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Bluest eye by toni morrison essay author introduction
What subjects and themes does toni morrison utilize in the bluest eye
Bluest eye by toni morrison essay author introduction
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Toni Morrison’s novel, The Bluest Eye, presents the lives of several impoverished black families in the 1940’s in a rather unconventional and painful manner. Ms. Morrison leads the reader through the lives of select children and adults, describing a few powerful incidents, thoughts and experiences that lend insight into the motivation and. behavior of these characters. In a somewhat unconventional manner, the young lives of Pauline Williams Breedlove and Charles (Cholly) Breedlove are presented to the reader. Through these descriptions, the reader comes to understand how they become the kind of adults they are. Background information is given not necessarily to incur sympathy but to lend understanding.
The narrator makes the point that Pauline’s young life is filled with excuses because of her crippled foot. She could not understand why she of all the other children in her family had no nickname, no funny anecdotes about the things she had done or why she never felt at home anywhere. These experiences made her draw in upon herself and rely on a life she created, "restricted as a child to this cocoon of her family spinnings, she cultivated quiet and private pleasures, she liked most of all to arrange things." Thus as she approached womanhood, Pauline began to search for the life she did not have as a child.
After her marriage and children, Pauline becomes employed with a well to do white family who satisfied much of this hunger. As the narrator says, "praise, power and luxury were hers in this household...here she could arrange things, clean things, line things up in neat rows...here she found beauty, order, cleanliness and praise." Morrison describes another important phase in Pauline’s life, saying, "Pauline was fifteen, still keeping house, but with less enthusiasm. Fantasies about men and love and touching were drawing her mind and hands away from her work."
Thus it seems perfectly obvious how Pauline fell for the mysterious figure of Cholly Breedlove, "when the stranger, the someone appeared out of no where, Pauline was grateful but not surprised. Pauline and Cholly loved each other he seemed to relish her company and even to enjoy her country ways.... She was secure and grateful, he was kind and lively."
For the first time Pauline realized love and acceptance could be hers and she fell into a relationship wit...
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... of the relationship between sympathy and judgement of the character’s lives.
I found this book provocative in that it examined the "bad guy’s" life to such an extent that sympathy was possible. One obvious argument against this style is that explanation excuses cruelty and therefore Pauline and Cholly's actions as adults are justified. However, this reaction is based solely on the responses of the reader. Morrison presents the facts of the Breedlove's young lives without making pronounced judgements. The author presents a spread of experiences and actions and it is up to the individual to pick and choose what he must to create his own responses to the novel.
I think that it is possible for each individual reader to have completely different responses to the ways in which Cholly and Pauline are presented. I found the spectrum of interpretation o$ this novel to be a broad as each individual's experiences. The reader seems to get as much from the novel as he brings into it. Possibly, Toni Mossison intended the reader to be involved in her novel to the extent that he is forced to explore the relationship between sympathy and judgment, understanding and blindly condemning.
As a result of racism and white supremacy, Cholly did not know where to place his anger. He does not direct his anger towards white men (who are socially superior to Cholly) but instead towards black women (who are socially inferior to Cholly). Cholly takes the example of the white men by abusing his own social power over Pauline. This longing for superiority and skewed view of love also contributed to the rape of his
Throughout the play Bennett reviles Doris’ character by showing her affection to the past, she talks to old photographs of her dead husband, Wilfred, and talks aloud to him. This indicates Doris’ apparent loneliness and how she feels “left behind” by the rest of her generation. When talking about the people she new in the past like Wilfred, she takes on there voice, this shows how she...
This book discusses the viewpoints of many expert critics through extracts of their critical essays on the novel “The Bluest Eye”. Harold Bloom states Michael Woods narrative is the best he has seen of the book, “Each member of the family interprets and acts out of his or her ugliness, but none of them understands that the all-knowing master is not God but only history and habit; the projection of their own numbed collusion w...
on her visits to Cranford. Pip asserts himself as both a narrator and character from the
Portales, Marco. "Toni Morrison's The Bluest Eye: Shirley Temple and Cholly." The Centennial Review Fall (1986): 496-506.
Being raised up in a dreadful environment with abusive parents will surely cause your life to deviate from ones that were raised in a loving home. Maggie, whom’s life were portrayed with a sense of individuality were purposed to manufacture a sense of uniqueness, and yet her outlook on people and life are anything but unprecedented. The story that started with full potential were written away as she head towards a gloomy future full of persecution and abandonment. Maggie is no different than most people from centuries before and after her time due to her failure in separating personal desires from professional ones which is illustrated in her consciousness in appearances, her will of dependency, and her opportunistic outlook.
