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Homers depiction of greek women
Homers depiction of greek women
Homers depiction of greek women
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In the novel, Black Ships Before Troy by Rosemary Sutcliff, the majority of the characters are brave, and selfless heroes, except for Paris. Character traits are the aspects of a person's behavior and attitudes that make up that person's personality. Paris is a selfish coward who expects everyone to fight his war for him. One trait that stands out multiple times in this story is Paris’ selfishness. One example of his selfishness is when Paris goes to Sparta and takes Helen away from her husband and baby. This is selfish because even though Helen goes willingly, Paris knows Menelaus will be angry, but he chooses to take her back to Troy anyways. This is also selfish because the people of Sparta were upset about Helen leaving,“…With the maidens …show more content…
One example that proves Paris is a coward is when he runs away from the fight with Menelaus. This shows Paris is a coward because he started the fight with Menelaus then ran away like a scared puppy. It was Hector who finally convinced Paris to fight the Greek warrior, “But Paris, seeing who came against him, felt his heart shrink within him, from shame as much as fear, and fell back into the ranks of the Trojan host behind him.” (P. 26). A second example of his cowardliness is the countless times Paris is seen on the outskirts of the war. The only time Paris helped in the war is when he wounded some Greek warriors by shooting them with an arrow from the safety of the Trojan walls. Paris will sit and watch and never fight upfront like his brave brother Hector “…Paris, keeping as usual to the fringe of the battle…” (P. 59). Paris is too scared to fight in the war; he’s like a child running away from a clown. It is Paris’ selfishness and cowardliness that caused the downfall of Troy. Whether he is too scared to fight in the war or taking people's wives, he knows he is causing the death of many fellow soldiers and his family. Hecuba and Priam should listen to the soothsayer when he says Paris will cause the downfall of
In the Odyssey by Homer, Odysseus must face many obstacles on his journey. He is only able to conquer them because of his wonderful qualities. He meets, a Cyclopes, Sirens, a six-headed monster, a regurgitating whirlpool, and a group of greedy, lovesick men. Some Odysseus's more important qualities are, determination, cunning, and protecting.
A tragic figure is a person who displays characteristics more than the average person, but through downfalls does not have a good outcome. Troy is a tragic figure because he is resolute in stopping Cory from furthering his education on a football scholarship; the reason he is so resolute is because he is afraid that Cory won’t make it because of his race and because of how African Americans had been discriminated in the 50’s. Troy’s main reason why he won’t let Cory play football is because when he was playing baseball they turned him down and would not let him play in the Major league simply because he was African American or in other words black. Troy is a villain because he had an affair with another woman (Alberta) behind Rose (his wife) ...
“Cyrano de Bergerac” is a play about a man named Cyrano de Bergerac, a poet and a superb swordsman who contains a terribly giant nose. He’s in love with his cousin, Roxanne. Cyrano never tells Roxanne how he feels concerning her therefore she has no idea of his love for her. Within the play Cyrano is a tragic hero. A tragic hero is a great, noble, heroic character. The dictionary.com definition of a tragic hero states, “All tragic heroes have a tragic flaw and since of that flaw the hero is destined for a downfall, suffering, or defeat: the tragic hero is the character that the majority readers will sympathize or empathize with.” Cyrano is different from the contemporary anti-hero however his death was foreshadowed by his actions. Cyrano has all of these traits. Heroic principles and values are necessary of a tragic hero. Whether its showing honor in battle, by charging at enemy lines to redeem his fallen friend Christian, or his loyalty to Roxanne by visiting her each week and comforting her at the church until his death, displays why he was the hero. Cyrano's admirable traits may be seen as the cause of his downfall. His low self-esteem is why he's too afraid to inform Roxanne how he feels about her. He’s terrified of rejection. Not only is He to proud to ever except defeat in battle by never backing down from a fight but also he is too proud to tell Roxanne how he feels for he believes he will be defeated. This is often the reason why he has gained such a large amount of enemies throughout his life. His pride, along with his low self-esteem, is a burden that weighs him down throughout the play.
Odysseus’ character , as seen in the Iliad, is much like that of a Homeric hero. A hero in Homer’s world entails many attributes other than physical strength including, but not limited to, courage, honor, respect, intelligence, and good morals. Throughout The Odyssey, some of these character traits are illustrated, and some are slightly changed.
The Odyssey paints a picture of the supposed savior Odysseus. The irony of Odysseus’ situation is that he really is not the marvelous hero that many who read The Odyssey see him to be. When imagining a great hero, the words of cruel, unfaithful, selfish, or careless never come to mind, but the son of Laertes sets examples for each attribute. Odysseus makes many poor decisions that cause his dislikable traits to outweigh his few better ones. Several of his more prominent characteristics are exhibited on numerous accounts.
mistakes in life that he did. Also, there is conflict including Troy and his young daughter Raynell. By looking at the root of this conflict, one can better grasp the contribution it makes to the drama.
The suspected start of the war- over the abduction of Helen, Queen of Sparta- was caused entirely by a godly conflict over who was the most beautiful- Hera, Athena, and Aphrodite. Paris, son of King Priam of Troy, was selected to judge. He chose Aphro...
Though the Iliad made mention of extreme bravery; it also covers the opposite end of the scale: cowardliness. Paris, depicted at first as woman crazed, sex obsessed, and egotistic (he never leaves these descriptions), was also viewed as a coward as early as Book III. Paris, who fought bravely towards the end of the war, is a misunderstood Trojan who just wanted to have fun.
