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Have you ever wondered what it’s like to be disowned by your own mother? Or even have your mother follow a man out of love, over you? Well in story, “Bastard out of Carolina”, Bone is the main character who is been through so much at a young age. Her experiences, have made become mature and things have suddenly become a lot more complicated. From losing her mother, to her mother choosing a man over bone after he’s raped her, but still having a big loving family. With this in mind, this leads me to why the book, “Bastard out of Carolina” shouldn’t be banned from high school. In the story, Bone is portrayed as a young girl who is growing up in Greenville County, South Carolina in the 1950’s, born fatherless to young mother by the age of 15, Anney Boatwright. Bone is …show more content…
Bone, who is pointed out to be different from her family, is expected a lot out of. She has to help with sister, maintain normality while being raped by her step father, and try not think about the bad. As a young person, that can be hard to maintain, especially if you being manipulated by man, who you want to be as your dad. This is sad situation a lot of kids go through, and shouldn’t. In the scenario of a young girl, you’re supposed to be considered a princess and hold the title high. You should have your mothers support, and be able to feel like you can tell your mother anything. In the book, B out of C, this was not the case. Bone was actually betrayed by her mother for a man’s love. A young girl should never feel obligated to feel bad for rape, or think it’s her fault to feel loved by her mother, just because a man put that thought into her
Derricotte’s conclusive paragraph begins with, “My mother helps me. She sends me signs: her African violet bloomed for the first time on my windowsill three years after her death, on the first day of her death month…I love my mother now in ways I could not have loved her when she was alive, fierce, terrifying, unpredictable, mad, shame-inducing, self-involved, relentless, and determined by any means necessary” (53). The timing of her love for her mother became insignificant. It wasn’t about when she finally reached the point of loving her mother but the mere fact that she loved her. The utilization of descriptive writing and the emotional implementation in “Beginning Dialogues” are a couple of ways Derricotte enraptures her readers in this short story. Regardless of a painful past or a traumatic childhood she allows herself to see that love truly conquers
In John Hassler’s novel Staggerford, a spotlight is shining on Miles Pruitt and Beverly Bingham. Beverly Bingham, Miles’ student, preyed on Miles until he fell to his knees. If Beverly had never shown interest in him, Miles would not have thought of her as anything but a student. She was relentless, and that is all it took for Miles to write, “Don’t tell me I’m falling in love with the Bonewoman’s daughter” (Hassler 112). Their growing scandal was based on convenience and not on love.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
The Lovely Bones’s combination of themes work together to expose the raw emotion of a family in pain over the death of a precious loved one. The first and most significant theme to be presented in the novel is that of mortality. Throughout the novel, as Susie looks back over her violent death and its effects on her family, she makes a point that when someone dies, that person's desires and needs pass over with them into the afterlife (Thomas). For example, from watching her sister and Ruth Connor, she realizes that the concept of love is something she still wishes she could have, even in heaven. Her sister Lindsey meets a boy by the name of Samuel, and Ruth grows closer to Susie's first real crush, Ray Singh. These observations by Susie almost
Throughout Alice’s childhood, Jane struggled with alcoholism and panic attacks. “I wished my mother were normal, like other moms, smiling and caring, seemingly, only for her family” (37). When Alice’s rape is discussed, Jane feels anxious and goes into these panic attacks. During these attacks, Jane is in an unstable state of mind, and she cannot function properly. Normally, a teenage girl seeks out her mother for guidance in a time of need. However, in this situation, the mother/daughter roles are reversed, and Alice must comfort Jane. While Jane is having a difficult time with the rape, Alice had to step up and support her mother. Jane’s reaction to the rape influences Alice to console her, which make her a more secure
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
The childhood of Frances Piper consists of inadequate love, loss of innocence and lack of concern, ultimately leading to her disastrous life. As a six year old child, she encounters several traumatic events, explicitly the death of her loved ones and the loss of her innocence. Over the course of one week, there have been three deaths, two funerals and two burials in the Piper family. “Frances was crying so hard now that Mercedes got worried. ‘I want my Mumma to come ba-a-a-a-ack.’”( McDonald 174). As a young child, there is nothing more upsetting than losing a mother. A family is meant to comfort each other to fulfill the loss of a loved one; however, this is not the case in the Piper family. Mercedes, only a year older than Frances, tries to console her even though she herself is worried. The loss of motherly love and affection has a tremendous impact on her future since now her sole guardian, James, expresses no responsibility towards her. Instead, he molests Frances on the night of Kathleen’s funeral to lessen the grief of his lost daughter. As a result “These disturbing experiences plague Frances with overwhelming feelings of low self worth and guilt that haunt h...
