Bounce Back, by Juvenile featuring Birdman was on the Juve the Great album. Juvenile was signed to the Cash Money Records label. Bounce Back, was on Juvenile’s sixth studio album released in 2003, by Cash Money Records. It was produced by Mannie Fresh and contains numerous elements relating to the struggle that went on throughout New Orleans, also known as “dirty south.” Most of Juvenile's songs refer to his newfound wealth after a youth spent in the projects, and the sexual attention that accompanies such wealth and success. Juvenile's particular brand of Southern bounce music, had funky beats and signature flow, which challenged the rap scene in the late 1990s. Bounce Back, is a song that talks about the lifestyle that surrounded Juvenile growing up, the lifestyle he became a part of in New Orleans. “Started tweakin and broke in them people house next do', shot a nigga for smokin rocks on my mom back porch,” illustrates the way a majority of those lived and had to experience due to the environment that surround New Orleans, Louisiana. At the end of his first verse he mentions him being “the first nigga to park a Rolls Royce in the bricks, while I fly private jet out of town by a bitch.” Before he mentions this he talks about the struggles …show more content…
Then once the chorus come on it gets more exciting in a more upbeat jumpy beat. It sounds as if someone is clapping or singing in the background. This is a song that I could see people listening to and also being able to dance too because the chorus is catchy with bouncy, driving beats. “Bounce back bounce back b-bounce back, I'm about bounce back bounce b-bounce back,” is the chorus to this magnificent piece. I think he’s trying to say that if a struggle arises he’s going to bounce back from it in a way that it shows perseverance through all the hard elements that surrounded him on a daily
On a lighter note, he explains his inspirations for his dream of making music in the song ‘Juicy.’ Biggie’s writing went in depth to show his audience where he came from and to also inspire other artists working their way up in the music industry. Lastly, Kendrick Lamar’s piece Good Kid m.A.A.d City is a coming of age story from the perspective of teenage Kendrick living in Compton, California. This album shows the dark side of Kendrick’s life, as well as his lighter moments of aspiration. There are vivid depictions of violence that he endured as a teen, as well as the influence of money and power.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
In this song, she sings about events that have oppressed the African American people and other ethnicities in the United States for many years. In the song she states (line 60) “Mafia with diplomas keeping us in a coma trying to own a piece, of the "American Corona”, The Revolving Door, Insanity every floor, Skyscraping, paper chasing, What are we working for? Empty traditions, Reaching social positions, Teaching ambition to support the family superstition?” In this part of the song she is saying that everyone today is trying to be successful and trying to accomplish the American dream. She says that trying too hard to be successful is toxic and it will mess with one’s traditions that he or she does. She also is saying that in some ways it will mess with one’s social abilities with one’s family and friends. Success is only good if one is doing good and feeling good in the end. It is not good when there is no good in involved. Therefore, that’s why she calls it
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Blair, M Elizabeth. "Commercialization of the Rap Music Youth Subculture." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 497-504. Print.
Puff Daddy, born Sean Combs on November 4, 1969 in Harlem to Melvin and Janice Combs, began his life of violence at a young age. When Sean was two years old, his father was tragically murdered. This forced Janice to move to a safer environment in Mt.Vernon, NY where she had to work three jobs in order to provide for her family. One can see that Sean’s broken home and the violence that constantly surrounded him influenced his lyrics and style of music throughout his life[I1] . His angry lyrics and shouts of aggression in his individual tracks certainly support the argument of his childhood having a big impact on his style of rap.
When someone mentions rap music, the first thing some people think is violence, sex, and drugs, negative, and worthless music. There are a number of rappers that do and sell drugs, live the crime life, and do jail time. The message that rappers send to their listeners is the realities of their life, the consequences, and the reasons to try and avoid the same situations. In a song called, “This Can’t Be Life”, artist Beanie Sigel recalls the criminal path he chose. In his song, he stated that the only thing that could stop him was, “till them feds pick me up or them boys pop me.” (Sigel) He later says that, “I have to teach my sons the right way before I die.” (Sigel) Sigel was letting his listeners know that he do not want people to do the things he did. He made it clear that he was going to teach his sons the right way to pursue their lives.
Specifically, teens are attracted to this music style, because it “appeals to the emotional struggles usually felt in teenage years, and for teens in lower socioeconomic brackets, the financial struggles felt by many rappers mirror their own. An escape from reality is provided for teens in the “better tommorrow” depicted by some rap songs” (Brown, 2016). The enjoyment for Hip Hop/ Rap brings people together and it brings out a creativity on those that write lyrics and produce
Jeffries, M. P. (2011). Thug Life: Race, Gender, and the Meaning of Hip-hop. Chicago: University of Chicago Press.
Nevertheless, most of what is usually discussed in popular hip hop songs is how harsh the “gangster” life is. Now most middle class youth has no sort of experience when it comes to living a harsh life. That is what makes it so much more intriguing to these teenagers. They now have some sort insight into what that “gangster” life really is. Each hip hop artist has a very different “come up” story. Some may have encountered more hardship than others. For example, a very famous Brooklyn rapper named “Jay-Z” can definitely give insight to what one can face. In a song titled “Drug Dealers Anonymous” made by another rapper named Pusha T, Jay-Z featured on the track. In the song he says “ ‘89 in London pull the Benz up / Type it in, Google’s your friend bruh / 14 year drug dealer and still counting.” Here he is not exactly saying that he still continues to sell drugs, but now he has a different “hustle” which is the rapping. Selling drugs were a bad reality for many of these rappers. Some turned to the urban poetry to express one’s feeling, and that is when rapping comes into the picture. Once these artists are very well known and famous, they have this huge platform set up to allow others to know what they have faced in their life. The audience (middle class youth), now have a huge respect towards that person. This gives the listener an emotional connection between them, and their favorite hip hop artist. In the head of the listener, people now think that the rapper opened up to them to let them know what trials one has faced. Making the interest even stronger than it was before. Listening to their favorite hip hop artist also allows them to really experience the “gangster” life without putting themselves in actual dangers. In many of today’s hip hop hit songs, certain topics are usually discussed throughout the song such as: selling drugs to make money, having
When teens listen to the rap music, they hear the lyrics of gang violence, sex, drugs and parties. Many believe that Gangster rap is being related to youthful crime. With artists like Eminem, singing lyrics like, "But I'm not like you. I didn't...
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way
In chapter13, book one of Nicomachean Ethics, the reader is introduced to the virtues and is provided with a clear understanding of virtue through the human happiness and human good. Human virtue is also virtue of the soul but not of the body because the focus is on human happiness and human good. So happiness is an activity of the soul, which would make human virtue part of virtue of the soul (1102a15). So, since happiness is an activity of the soul, then human virtue must be further assessed.