According to Askew “The central figure by which this…emotional ritualization occurs is…Madame Zachanassian and especially by her association with the Sphinx; for it is through this sphinx-like figure that all the major themes of the play are introduced…” (90) Claire is a powerful, rich woman that has the whole town under her control. She carefully watches the town from her balcony, and enjoys the chaos that she was able to cause as part of her revenge. “The Sphinx…was directly responsible for the miserable economic and social conditions in Thebes when Oedipus first arrived, just as Madam Zachanassian is directly responsible for the economic and social plight of the Gülleners…” (Askew 90) Dürrenmatt himself attributes to her elements and characteristics of a Greek goddess through the words of the teacher “Seeing stepping out of the train in her black robes made my hair stand on end. Like one of the Fates, like an avenging goddess. Her name should be Clotho, not Claire. I could well imagine her spinning the web of destiny.” (Dürrenmatt 21) Alfred Ill is a modern representation of a tragic hero. “Aristotle never loses sight of the fact that man is a morally responsible being…a being who has the ability to distinguish virtue from vice and to achieve the one or surrender to the other.” (Reeves 187) The constant
In conclusion, Odysseus displays the good and heroic characteristics of cleverness, bravery and strength throughout his actions in response to the challenges he faced in The Odyssey. Like any great heroes in literature, Odysseus does have some character flaws, such as pride and violence. But his good characteristics makes him a hero to root for and agree with, despite any flaws that he has.
...les obtains the flaws of a Tragic Hero with his anger and pride issues. The fact that he won’t fight for Agamemnon because he stole his woman shows that his pride was hurt and when Achilles fights in a pure wrath upon hearing about Patroclus’s fate shows his flaw of anger. The transition from having to overcome his hurt pride after hearing about Patroclus’s death reveals his adaptability as a character with his change in behavior from being passive at the Achaean ships to violent in war. Lastly, Achilles solidifies his position as a Tragic Hero when he finds his moment of clarity with King Priam as he gives the body of the fallen Hector back in an act to finalize and end all conflicts Achilles and Troy. Achilles undoubtably symbolizes Aristotle’s definition of the Tragic Hero.
He is unsuccessful in doing so and agrees to bring Philoctetes back to his home in Greece, until the great Heracles appears high above them. The great Heracles speaks to them, “I am the voice of Heracles in your ears; I am the shape of heracles before you. It is for your sake I come and leave my home in the heavens. I come to tell you the plans of Zeus,”. Heracles here appears as deus ex machina, to offer a divine hand to the Greeks so that the prophecy may be fulfilled. He goes on to tell Philoctetes “Go with this man to the city of Troy. First, you shall find there the cure of our cruel sickness, and then be adjudged best warrior among the Greeks. Paris, the cause of all this evil, you shall kill with the bow that was mine.” Here Heracles acts at the divine guardian of Philoctetes, he advises him on how to heal his foot, as well as how he can achieve glory on the battlefield, by killing the Trojan prince Paris with Heracles’ former bow. By reminding him of the glory and spoils of war he is fated to earn from battle, Heracles is able to convince Philoctetes into going to
Authors develop characters’ personalities in order to add depth to their story and allow readers to feel more connected to the characters. Beyond this, characterization also allows authors to develop the themes of their stories in a more clear manner. A prime example of this would be in the poem Judith, where the author contrasts Judith and Holofernes’ personalities in order to develop the major themes of heroism and having faith in God.
Odysseus is willing to do anything to get Philoctetes and the bow of Herakles to Troy, and he knew from the start he would an underhanded strategy to do so. At the same time, Neoptolemus is hungry enough for glory to agree to be deceitful as Odysseus instructs, but his morals fully kick in, as he must own up to the truth. Odysseus and Neoptolemus’ ultimate approaches to leadership address the moral discrepancy between doing what is best for the group verses an individual. Luckily, Herakles enters from above and appeals to the heroes craving for glory, getting everyone Troy bound. The three leaders’ approaches are gauged based on Philoctetes’ responses to the heroes. Though Philoctetes has lingering distrust of the Greek leaders, he does agree to go on to Troy at the end, but the ending is far from pleasing for most. Even if everyone knows greatness does await Philoctetes, the emphasis on his suffering and continuous negative encounters with Odysseus make it difficult to accept Herakles success. If anything, Sophocles made innovations in Philoctetes’ myth that change the way the Greek leaders are perceived. Namely, Sophocles underlines Odysseus’ immoral traits and Neoptolemus’ virtue; seemingly to focus on the political approach he found appropriate for his time, despite the complications of pleasing
A tragic hero is the antithesis for the common protagonist. Most protagonists show how they overcome great obstacles however, the tragic hero shows a more humane character, that stumbles and falls. The tragic hero usually exhibits three specific traits that lead to his or her downfall. In the play, Julius Caesar by William Shakespeare, the characters of Brutus and Caesar both exhibit the three attributes of a tragic character. The first trait of any tragic hero is a high rank and potential for greatness. Both Brutus and Caesar hold his trait, as they are beloved high ranking Romans. The second characteristic a tragic hero must possess; is a fatal flaw that dominates their personality, and Brutus’ sense of justice and Caesar’s ego, fulfill this