This is because the mother assumes that a woman’s reputation and respectability predisposes to the quality of a woman’s life in the community. The mother inherently concludes that there are only two types of women: respectable women and “sluts.” Through the entire story, the mother often implicates the daughter of being bent on becoming a “slut.” Her suspicion doesn’t appear to be aggravated by the daughter’s behavior. The daughter resembles good behavior; this is shown by her first input in the story, “but I don’t sing benna on Sundays at all and never in Sunday school” (171).
The second person point of view helps the reader to connect with the girl in this story. It shows the reader a better understanding of this character and how she is being raised to be a respectable woman. This point of view also gives us an insight on the life of women and shows us how they fit into their society. Through this point of view, the reader can also identify the important aspects of the social class and culture. The daughter tries to assert a sense of selfhood by replying to the mother but it is visible that the mother is being over whelming and constraining her daughter to prepare her for
As previously stated, her father, Carl, sexually assaulted and raped her a copious amount of times and impregnated her not only once, but twice. The abuse began when she was only three years old and continued until she was fifteen; Precious was pregnant at twelve years old. Child rape occurs every two minutes in the United States and sadly one in three girls will be sexually molested before the age seventeen. Sexual abuse is an atrocious, disgusting and horrendous issue that happens every single day to an immense number of children. “Precious” acknowledges this topic and again, shows the negative effects it has on an individual. Although Precious was a victim of sexual abuse and incest; she wanted more for her and her children’s lives. A child who is the victim of prolonged sexual abuse usually develops low self-esteem, a feeling of worthlessness, an abnormal or distorted view of sex and has a higher risk of committing suicide. On the other hand, Precious did not let her destructive sexual abuse define who she is. “I cried the other day and I felt stupid, but f*ck that day. That’s why god made new days,” she says. Despite her rough past, she is strong enough to continue her life. The director and writer incorporated this issue to increase resilience in children subject to dysfunctional families and to sexual and physical abuse. In children who do not have to contend with those problems, the movie
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
Most people have experienced some form of violence in their family. Many of these dramatic events involve children becoming victims of abuse. In the movie “Precious” an African American sixteen year old female is tormented by her parents. Precious is the victim of several different form of abuse including: sexual, neglect, psychological, and physical. She is pregnant with her second child, both her children biological parent is her own father, who constantly rapes her. Precious’s mother is envious of her daughter because of the sexual relationship he has with his daughter. This creates conflict among them resulting in physical and psychological abuse. Precious escapes from realty by imaging herself as a glamourous star. With the help of her
First of all, ‘The Lovely Bones’ is about a girl named Susie Salmon and tells a story of how she died and how people get along together and live without her. She was a normal fourteen-year-old girl when she was murdered in the novel 's opening pages. She narrates the rest of her story from heaven, often returning to Earth to watch over her loved ones; mostly family, some friends and Mr. Harvey and the other people he kills. ‘Lovely Bones’ is represents Susie’s body the connection of heaven to earth, earth to heaven. This is main symbolism of this book as Susie. ‘She began to see things without her and the events that her death will influence her in heaven and her family and friends in earth.’ In this passage, the author talks about her life
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side with conflict, both internal and external, are shown throughout the novel.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...