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Essays on archetype in literature
Essays on archetype in literature
Essays on archetype in literature
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In the novel Bless Me Ultima, by Rudolfo Anaya, he uses archetypes to connect the reader to every person whose has ever existed. By adding these archetypes to his work, it helps the reader connect to the novel and it helps us associate with the human experience. Through his experience as a writer, he found his own way of writing. Anaya can relate to many other authors in the way that they try to write a story from their roots and what their childhood was like, not like all the American books they are used to reading. Rudolfo Anaya, Sandra Cisneros, and Chinua Achebe all have a similar way of writing because they all include archetypes in their literature to connect us as humans.
In Bless Me Ultima, Anaya added archetypes in his literature because as he mentioned in his interview, “That is what connects us to all the humans who have ever existed”. In this novel, some of the archetypes he uses are portraying Ultima as an outcast and as the old wise woman. Ultima fell under both of these categories because she seemed harmful to some of the people in society but to many she was viewed as the wisest women in the llano. Anaya depicts her as an outcast to Tenorio and his daughters, the Trementina sisters. They view her as evil and they
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Cisneros too has a unique way of writing because she also includes archetypes throughout the series of short stories in her novel. The main character is Esperanza Cordero and she too is depicted as an outcast just like Ultima. She is a Latina who tries to fit in her society. An example is when the girls try on the heels and they finally feel like a woman. The excitement didn't last for too long because of the catcalling. Even when she felt like she fit in with society, it was ruined and she still remained the outcast in the story. By Cisneros adding this archetype to her piece of literature, it connected me to the human
Both authors Okita and Cisneros use the setting, the dialogue, and the character of their individual stories to develop the theme that there are stereotypes of against non-white Americans. Even though the both main characters are of different races, one girl being asian american and the other girl being mexican american, both stories girls show the unfair treatment of these characters because of their races. This mistreatment is is shown in very subtle way, but is definitely made clear through both stories.
In Elvia Alvarado’s memoir Don’t Be Afraid, Gringo: A Honduran Woman Speaks from the Heart, she expresses the struggles that people such as herself, and numerous other Honduran citizens face every day. Elvia Alvarado was a Honduran woman, who was considered a peasant. She was born into a poor family in the countryside of Honduras. The book retails stories from Alvarado’s life and the obstacles she is forced to overcome in hopes of achieving a better life for herself and the people around her. She faces oppression due to her social class, ideals, and especially her gender. At the same time though, she is able to find support through these communities. While the odds are stacked against Elvia Alvarado, she is able to continuously preserve,
In the novels, Bless Me, Ultima by Rudolfo Anaya and Their Eyes Were Watching God by Zora Neale Hurston, there are similar conflicts between the parental figure of a main character and the main character. Both conflicts in the novels stem from the parental figure not having control and authority over their family and forcing their beliefs onto those they are raising.
Ultima is the importance of Independence and making decisions. When Leon, Andrew, and Eugene come home their mother and father are ecstatic that they are back and hope they will stay with them and will become what they desire them too, but that is not the case. In chapter 8, Eugene says to Andrew when he is unsure about leaving their parents behind“I don’t care what it is, Andy!” Eugene shot back “I just feel tied down here I can’t breathe” (Anaya 66). This shows that two of Antonio’s brothers don’t wish to be priests or vaqueros, they yearn to do their own thing and travel the world and feel new experiences. Andrew isn't sure because he wants his parents to be joyful. The juxtaposition is between Eugene and Leon and Andrew and Antonio, because they believe different things, and it reinforces the idea that everyone has different opinions and that they should do what they wish.
Narciso- An honorable man who tries to protect Ultima from harm. Because of the loss of his young wife, Narciso begins to drink and is known as the town drunk. Through his garden, Narciso makes magic by growing beautiful flowers and plants. He is later killed by Tenorio in cold blood while trying to warn Ultima of harm and is buried as the town drunk instead of the hero that he is.
