacoustic music (in some VOXs he uses both amplified voices and electroacoustic music, in others he uses only one source). The cycle explores the aspects of what it means to be a human being and uses the voice, with various extended techniques, as the main instrument. The cycle has a storyline behind each movement, or each VOX. VOX 1 explores the creation of the world, using various creation myths from different cultures around the world; VOX 2 is a sort of an ode to the beauty of the natural world; VOX 3 an exploration of the intellectual wonders of the civilizations; VOX 4 a disintegration of the human society and organization; VOX 5 a voice of Shiva, the lord of the cosmic dance, that destroys and recreates the world; And VOX 6 a dance-finale with a morph of the profane (pop) and satire, a celebration of the whole cycle.