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Critical analysis of characters in king lear
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The play, King Lear, considered to be one of William Shakespeare’s best works, is a tragedy that focuses on the theme of blindness. In the play, the word blindness, defined as the inability to physically see, is used as a metaphor for understanding and self-awareness. Blindness presents itself through the actions of King Lear, Gloucester, and Albany.
Throughout the play, King Lear is shown to be the most blind of all. Lear first shows an act of blindness in Act 1, when he divides his kingdoms among his three daughters, Goneril, Regan, and Cordelia, through a test of who loves him the most. Goneril and Regan tell Lear that they love him more than anything; however, they were only saying that to get their hands on the kingdoms; Lear believes their falsehoods. Cordelia, on the other hand, says to Lear that he loves him as much as a daughter should love his father. Lear, misunderstanding Cordelia’s words and enraged by it, he banishes Cordelia from the kingdom, “… for we have no such daughter, nor shall ever see that face of hers again. Therefore begone without our grace, our love, our benison.” (1.4.304-308) Lear was unable to see and really understand the words Cordelia said to him, he was blinded by the deceit of his eldest daughters and because of that he lost the only daughter that truly loved him; he believed that Cordelia did not love him. And so, Cordelia goes away with the King of France. Another act of blindness of King Lear is when he banished Kent, one of his most loyal followers, from the kingdom for supporting Cordelia with what she said to him. Kent understands Cordelia’s love for his father and tells Lear to, “See better… and let me still remain/The true blank of thine eye.”(1.1.180-181). Here, Kent tries to make Lear...
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...Goneril is totally vicious, he still does not do much to stop her. Albany proves his love through the following words: “ I cannot be so partial, Goneril, To the great love I bear You” (1.4.329-330). Here, Albany is saying that he should not think of only himself but also his love for Goneril. Albany was unable to realize the wrong doings of Goneril due to his love for her. He was also blind to the fact that Goneril was cheating on him with Edmund. Later in the play, Albany finds out the true intentions of Goneril from Edgar and begins to see the person Goneril really is, “O Goneril, You are not worth the dust which the rude wind blows in your face!” (4.2.38-40). Here, Albany is releasing his emotions for the first time telling Goneril that she is worthless. Albany only begins to see the truth because of Edgar but it was too late to change anything that has happened.
In Act I scene iii, Goneril gives a direct order to her manservant, Oswald. Put on what weary negligence you please, you and your fellows. I'd have it come to question. If he distastes it, let him to my sister" (14 -15). She decided that having her father live with her was more than she could bear and, therefore, ordered Oswald to both disobey and ignore Lear from that point onward in hopes that he would soon leave her home.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
While the Fool disrupts Lear’s mental state, Cordelia steadies him with compassion, understanding, and truth. When Cordelia has rescued the King, she says that “Mine enemy’s dog, / though he had bit me, should have stood that night / Against my fire” (4.7.42-44). Cordelia is amazed at her sisters’ treatment of Lear because she cannot comprehend the actions of such uncaring people. Cordelia’s considerate nature soothes the King’s overwrought mind. Because the King seems rash and even irrational at times, those who understand him are few. His youngest daughter knows what Lear goes through with her sisters, and wishes that she could “Repair those violent harms that my two sisters / Have in thy reverence made.
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
When Lear tells Gloucester “A man may see how this world /goes with no eyes” (4.6.146-47) he displays both of their misfortunes, but it is too late to prevent ultimate tragedy. Shakespeare proposes that their tragic saga is a mere game to the heavens. “As flies to wanton boys, are we to th’ gods,/They kill us for their sport” (4.1.37-38). This line generalizes the overall simplicity behind the tragedy of King Lear. Even though Gloucester and Lear made terrible, fatal errors the reader feels at the end as if it is intended to be their destiny.
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
When the audience is first introduced to Lear, he is portrayed as a raging, vain old man who can not see the purity of his daughter Cordelia's love for him from the insincerity of her sisters Goneril and Regan. In his fiery rage after disowning Cordelia, Lear commands to Kent, "Out of my sight!" (1.1.156). Kent fittingly implores the aging king to "See better, Lear; and let me still remain / The true blank of thine eye" (1.1.157-8). Kent recognizes love in its most noble form in the person of Cordelia, and is able to see through the hypocrisy of Lear's other two daughters. In beseeching Lear to "[s]ee better," Kent is, in effect, asking Lear to look beyond his vanity and inward pride to see the honesty of Cordelia, who refuses...
Later in the play, Goneril and Edmund plot to kill Albany because he is sympathetic towards Lear. Albany is completely unaware of this, and still thinks that Goneril is a loving, normal wife. Goneril and Edmund both lie a lot, but Goneril commits more ac...
First of all, Goneril is the eldest and “one of the villainous daughters of King Lear” (Boyce), as she declares her great love for Lear in exchange to a portion of her father’s kingdom. Throughout the play, Lear and Goneril are seen alike by means of the motif of blindness that links them together as a father and daughter. Primarily, Goneril is not literally blind and so does Lear, yet they are blinded by the illusions that flow in their minds. Goneril is blinded over the power and inheritance that Lear gives her and still not contented by plotting against Lear by saying, “Pray you let’s hit to...
Throughout most of King Lear, Lear's vision is clouded by his lack of insight. Since he cannot see into other people's characters, he can never identify them for who they truly are. When Cordelia angers Lear, Kent tries to reason with Lear, who is too stubborn to remain open-minded. Lear responds to Kent's opposition with, "Out of my sight," to which Kent responds, "See better, Lear, and let me still remain" (I.i.160). Here, Lear is saying he never wants to see Kent again, but he could never truly see him for who he is. Kent was only trying to do what was best for Lear, but Lear could not see that. Kent's vision is not clouded, as is Lear's, and he knows that he can remain near Lear as long as he is in disguise. Later, Lear's vision is so superficial that the physical garments and simple disguise that Kent wears easily dupe him. Lear cannot see who Kent really is. He only learns of Kent's noble and honest character just prior to his death, when his vision is cleared. By this time, however, it is too late for an honest relationship to be salvaged.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...