When informing the readers that her fans would often write not only about her work but also about “… [her] youthful indiscretions, the slings and arrows I suffered as a minority…” (Tan 1), this bothered Tan to an extent because she By educating herself she was able to form her own opinion and no longer be ignorant to the problem of how women are judge by their appearance in Western cultures. By posing the rhetorical question “what is more liberating” (Ridley 448), she is able to get her readers to see what she has discovered. Cisneros also learned that despite the fact that she did not take the path that her father desired, he was still proud of all of her accomplishments. After reading her work for the first time her father asked “where can I get more copies” (Cisneros 369), showing her that he wanted to show others and brag about his only daughters accomplishments.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Growing up in two cultures, Sandra Cisneros witnessed the major impact of poverty and racism (Norton Anthology 1587). Using literature as an outlet, Cisneros wrote her first piece of literature at age ten (Norton Anthology 1587). The best lessons come to a person once the lesson is experienced. She often writes about the intricate dynamics between men and women. Cisneros displays colorful aspects of the Chicana culture. The Chicana culture is a unique combination of North American and Mexican American traditions. The skilled writer dominates her field by explicitly revealing the similarities and differences between the two societies.
“We meet ourselves time and time again in a thousand disguises on the path of life” (Jung). Writer’s usually have archetypes in their stories to engage the reader's understanding. Throughout the book Wild by Cheryl Strayed, she encounters several archetypes both positive and negative. She was impacted by the people, which made her accomplish her journey hiking the Pacific Crest Trail alone and getting herself back together. There are various archetypes that play a big role in Cheryl's physical and emotional journey. The archetypes make her who she is today and without them she wouldn't be able to transform.
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
Bless Me Ultima, the captivating controversial novel that was banned, forbidden, and burned. Written by Rudolfo Anaya, the novel is centered on the relationship between the coming of age of a young boy and an elderly medicine woman who helps him contend with the battle between good and evil that rages in his village. At each life turn there is Ultima, who delivered him into the world and will nurture the birth of his soul and destiny. Antonio Marez is only six years old when Ultima comes to stay with his family in New Mexico during the WWII. Ultima is a curandera, one who cures with herbs and magic. Under her wise wing, Antonio will test the bonds that tie him to his people, and discover himself in the pagan past, in his father's wisdom, and in his mother's Catholicism. The everyday life events in the story capture polytheism, rites of passage, animistic, magic, and animalism. Inevitably, this controversial novel portrays religion through every twist and turn.
...uja means witch in spanish. Because people did not understand what Ultima does or how she had so much power, they automatically assumed that she was evil. The scene also shows the pure presence she brings into the area. By just walking onto a yard, the whole crowd can go silent and just stare in awe of dismay. That is how well known Ultima is for her abilities and acts.
Cisneros starts the essay by reflecting on an anthology for a work that she wrote where she stated “I am the only daughter in a family of six sons. That explains everything” (Cisneros 366). Right after she introduces herself as how she sees herself now as the statement that she had written she feels does not explain enough about her to the reader. Next, she then goes into her story of how she sees herself and what has made her who she is. This explanation is taken throughout the entire essay as she explains how she got to where she was in her career. Her thesis is that growing up alone in isolation made her work hard to prove herself to her father. The thesis is very obvious in the essay and Cisneros successfully uses proves her thesis as she explains her childhood with her dad in the center of attention. Although others may argue that Cisneros’ relationship affects who she is in a negative way, Cisneros successfully proves the relationship between the two positively affects who she
Sandra Cisneros has a longer trajectory, is closely associated with the Chicanx movement and has greatly influenced Grande. Her novel Caramelo (2002) has being used in the study of transnational literature. Caramelo (2002) due to its weaving of storytelling as a way to recovery, reinventing and sustaining the history of the Reyes family through storytelling is an example of decolonized and transnational novel (Szeghi 2014). Juanita Heredia stresses that “Cisneros challenges the perspective of official national culture by legitimizing a mestizo, hybrid culture created in the US/Mexico borderlands, exemplified by the perspectives of Zoila and Lala, who contest condescending attitudes towards them” (Heredia 2007:354). Caramelo (2002) as a transnational novel that gives a voice and validates the identity of those individuals that do not fit into the hegemonic national identities (like Mexican or American). Similarly, Heather Alumbaugh highlights the liminal identity of Cisneros and Lala along with its complexities and due to her in-between-ness she is able to inform her readers about both cultures (Alumbaugh 2010). Cisneros depictions of her identity journeys in her novel and in her memoir serve as ethnographic quests that validate those individuals that share similar