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Black Robe" is a 1991 movie starring Lothaire Bluteau, Aden Young and Sandrine Holt. It was directed by Bruce Beresford and adapted from Brian Moore's 1985 novel of the same name. It was produced by a “Joint Film Production of Australia and Canada”. The movie lasts about one hour and forty-one minutes. The movie was named "Best Canadian Film" at the 12th Annual Genie Awards, with August Schellenberg also taking home the "Best Supporting Actor" trophy. (Epinions, 2004)
The movie revolves around a 1632 French missionary, Father LaForgue (Lothaire Bluteau) or Black Robe as the Indians referred to him. He traveled to North America to attempt to “save the savages on the new land”. His mission leads him to a Canadian settlement and an Algonquin tribe. There he is first introduced into the Indian religion, culture, and practices. This is also where his first major shock occurs, when he encounters a Frenchman, Daniel (Aden Young), having sex with the Algonquin chief's daughter, Annuka(Sandrine Holt). Shortly after, Father LaForgue decides to accompany a small group of Algonquin Indians on a...
The book started out with a bloody massacre at Mary Ingles Virginia settlement in 1755. Mary Ingles was pregnant with her third child and twenty-four years of age when the Shawnee Indians came and kidnapped her, her two sons, her sister-in-law, and her neighbor. The journey to the Shawnee village lasted five weeks in the Virginia wilderness, and once the captives arrived at the village they were divided up amongst the Shawnee Indians, leaving Mary alone with no hope but to go home and make a new family with her husband Will Ingles. While in the village of the Shawnee Mary was able to make friends with an elderly Dutch woman who was a captive too, this elderly woman was to be Mary’s companion through the scary wilderness home. Mary and the old Dutch woman were unable to swim but knew that the Ohio River would lead them back home to freedom so they decided to make an escape from the heathen Indians and return home to civilization, not knowing the hardships that would fall on them at the beginning of winter. To start the journey the women had two blankets, one tomahawk, and the clothes that were on their backs, after a week into the trip th...
The main characters of the film were John Smith, Pocahontas and John Rolfe. Usually it is hard for films to portray c...
Reel Injun is a compelling, thought-provoking documentary that shows how movies have stereotyped Native Americans, and has shaped how society in general viewed Natives. The film seeks to show how Natives really are, and ultimately seeks to correct the Native stereotypes created through the Hollywood Native films. Neil Diamond discusses why films about Natives were originally created and how Natives were portrayed in the early years of film. Through the documentary he continues to show how Natives and their culture changed in the eyes of society.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
The film 12 Years a Slave takes us into a twelve-year window of Solomon Northup’s life. Its origin comes from Solomon Northup’s book, with the same title, that recounts one fragment of America’s most embarrassing exploits. The film was directed by Steve McQueen and was released in the year 2013. The director chose 12 Years a Slave to work with after much searching for non-fictional story that featured a man who was ripped from his family and forced into slavery. Solomon’s story was just that. Many critics have been praised the film and particularly single out Chiwetel Ekiofor’s performance as the best acting of the year (Solomon Northup).
in exchange for reimbursement, it was negotiated by a Cherokee leader, John Ridge, who claimed to represent the Cherokee Nation when really, he spoke for only a small portion of the group. This book begins with the conception of John Ridge, it incorporates everything that the Cherokees believed in and what Ridge had to do in his initiation to manhood. At this time, the white’s already have a correspondence with the Natives, as one of their forbears is white. Eventually, the American Revolutionary War happens and Major Ridge (John’s father) and his family are driven into the madness. Soon after the war has ended, the only thing that whites are focused on is obtaining good land. A discovery of gold in Georgia leads the white people to the Natives land. After finding that all this land meets their needs, they figure that the Indians are wasting it and come up with a plan to acquire it all. In the meantime, Major Ridge is living his life with his children, he has become a wealthy plantation owner as well as a leader of the Cherokee Nation. His son John becomes an attorney, and his nephew Elias Boudinot becomes the first editor of the Cherokee Newspaper. Eventually, Major Ridge and his family are the first to discover that plans have been made to remove all Natives off their land and send them to the other side of the Mississippi
As a result, both films represent Natives Americans under the point of view of non-Native directors. Despite the fact that they made use of the fabricated stereotypes in their illustrations of the indigenous people, their portrayal was revolutionary in its own times. Each of the films add in their own way a new approach to the representation of indigenous people, their stories unfold partly unlike. These differences make one look at the indigenous not only as one dimensional beings but as multifaceted beings, as Dunbar say, “they are just like us.” This is finally a sense of fairness and respect by the non-native populations to the Native Indians.
