Bodas De Sangre And Yerrea-Spanish Essay

2021 Words5 Pages
bulb-icon

Recommended: Blood wedding by federico garcia lorca analysis

Federico García Lorca was a Spanish poet, playwright and theatre director who, through a short career spanning just nineteen years, resurrected and rejuvenated the most basic elements of Spanish poetry and theatre. After developing a passion and talent for writing, Lorca was soon inspired by the traditional customs of the gypsy folk and music that was native to his hometown in Andalusia. Growing up through the Spanish-American War, World War I, The Rif War and the establishment of the Second Spanish Republic, Lorca combined his inspirations from the native people of rural Spain with his real world experiences to create poetry and theatre that expressed his tragic vision of life. After garnering a small following from his initial poetic releases, Lorca spent the remainder of his time writing what would become known as the “Rural Trilogy” – three plays concerned with life, love and tragedy in rural Spain.

I will be exploring the similarities and differences between two of these great tragedies, Bodas de Sangre (Blood Wedding) and Yerma. I shall make special reference to the themes, setting, characters and images that are presented in these plays and examine the elements that …show more content…

Correa points out that “to be childless constitutes a kind of ostracism which has no remedy”. (1962). Ultimately this mentality eats away at Yerma and it is a tragedy waiting to happen, it does not end well. Similarly, in Blood Wedding we can see that the burning aspirations of characters can ultimately lead to their downfalls. Blood Wedding opens with a Mother and her son (Bridegroom). Again, within the first few lines of text we are presented with a protagonist’s desires. The Mother is desperately lamenting on the tragedies that have befallen her family in the past and seeks her own and her son’s wellbeing and future

Show More
Related

  • Bread Givers By Sara Smolinsky: Character Analysis

    1023 Words  | 3 Pages

    She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete

    Read More

  • Analyzing Toi Derricotte's 'Beginning Dialogues'

    657 Words  | 2 Pages

    Derricotte’s conclusive paragraph begins with, “My mother helps me. She sends me signs: her African violet bloomed for the first time on my windowsill three years after her death, on the first day of her death month…I love my mother now in ways I could not have loved her when she was alive, fierce, terrifying, unpredictable, mad, shame-inducing, self-involved, relentless, and determined by any means necessary” (53). The timing of her love for her mother became insignificant. It wasn’t about when she finally reached the point of loving her mother but the mere fact that she loved her. The utilization of descriptive writing and the emotional implementation in “Beginning Dialogues” are a couple of ways Derricotte enraptures her readers in this short story. Regardless of a painful past or a traumatic childhood she allows herself to see that love truly conquers

    Read More

  • `la Tierra De Alvargonzález' - Comparison between the Old Ballads and `campos De Castilla'

    903 Words  | 2 Pages

    `La Tierra de Alvargonzález' is similar to the old ballads in its content of crime and violence. Machado leaves much of the background o...

    Read More

  • Comparing 'All The Years Of Her Life And A New Perspective'

    707 Words  | 2 Pages

    The mother and daughter have a very distant relationship because her mother is ill and not capable to be there, the mother wishes she could be but is physically unable. “I only remember my mother walking one time. She walked me to kindergarten." (Fein). The daughter’s point of view of her mother changes by having a child herself. In the short story the son has a mother that is willing to be helpful and there for him, but he does not take the time to care and listen to his mother, and the mother begins to get fed up with how Alfred behaves. "Be quiet don't speak to me, you've disgraced me again and again."(Callaghan). Another difference is the maturity level the son is a teenager that left school and is a trouble maker. The daughter is an adult who is reflecting back on her childhood by the feeling of being cheated in life, but sees in the end her mother was the one who was truly being cheated. “I may never understand why some of us are cheated in life. I only know, from this perspective, that I am not the one who was.” (Fein). The differences in the essay and short story show how the children do not realize how much their mothers care and love

