Hannah Compton Ms. Finch 17 April 2024 Psychological Concepts Bojack Horseman The Bojack Horseman show on Netflix is primarily categorized as an adult animated tragicomedy or dark comedy. It blends elements of satire, drama, and existentialism, tackling heavy themes such as depression, addiction, and the pursuit of happiness in a satirical and often darkly humorous manner. The animated series dives into the life of the character, Bojack, a washed-up actor grappling with depression, addiction, and the consequences of his actions. Set in a world where anthropomorphic animals coexist with humans, the show follows BoJack Horseman's struggles with fame, relationships, and existential dread. Through its darkly comedic lens, the series explores themes …show more content…
Peanutbutter, ghostwriter Diane Nguyen, and friend Todd Chavez, he confronts the harsh realities of his past while grappling with his desire for redemption and personal growth. "BoJack Horseman" offers audience-grabbing commentary on the human condition, fame, and the pursuit of happiness, making it a compelling and thought-provoking exploration of modern life. The series tries to give real world examples that the audience can relate to. This show heavily relates to the concept of social anxiety and depression. Social anxiety is an intense fear of being humiliated or embarrassed in a social setting or in social situations. Contributing factors to social anxiety are parenting styles and early experience, and bias toward negative information. In the show it shows Bojack having flashbacks to his childhood and then flashes back to how it has affected him. Growing up, his parents were very absent and never paid attention to him. They often blamed their problems on him, which ultimately led to him believing that he is a problem. In one episode, his mom tells him that she was beautiful prior to being pregnant with him and that it was his fault for making her ugly or not as beautiful as
Despite its many glaring faults, Bojack Horseman has developed a staggeringly large audience of regular viewers, mostly composed of frat bros
support is a pathetic effort to protect his identity. Linda will never admit to herself,
Although animated cartoons have long been associated with children’s entertainment, the content of many cartoons suggest they are for adults as well. From character portrayal to perceived gender roles, cartoons such as The Flintstones, The Jetsons, and Scooby Doo both reflect societal values from their time periods as well as perpetuate the developed stereotypes. Cartoons produced more recently such as The Simpsons start to challenge these stereotypes instead of following blindly. Comparing the earliest popular cartoons to more recent productions, shows progress towards a less stereotypical character portrayal in regards to gender.
How much of television is comprised of real life? By examining one show within its context, one can find the answer. Reality is reflected in the themes; rhetorical strategies; and audience, importance, and popularity. By examining the situational comedy series: Drake and Josh, a popular teen show from 2004, it is possible to see how reality shapes television. Drake and Josh is centered around two brothers in San Diego, California: Drake and Josh. Drake is portrayed as the suave, charming, bad boy in a band. He gets all the girls, leaving Josh in the dust. Josh is a nerdy brainiac, who has an unhealthy infatuation with Oprah Winfrey. They also have a meteorologist father and a kooky mother. Plus, a younger sister who painfully pranks them in
Harold Loman (Miller 79), or Happy as one may know him, never truly saw the epiphany of the ‘American Dream.’ He was just “blown full of hot air,” he never knew what was reality and what wasn’t (105). From the day that Happy was born, to the day his father died, and most likely till the day he would die, he never once saw the truth behind his ‘phony’ of a father. Happy, not only being portrayed as a static character, but also somewhat of a stock character, would end up just like his father, dying the “Death of a Salesman” (111)
Happy Loman has grown up to be a well-adjusted man of society. He has developed from a follower to a potentially successful businessman. Throughout his childhood, Happy always had to settle for second fiddle. Willy, his father, always seems to focus all his attention on Happy's older brother Biff. The household conversation would constantly be about how Biff is going to be a phenomenal football star, how Biff will be attending the University of Virginia and be the big man on campus, how Biff is so adulated among his friends and peers, and so on. Young Happy was always in Biff's shadow, always competing for his father's attention but failing each time. Happy would resort to such antics as laying on his back and pedaling his feet backwards to capture his father's attention but to no avail. Willy would continue to not take notice of his younger son and maintain his attention on other matters that he thought were of greater importance. Growing up under these conditions is what motivated Happy to be the man he is today.
BANG! Your father is dead. Within a few seconds, although he attempted many times, your father dies. He gave up. All the fights, all the disrespect, and all the struggles are behind you. However, all the hope, all the passion, and all the love is still there. In Arthur Miller’s Death of a Salesman, the main conflict is between Willy Lowman and his son Biff. Most of their struggles are based on disrespect; however, much of the tension throughout the play is also caused by the act of giving up.
Death of a salesman The Death of a Salesman, by Arthur Miller is a controversial play about a typical American family and their desire to live the American dream “Rather than a tragedy or failure as the play is often described. Death of a Salesman dramatizes a failure of [that] dream” (Cohn 51). The story is told through the delusional eyes and mind of Willy Loman, a traveling salesman of 34 years, whose fantasy world of lies eventually causes him to suffer an emotional breakdown. Willy’s wife, Linda, loves and supports Willy despite all his problems, and continually believes in his success and that of their no good lazy sons, Biff and Happy. The play takes place in 1942, in Willy and Linda’s home, a dilapidated shack on the outskirts of a slum.
“The American dream is, in part, responsible for a great deal of crime and violence because people feel that the country owes them not only a living but a good living.” Said David Abrahansen. This is true and appropriate in the case of Willy Loman, and his son Biff Loman. Both are eager to obtain their American dream, even though both have completely different views of what that dream should be. The play Death of a Salesman by Arthur Miller shows the typical lives of typical Americans in the 1940’s. Miller’s choice of a salesman to be the main character in this play was not a coincidence, since it represents the typical middle-class working American, some of which have no technical skills what so ever. Miller’s play gives us insides on the daily lives of many Americans, this through the eyes of Willy and Biff Loman, he also shows what kind of personalities, what dreams they have, and their different points of view of what the American dream means.
Willy Loman got lost in chasing the American Dream. As a salesman in the concrete jungle, Willy had unrealistic aspirations which left him “boxed in”. He is surrounded by high rising skyscrapers which engulf not only him but his whole family. Because of this Willy has a false sense of the American Dream and in trying to achieve it, he fails. The skyscrapers and his own references to being “boxed in” serve as a metaphor for his life. He chased after riches and materialistic possessions rather than his own happiness which consequently led to his death.
What encompasses the American Dream? Arthur Miller’s “Death of a Salesman” offers a realistic, stark picture of lives overflowing with dreams wished and dreams broken; yet, there are no dreams realized here. Their dreams comprise glory and fearlessness over those which genuinely can be achieved. Although Willy, Linda, Biff and Happy, as individuals, still believe in the American Dream, it’s clear that it represents something different for each.
The Loman’s complicated views of success make it hard to achieve happiness: Willy and Happy are focused on Willy’s dream of money and popularity, while Biff is willing to tell the truth, and admit that being a salesman is not the right job for any of them.
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide.
Death of a Salesman deals with many timeless issues. Though these issues are portrayed through the story of Willy Loman in the nineteen forties or fifties, their presence in today's world is still very prominent. The relationships in Death of a Salesman are riddled with jealousy, hope, love, dreams, hate, disappointment, and many other very human emotions.
A Modern Tragedy A form of drama in which a person of superior intelligence and character is overcome by the very obstacles he/ she is struggling to remove defines a tragedy as most people know it. However, tragedy can reflect another aspect of life: the tragedies of the common people. Heroic behavior in these instances may, at times, be impossible. We expect, from reading the first tragedies, that only kings or nobility can be tragic heroes.