“Bootycandy,” a new production playing at the Windy City Playhouse (3014 W. Irving Park Rd.), is a semi-autobiographical account of the life of the successful director and writer Robert O’Hara, who grew up a gay black man. O’Hara, the recipient of many awards, has crafted “Bootycandy” with shocking, provocative and raw humor.
“Bootycandy” addresses modern-day stereotypes toward gay and black people. O’Hara takes stereotypes that might seem hurtful and transforms them into a candid comical medium that audiences can laugh at and, most importantly, understand. While “Bootycandy” had me laughing uncontrollably, it prompted me to question society and how much these stereotypes are ingrained into our society.
Travis Turner, Osiris Khepera, Debrah
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The play didn’t focus on the day-to-day life of Sutter, but more of the influential events in his life. I believe this held the audience’s attention more, forcing them to pay attention. With each scene, I was eager to see what “Bootycandy” had to offer.
Osiris Khepera in 'Bootcandy,' running through April 15 at Windy City Playhouse. Courtesy of Michael Brosilow
“Bootycandy” is astonishing, shocking and appalling in a thought-provoking way that makes you question our society. O’Hara uses theatrical comedy as a gateway to share these stereotypes and struggles that minorities experience daily.
The final interaction introduced Sutter’s grandmother in her nursing home. They both recall a dance Sutter would do when he was younger, imitating Michael Jackson. His grandmother encourages him to “do that dance,” even though he was once ridiculed for it.
The underlying meaning behind this is Sutter’s sexuality. The statement coming from the previous generation, conveys that the race and LGBTQ movement is progressive, and that it’s moving in the right direction. “Bootycandy” is filled with searing comedy not fit for the lighthearted that celebrates individuality among minorities while drawing attention to contradictory
John Patrick Shanley creates a movie as a whole I feel was more informative than the play. In the play you have 4 characters Sister Aloysius, Father Flynn, Sister James, and Mrs. Muller. While the movie introduces a few other characters, for instance the children. For me the children made a difference because they for one made me understand what kind of kids Sister James was dealing with. I really thought that being able to see the way Father Flynn interacted with all of the young boys including Donald Muller was really helpful when trying to draw your conclusion of Father Flynn versus when reading it your left to imagine for instance; what some of the kids are like. The way the book sets you up your left leaning to Father Flynn being exactly what Sister Aloysius accuses him to be. We also get to see how sister James interacts with the kids and how Sister Aloysius influences her to change the way she deals with and teaches her class.
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.
... Not only does this provide an example of the ambient racism in this story, but it also relates to the previous statement of how the filmmakers exaggerated the sexual energy of black people.
Danielle Evans’ second story “Snakes” from the collection of short stories, Before You Suffocate Your Own Fool Self depict a biracial girl who has been pressured due to her grandmother’s urge to dominate her. The story pictures her suffering with remarkable plot twist in the end of the story. Evans utilize a profound approach on how to bring readers to closely examine racism implicitly, to make readers recognize the actions may lead to social discrimination and its consequences that are often encountered in our daily life.
Green, Stanley, and Cary Ginell. Broadway Musicals Show by Show. 7th. Milwaukee: Applause Theatre & Cinema Books, 2011. Print. (Green and Ginell )
'The Rez Sisters won the Dora Mavor Moore award for the best play in 1986-87 and later went on to earn extravagant praise at the Edinburgh Festival.'; (P. 172 Native Literature in Canada.) The play is full of comedy, trag...
It’s 1962 and an overweight teenager, Tracy Turnblad and her best friend, Penny Pingleton are obsessed with the dance TV show Corny Collins. One of the regulars leaves the show leaving a space to be filled. Tracy’s dream has always been to be on the show. With the help of her new black friend Seaweed, she manages to get casted for the show, angering the star, Amber Von Tussle and her mother the station manager, Velma. Tracy is not the typical white teen that believes in segregation and wants to see the Corny Collins show integrated. She sets out to do just that all the while winning the love of heartthrob Link, while having a laugh or two and singing a couple tunes.
In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.