The film helps to explain the ambiguity in the motives and actions of the government workers. The government workers and the missionaries both want to do good and help the Aborigines, but their actions are guided by naturally ingrained stereotypes and self interests. The whites view the natives and the Aborig...
The movie revolves around the sometimes love hate relationship between Rhett Butler and Scarlett O’Hara and how she will do whatever it takes to survive. It over romanticizes the old south and how the plantations were run and deals with topics such as slavery, reconstruction of the south and has a strong feminist survival theme to it.
A female in film noir is typically portrayed in one of two ways; she’s either a dependable, trustworthy, devoted, and loving woman, or she’s a manipulative, predatory, double crossing, and unloving temptress. Noir labels the cold hearted and ruthless woman archetype as a Femme Fatale. A femme fatale is walking trouble, and she’s aware of it. This woman is gorgeous, refined, eloquent, and commands the attention of any room she’s in. When the femme fatale desires something, she pursues it. If there’s an obstacle in her way, she overcomes it. If she can’t handle it herself, all she needs to do it bat her eyelashes and the nearest man is all too willing to take care of it for her. In essence, the most dangerous thing about the femme fatale is her
The film starts with an elder Norman fishing in the “Big Blackfoot” river. Written by Mark Isham (who won the Academy Award for his work on River), the score is soft and sad. The camera focuses on the elder Norman’s aged hands, tying a fly to his fishing line, and he lyrically describes his past through voiceover (Spoken by Redford himself). These devices tell the viewer that Maclean’s past is something to be longed for, something great and not fully understood that has been lost forever.
Whilst making their way to a British Fort, Major Heywood and his party are attacked by Indians. Three men come to their rescue, two of them Indians, and another is a white man whom was raised by the eldest Indian. This man, Hawkeye, his brother and father rescue the Major and the two women that are in his party.
Beside that, Cinematography is also one of the element that play important roles in film noir. This can be seen when Dixon (2005) explained that in film noir shot in black and white, interior setting is always suffused with shadows and exterior settings are usually at night, with wet streets and rain. It is true because most of the film noir are shot in night with wet streets and rain, night scenes are able to create the ‘ darkness ’ mood and feeling while wet streets and rain can create the fear. Furthermore, according to Dixon (2005), he mention that the imbalanced camera set-up in film noir and the camera sweeps in on the protagonists in their most intimate moments. It is true also if the imbalanced camera set up in film noir such as dutch angle and low angle shot, it shows that something are going to happen, but it depends on the director and cinematographer on what visual they want to show to the audiences.
In the film "Dark Robe", the story of the first contacts between the Indians and the Jesuit preachers from France who came to change over them to Catholicism. This motion picture concentrates on the religious and social conflicts, and it outlines a few similitudes and contrasts between the Indians and the Jesuits. The film demonstrates that despite the fact that the Indians and the Jesuits have distinctive conviction frameworks, they have a few similitudes. They both have confidence and trust in spirits, and each one side claims that the other side doesn't know anything and call one another as inept. This shows that they have a comparative perspective to one another. The scene where the two pioneers Champlain and Chomina plan to meet indicates
The movie takes a small look at a few individuals and takes a more personal but also satirical look at the old west. The film shows the truth of the old west, that it was a place where violent, uncomplicated men were the ones who built the culture and towns. The director just likes his main hero also took a morally grey approach to creating his movie. Where he emphasis how war and violence created some of the cultures of the American West. The movie really goes deep into the lifestyle of cowboys focusing on the greed and violence that can sometimes accompany such a lifestyle while also using the Civil War as a backdrop. Although panned by critics during its initial release today the films remain universally loved and is considered one of the greatest western movies of all time. I think this is because it takes a realistic and satirical approach to both cowboys and the western Civil War time period. Despite its shortcomings during its release and the limitation due to the technology of the time. The film over the years has managed to become a western classic that is surprisingly smart and witty, while also managing to keep its message