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Othello by Shakespeare symbolism and dramatic devices
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William Shakespeare wrote one of the most famous tragedies, Macbeth, which most clearly reflects the relationship with his sovereign. Shakespeare, a legendary playwright, uses many techniques to keep the play fresh and interesting for the audience. In the play Macbeth, the symbol of blood is a recurring factor that impacted the play. Shakespeare uses blood imagery to strengthen the audience's vision of the play, to develop Macbeth's character and to add a sense of feeling such as guilt and fear. Macbeth's famous “dagger speech” for example, vitalize the intensity and suspense from the use of blood imagery. His soliloquy, “I see there still, and, on thy blade and dudgeon, gouts of blood”, gives the reader a description of how King Duncan will Telling Malcolm and Donalbain of their father's murder, Macbeth says, "The spring, the head, the fountain of your blood / Is stopp'd; the very source of it is stopp'd". Here, the primary meaning of "your blood" is "your family," but Macbeth's metaphors also picture blood as a life-giving essence. A second later, blood is spoken of as a sign of guilt. Another example of guilt is 8n the first scene in which Macbeth appears as King of Scotland. He mentions to Banquo, in a seemingly casual way, that Malcolm and Donalbain, “Our bloody cousins”, are in England and Ireland denying that they killed their father. By referring to them as “bloody”, Macbeth wants to emphasize their guilt. Fear is also an emotion that happens with blood. When a frightened servant comes to tell Macbeth of the approach of ten thousand English soldiers, Macbeth is enraged by the servants face, which is pale with fear. He tells the servant, “Go prick thy face, and over-red thy fear. Thou lily-liver’d boy”. Macbeth is mocking the servant; he means that the only way the boy can even look courageous is by pricking it to make it bleed. Also, the liver was thought to be the seat of courage, but courage requires blood, and Macbeth's opinion is that this boy is a coward whose liver is white as a
Shakespeare used the image of blood to portray the central idea of Macbeth, King Duncan’s murder. The crime is foreshadowed in the second scene of the first act. The king shouts, “ What bloody man is that?” (I,ii,1) He is referring to a soldier coming in from battle. The soldier then explains to King Duncan of Macbeth’s heroics in battle. One assumes that Macbeth is bloody just like the soldier. The soldier describes Macbeth in action “Disdaining Fortune, with his brandished steel, / Which smoked with bloody execution.” (I,ii,17-18) This line connects Macbeth with killing, and hints at the future.
No, this my hand will rather the multitudinous seas incarnadine, making the green one red.’ Here Shakespeare uses the language technique of allusion in conjunction with symbolism to express how much Macbeth is overwhelmed with guilt from murdering King Duncan. The first question Macbeth asks to himself is him wondering if the guilt inside him will ever leave, and the second part is him realising that the murder was so bad - that guilt will never be rid from his conscious. We see this again later in the play after Macbeth is responsible for more murders: “… I am in blood Stepp’d in so far that, should I wade no more. Returning were as tedious as go o’er” The blood spoken about is used in both a literal and symbolic sense.
The blood staining the dagger, therefore, is a way for his conscience to manifest the guilt and horror he feels at killing the king. The fact that there are "gouts of blood" rather than a few drops tells the reader of the depth of his guilt, and foreshadows both the gory visions he will have and the way they will stick with him (2.1.47). The symbol of blood enhances the theme by providing a stronger, visual image for it, which, coupled with the dagger and what it represents, delivers a more impactful message to the audience than a mere statement of the theme could. Another major example of blood symbolism occurs after Duncan's murder, when Macbeth cries out that "all great Neptune's ocean" would not be able to "wash this blood"—the blood staining his hand—"clean" (2.2.61-62). Rather, he says, it will turn "the multitudinous seas incarnadine," (incarnadine means blood-red or pinkish-red) and make the "green" seas "red" (2.2.63-64) (cliffnotes.com).
In The Tragedy of Macbeth, Shakespeare uses blood imagery to develop Macbeth’s tragic flaw of ambition. Macbeth speaks of blood when he is about to kill someone, or when he has just committed a crime. For the duration of Act One, Macbeth has inner conflict with himself, and argues with Lady Macbeth on whether they should go through with the murder of Duncan. Before Duncan's murder, Macbeth says, “Bloody instructions, which, being taught, return / To plague th’ inventor. This even-handed justice / Commends th’ ingredience of our poisoned chalice / To our own lips” (1.7.9-12). Macbeth is visibly nervous and is hesitant to go through with the murder, though he is later convinced by the idea of him becoming King of Scotland. This quote displays Macbeth’s emerging ambition because, though he is hesitant, he still believes that murder is the best course of action, despite the fact he knows it will come back to hurt him in the end.
Macbeth voices this hallucination when he states, "I see thee still, and on thy blade and dudgeon gouts of blood, which was not so before" (Macbeth 2.1.46-48). The false appearance of blood on Macbeth's dagger asserts his hesitancy to murder Duncan. In this case, blood symbolizes the possible guilt of Macbeth upon the murder of Duncan. Immediately following the murder of Duncan, Macbeth uses the symbol of blood to assert the magnitude of his crime. Macbeth conveys immediate concern when he states, "Will all great Neptune's ocean wash this blood clean from my hand?...