    Read More

  • The Prince Of Los Cocuyos Analysis

    698 Words  | 2 Pages

    Throughout the time I spent between the covers of The Prince of Los Cocuyos, I was astounded by Richard Blanco’s dynamic relationship with the novel’s sole “antagonist”: his abuela. It seemed that no matter how many times he was chagrined at her attempts to negotiate the English language, or was forced to repress his very personhood to meet her traditional standards of manhood, she never ceased to be a pillar of support for a young Richard Blanco. But beyond his grandmother, Mr. Blanco made it quite clear that he was surrounded by a pueblo of family and friends throughout his childhood and adolescence, a village that would confound his “becoming” but foster his growth, make him question his identity and yet be intricately connected to it. It

    Read More

  • Relationships in James Agee's A Death in the Family

    1211 Words  | 3 Pages

    All through the times of the intense expectation, overwhelming sadness, and inspiring hope in this novel comes a feeling of relief in knowing that this family will make it through the wearisome times with triumph in their faces. The relationships that the mother shares with her children and parents are what save her from despair and ruin, and these relationships are the key to any and all families emerging from the depths of darkness into the fresh air of hope and happiness.

    Read More

  • Spanish drama

    1034 Words  | 3 Pages

    Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...

    Read More

  • A Modern Production of Lysistrata

    927 Words  | 2 Pages

    To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...

    Read More

  • Comparing Will In Shakespeare's Othello And Henry IV

    728 Words  | 2 Pages

    Shakespeare’s plays show the complexity of human beings. Everyone is different in reactions, actions, and thought. Shakespeare explores various themes throughout his writing career. Each play is unique, and their themes are handled in a very distinct way as Shakespeare writes each work with great care. Two major themes are appearance versus reality and relationship between motive and will; Othello, Hamlet, and Henry IV, Part 1 all portray these two themes in similar and different ways.

    Read More

  • The Pain Tree Analysis

    1036 Words  | 3 Pages

    Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s

    Read More

  • Analysis Of Dont Let's Go To The Dogs Tonight

    1093 Words  | 3 Pages

    Her character is portrayed as being anxious through the author’s choice of dialogue in the form of diction, which is “waves of her [the mother] anxiety sink down into my belly”. The effect of this is to allow the readers to establish the emotions of the narrator, as well as establish an the uneasy tone of the passage, and how stressful and important the event of selling tobacco bales for her family is. Additionally, the narrator is seen to be uncomfortable in the setting she is present in. This is seen through the many dashes and pauses within her thoughts because she has no dialogue within this passage, “wishing- we- weren’t- here”, the dashes show her discomfort because the thought is extended, and thus more intense and heavy, wishing they could be somewhere else. The effect of the narrator’s comfort establishes her role within the family, the reason she and her sister does not have dialogue symbolizes that she has no voice within the family, as well as establishing hierarchy. The authors use dictation and writing conventions to develop the character of the narrator herself, as well as the mother. The narrator’s focus on each of her parents is additionally highlighted through

    Read More

  • Ellen Foster

    748 Words  | 2 Pages

    basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and

    Read More

  • Relationships in "The Girls in Their Summer Dresses"

    997 Words  | 2 Pages

    “The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...

    Read More

  • Greek and Elizabethan Theatre

    912 Words  | 2 Pages

    Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...

    Read More

  • Ending Of Atonement

    537 Words  | 2 Pages

    The ending of the novel hurts the reader more than the beginning, as every human longs for a happy ending, to know things work out in the end. The reader is given this. Than the final chapter begins and it is ripped away from our hands as the full weight of the heartbreak and guilt inwrap us. There are two pains within the novel, the first being that two people in love were separated from each other and that they would never get to be together in the end, the second is the knowledge that this one mistake, that a child made, has followed this women her whole life. Even though she has written them a happy ending in her mind, she can never take back time and change what she did.

    Read More

More about Bodas De Sangre And Yerrea-Spanish Essay

Open Document