In the novel “The Bluest Eyes”, by Toni Morrison, Racial self-loathing and hatred is a major theme through the text, and is even evident in the title. Instead of making the plot center around events over racism, the book shows a deeper portrayal of racism, emphasizing on the way racial self-hatred and loathing plagues the black characters. The novel shows an extended depiction of the ways in which internalized white beauty standards distort the lives of the black characters. The author shows this by having African Americans who have lighter features, Maureen Peal, Geraldine and Soaphead Church, and characters with darker features, Pecola and her Parents Cholly, and Pauline Breedlove. Through them we are able to see racial self-loathing, there
In the “Yellow-Paper,” the protagonist seeks to relinquish her forms of imprisonment in hopes to escape her mental illness, yet she is still oppressed by those around her and forced to hide her coping mechanism, her journal; from this she is not able to escape her mental illness. The torment caused by the role society consigns for her husband is depicted when he states, “‘What is it little girl’ he said. ‘Don’t go walking about like that - you’ll get cold’” (Gilman 652). Her husband controls her every action and she lacks her needed self expression. She only frees herself after she tears down the wallpaper, freeing the girl inside, which represents her hidden non-expressed self. Similarly, a coinciding of this theme is presented in “The Story of An Hour,” in which Louise Mallard seeks refuge from oppression resulted from a male-dominated society. Mrs. Mallard states, “She said it over and over her breath: ‘free, free, free!’...There would be no one to live for during those coming years; she would live for herself” (Chopin 2). Ecstatic at the thought of being released from the propriety enforced throughout the nineteenth century, Mallard exclaims that she is able to do the things she is ambitious about. Wanting to live away from the roles of marriage, her short-lived passion is later diminished at the sight
Miss Lottie, the woman that she had once believed was different from those she thought of as normal, was really a person aged from difficult times. Lizabeth’s actions, although at the time had brought her small joy and an antidote to her boredom, had effected Miss Lottie by taking away the last bit of hope and care put into the flowers. Her father was no longer the center and the support of her family, but just a person who could no longer work and earn like he had once done. Lizabeth had not noticed the change and the depression in her father, as a result of childhood blinding her to the troubles of the rest of the world. Lizabeth’s confusing emotions spurred her to continue the destruction of the marigolds, as her brother, who did not understand her actions, sat confused and upset. He was not experiencing the rite of passage that his sister was faced with. As Lizabeth is sitting in the middle of the mess she made in Miss Lottie's garden, “...that was the moment when childhood faded and adulthood began.” Lizabeth's actions as child had opened her eyes as an adult and “... gazed on a reality that is hidden from childhood.”
To begin, "The Bluest Eye" is Toni Morrison's first novel. This novel tells a story of an African American girl's desire for the bluest eyes, which is the symbol for her of what it means to feel beautiful and accepted in society (American). In the novel, women suffer from the racial oppression, but they also suffer from violation and harsh actions brought to them by men (LitCharts). Male oppression is told all throughout the story, but the theme of women and feminity with the actions of male oppression over the women reaches its horrible climax
“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.
Toni Morrison, the author of The Bluest Eye, centers her novel around two things: beauty and wealth in their relation to race and the brutal rape of a young girl by her father. Morrison explores and exposes these themes in relation to the underlying factors of black society: racism and sexism. Every character has a problem to deal with, and it involves racism and/or sexism. Whether the characters are the victim or the aggressor, they can do nothing about their problem or condition, especially when it concerns gender and race. Morrison's characters are clearly at the mercy of preconceived notions maintained by society.
The use of characters as symbols is a common literary device, and Toni Morrison employs it to great effect. In Morrison’s novel, The Bluest Eye, the central theme is the influences of the family and community in the quest for individual identity (Baker, 2008). This theme is recurrent throughout the novel and she uses the characters of Pecola Breedlove, Cholly Breedlove, and Pauline Breedlove as symbols for it. However, these characters are not merely symbols of the effects of the family and community on an individual’s quest for identity, they are also representative of the quest of the many black people that were migrating north in search of better opportunities.
At a very young age Parker was abused, mentally, physically, and sexually by her father. Whenever her father would have a bad day, he would take it all out on her. This would make Parker feel very unloved and unwanted in her parents’ lives. When her dad was arrested for all that he was doing, Parker was a mess. She had nowhere to go until Julie offered her the spare room in her house. With a literally scarred face and mind, of what family truly was, Parker
The Bluest Eye is an innovative novel whose touching and compelling story could not have been told without Morrison's unique structural devices. One such tool is the use of seasons to divide the narrative and put an interesting twist on the order of events. Perhaps the most unique structural element is the three primer passages that begin the novel. The first passage introduces a model household to which the rest of the families in the novel are compared. Finally, an equally innovative structural element is the use of lines from the primer passages to head subsections in the novel, illustrating the vast differences between the mythological Dick and Jane world and the reality of black family life.