In many contexts, blood symbolizes one’s heroism and power. At the battlegrounds, Duncan notices the approaching sergeant and asks, “What bloody man is that?”(I.ii.1). The use of blood signifies the captain’s bravery through his wounded state. He reports back their victory and symbolizes the violence that took place. This also alludes to Macbeth’s heroic qualities in which he too had fought on the same grounds. Lady Macbeth cries out for courage and strength by saying, “And fill me from the crown to the toe top-full / Of direst cruelty. Make thick my blood” (I.v.49-50). The use of blood in this context also relates to one’s power using the idea of it being a life source and a vital part to the soul. By thickening her b...
Blood is mentioned throughout the play and mainly in reference to murder or treason. The first reference to blood is in MacBeth's soliloquy in Act 2, Scene 1, Lines 33-61, when Macbeth sees the bloody dagger floating in the air before him. Also in this soliloquy on line 46 he sees "on thy blade and dudgeon gouts of blood", this means that there is blood on the handle and spots of blood on the handle. This is implying that the dagger was viciously and maliciously used on someone. Shakespeare most likely put this in as premonition of murder and death to come later in the story.
William Shakespeare uses many techniques to liven the intensity, and the excitement in his plays. In the play of MacBeth, Shakespeare uses blood imagery to add a sense of fear, guilt, shame, insanity, and anger to the atmosphere. The use of blood imagery allows the audience to vision in their minds the crime scene where Duncan was murdered, as well as the scene where Lady MacBeth tries to cope with the consequences of her actions. The talk and sight of blood has a great impact on the strength and depth of the use of blood imagery.
Blood is also used to display the guilt in Lady Macbeth near the end of the play. Throughout the play, Lady Macbeth is the one who tries to keep Macbeth sane and to keep from breaking.
The image of blood plays an important role throughout Macbeth. Blood represents the murders that Macbeth had committed, the guilt that went along with the murders and the pain that it brought on him during his downfall. The soldier describes the violence and bloodshed, in the war between Scotland and Norway, "Except they meant to bathe in reeking wounds." (I. ii. 43) foreshadows the violent nature of the play filled with murder, guilt and pain. Blood in the murder of King Duncan also plays a major role because it represents Macbeth's guilt as well as his shame for slaying King Duncan. Macbeth observes his blood stained hands and remarks "As they had seen me with these hangman's hands." (II. ii. 28) This reveals his guilt and shame because he is comparing his hands to those of an executioner's. After the murder, Macbeth refuses to return back to the bed chamber of Kind Duncan to smear the blood on the sleeping guards, because he is afraid that the blood will incriminate him further. Lady Macbeth smearing the blood onto the guards represents them trying to rub their guilt off onto the guard. "I'll gild the faces of the grooms withal, for it must seem their guilt" (II. ii. 73) but this proves to be ineffective because Macbeth ends up murdering t...
The imagery of blood shows Lady Macbeth wants to get rid of her guilt. Lady Macbeth states, “And fill me from the crown to the toe top-full Of direst cruelty. Make thick my blood” (1.5. 49-50). Lady Macbeth is saying that she wants be filled with cruelty from top to bottom and to thicken her blood because she knows that from what she is about to do, she will get guilt.
At the beginning of the play, the bloody captain and Lady Macbeth have very different opinions of what is brave (especially the qualities of bravery that Macbeth either shows or does not show) and both use different images of milk and blood to prove their point. The captain is bleeding because he fought bravely in battle, especially against Malcolm’s (the son of King Duncan of Scotland) “captivity” (I ii 6). His wounds signify his loyalty to Scotland. In his severely wounded state, however, the bloody captain decides to speak about Macbeth’s bravery against the Norwegian invaders and especially the rebel leader Macdonwald to the King. Macbeth has been killing so many people that his sword “smoke[s]” (I ii 21), or steams, with blood. These “execution[s]” (I ii 21) foreshadow his many other murders with his “brandished steel” (I ii 20) later on in the play. These executions are not for the good of Scotland, but for his acquiring (and guarding) the title of King of Scotland. Later in Act I, Lady Macbeth reads a letter from Macbeth telling her about the witches’ prophecy for Macbeth and Banquo, how he was hailed Thane of Cawdor by the witches and would eventually be King. Instantly, Lady Macbeth began plotting as to how Macbeth would go about murdering King Duncan to gain the title. However, she “fear[s]” (I v 15) that Macbeth’s human “nature” (I v 15) is too “milk[y]” ...
One of the first references to blood represents a feeling of honour, and bravery. It is in Act I scene 2 line 1. Duncan says, “What bloody man is that?” when he sees the injured sergeant. Then, from lines 9-33 (The Merciless Macdonwald, etc…) the sergeant tells the story of Macbeth’s heroic victories over Macdonwald and the King of Norway. The telling of this story is, in itself, heroic. It is symbolic of the brave fighter who has been injured in a brutal battle for his country. Due to all the blood he lost, he was weak. Consequently, his blood and heroism seem to make Macbeth look like a hero.
Blood was very evident throughout Macbeth by William Shakespeare. Violence caused blood to drip from the fingers of characters and stain them for the rest of their life. Blood meant various things in the play but it was certainly seen, literally and through hallucinations. Blood in Macbeth is more important when it is imagined by characters but is not actually there because it causes main characters such as Macbeth and Lady Macbeth to feel more guilty, becomes a reminder of death, and represents violence and murder.
Shakespeare employs symbolism and imagery to explore the themes of Good vs. Evil and Suffering in his play Macbeth. Shakespeare uses blood to portray murder and wrongdoing, “I am in blood, stepp’d in so far that should I wade no more, returning were as tedious as go o’er.” (III. iv. 136). He uses daggers to portray the same idea, and the two are often used with each