Finian’s Rainbow and Flahooley are two renowned musicals created by E.Y Harburg and Fred Saidy, and were played at the Harlem Repertory Theatre located at the 133th street Arts Center. This intimate theatre was founded by Keith Grant, a well known professor at City College of New York. This small center is greatly supported by the Yip Harburg Foundation. The interracial cast of both musicals is something that stood out to me and I appreciated the thought that Grant placed in this entire production. These two musicals have been ongoing and playing at the Harlem Repertory Theatre for nearly two years. Finian’s Rainbow (music by Burton Lane) has been revived many times but Flahooley (music by Sammy Fain) is hardly ever done. However, the songs from Flahooley have been kept alive because its original lead, Barbara Cook, has sung them in many of her cabaret shows.
Our second to last day in New York started like all the others. Breakfast. Shopping. Sites. Back to the hotel. However, upon returning to our rooms, my stepmother (who was escorting us on this journey) handed me three tickets. Across the top of them, it read: The Nederlander Theatre presents Jonathan Larson’s RENT. I was completely stunned and my ey...
This fieldwork aims to sociologically analyze gender roles and expectations within the movie White Chicks. In this film brothers, Marcus and Kevin Copeland, play the role of two black FBI agents looking to get back into good graces with their superior after they accidentally ruined a drug bust. They are assigned to escort two rich white females, Brittney and Tiffany Wilson, to the Hamptons for Labor Day festivities. While traveling they experience a minor car accident, leaving the girls with a single scratch each on their face. Because of their socialite status, the sisters no longer wish to continue their trip in fear of humiliation. The agents fear losing their chance of redemption, so they decide to disguise
The Ugly Truth, a film which was released in 2009, displays many particular stereotypes and gender issues which we find within American society. Gender is made up of socially constructed ideas which are reinforced by society in regards to what it means to be masculine or feminine. We first learn gender from our parents; however they too had to first learn it from their families and society. Within the American society, the media takes on a large role in creating gender norms. The media is made up of films, magazines, television programs, and news papers. The Ugly Truth, although a funny film, perpetuates these stereotypes and ideas of gender provided by our society.
We, the audience, are entertained and interested by the interviews, the balls and the featured persons. bell hooks sees audience enjoyment as exploitative and says, "...It is this current trend in producing colorful ethnicity for the white consumer appet...
bell hooks closes her essay by saying, “If black men are betraying us through acts of male violence, we save ourselves and the race by resisting.” (123) I believe in what she is saying, but she is one sided. Maybe she is just saying that we, as women, would rather be called just ‘girls’, ‘women’ or even ‘chicka’, but that is every woman, not just the black women. But, did she even think about the girls (black and white) that like to be paraded around like giraffes at a circus? Did she realize that she is just one person, as am I, and she can’t change the world she lived in? The world is cruel and evil and some of the men in it are just as nasty and immoral, but it’s our choice whether to live in the world…or in the circus.
Ann Perkins, Jones’ character, is supposed to be an ethnically ambiguous person and in reality, Rashida is biracial (Glamour). Leslie Knope, the white protagonist of the series, frequently uses words like ‘exotic’, ‘tropical’, and ‘ethnically ambiguous’ when complimenting Ann. The ‘compliments’ also act as the only instances where race is spoken about in reference to Ann’s character. One would believe that Leslie’s constant complimenting of Ann is beneficial to viewers with a biracial identity, but there are some serious problems with Leslie’s behavior. There has been an historical and recent fascination with ‘mixed’ children. This fascination has crossed over into fetishizatoin of biracial or mixed children and people. Biracial people are seen less as people and more as a kind of spice that bell hooks mentions in her work “Eating the Other: Desire and Resistance” (21). They are something that helps liven up the blandness of the pervasive white culture. Another harmful aspect of Ann’s depiction relates to her class. In Edison’s work, she notes that “biracial individuals living in a middle- and upper-class environments are more likely to be perceived as biracial (rather than black) than those living in working- and lower-class environments” and that “‘color blind’ portrayals of middle- and upper-class Black and biracial characters support the notion that race no longer matters (at least for middle- and upper-class people)” (Edison, 302; 304). Ann’s character is a successful college-educated nurse which is not problematic until one realizes that her race is never truly discussed. This feeds into the stereotype that race does not matter and that all people in the U.S. have the same opportunities. Again, the lack of racial representation leaves one character the duty of depicting a whole group of