Publication Information
Staples, Brent. “Black Men and Public Space.” Reading Critically, Writing Well. Sixth edition Eds. Rise B. Axelrod and Charles R. Cooper. Boston: Bedford/St. Martin’s, 2002. 134-136. Print.
Brief Summary “My first victim was a woman-” (134) He immediately starts off describing his first encounter of racism when he moves to Chicago as a student. He encounters countless other examples of how he was discriminated just because of the color of his skin. “It was the echo of that terrified woman’s shoes that I first began to know the unwieldy inheritance I had come into.”(135) He described himself as the opposite of a criminal and was embarrassed because the people’s looks and reactions towards him almost made him feel guilty
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Some things that he had to encounter was when people would walk on the other side of the street to avoid him. He also noticed that people would walk faster to try to keep distance or if he was too close they would clutch their handbags or purses as if he was going to snatch it from them. This began to anger him until he learned how to adjust.
“Over the years, I learned to smother the rage I felt at so often being taken as a criminal.”(136) He began to change his own ways as to reduce the stress or the fright of the people around him. He began to dress a little differently. If he continued his daily route following someone who seemed nervous in front of him he would walk into some lobby or place and wait a while then continue on his way so that the person wouldn’t think he was following them. He even went so far as to whistle classical tunes when he was walking to reduce the tension. Doing that he found was the most
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He needs to realize that those people were simply doing what they were taught to do to protect themselves. It is very sad, but crime is very high especially in major cities of America. As a girl my mother has given me many ideas and things to do just in case something bad was going to happen. It is called being proactive. Trying to get ahead to prevent a problem instead of dealing with the aftermath. I can not speak for all women, however many do not act a certain way as to be prepared to protect ourselves because of a person’s skin color, it is because of the fact that that person is more than likely a man. A man who could overpower us. If a man is walking too closely I am going to get away. It is a natural reaction. I’m sure he was not taught such things simply because he is a male and would be threatened
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
In Kiese Laymon “How to Slowly Kill yourselves and others in America” and Brent Staples “Black Men and Public Spaces” both essays deal with being an African American man but the authors respond in a different ways. At one point in history being an African American wasn’t always the easiest but two Authors shared their stories about the experiences they had which were very different. Although the color of their skin is the same and how they treated was as well both authors take different precaution’s to handle the situations they were in to persuade the audience on how to deal with the effects of racism. Both authors show their hidden message through the actions presented throughout the essays. Laymon`s casual tone and will to fight make him more relatable
More than Just Race: Being Black and Poor in the Inner City (Issues of Our Time)
Considering the circumstance of racial inequality during the time of this novel many blacks were the target of crime and hatred. Aside from an incident in his youth, The Ex-Colored Man avoids coming in contact with “brutality and savagery” inflicted on the black race (Johnson 101). Perhaps this is a result of his superficial white appearance as a mulatto. During one of his travels, the narrator observes a Southern lynching in which he describes the sight of “slowly burning t...
Throughout history, as far back as one could remember, African- American men have been racially profiled and stereotyped by various individuals. It has been noted that simply because of their skin color, individuals within society begin to seem frightened when in their presence.In Black Men and Public Space, Brent Staples goes into elaborate detail regarding the stereotypical treatment he began to receive as a young man attending University of Chicago. He begins to explain incidents that took place numerous times in his life and assists the reader is seeing this hatred from his point of view. Staples further emphasizes the social injustices of people’s perception of African-American men to the audience that may have not necessarily experienced
Namely, he gets his message across to his audience with the use of imagery. Even so, he says that when he’s out walking the streets of Brooklyn at night, he finds that women “set their faces on neutral”, place their purses “across their chest bandolier style”, and “forge ahead as though bracing themselves from being talked” (Staples 543). With this use of imagery, Staples is able to place an image in the reader’s head of a young women walking the streets- alone, tense, and skittish- all because of man who, unbeknownst, means no harm to her. This denotes the theme of racial profiling in society because it shows the woman’s fear of an African American walking the streets, whom of which has not made one advance or threatening move towards the woman. The woman’s ability to assume the worst in the blink of an eye shows how society has been drilled with the influence of stereotypes and racial profiling. This leads to the fact that an innocent man is being ridiculed for the color of his skin while he had done nothing to cause such actions. Moreover, the description of the woman’s reaction to Staples makes the audience pity him because of his innocence in the cruel and unfair situation and unwillingness to be anybody other than an innocent bystander. Additionally, Staples’ use
African-Americans aged 12 and up are the most victimized group in America. 41.7 over 1,000 of them are victims of violent crimes, compared with whites (36.3 over 1,000). This does not include murder. Back then during the era of the Jim Crow laws, it was even worse. However, during that time period when there were many oppressed blacks, there were many whites who courageously defied against the acts of racism, and proved that the color of your skin should not matter. This essay will compare and contrast two Caucasian characters by the names of Hiram Hillburn (The Mississippi Trial, 1955) and Celia Foote (The Help), who also went against the acts of prejudice.
Society is filled with prejudices often based on first impressions which are skewed by personal thoughts First impressions play a large role in how we view and judge people before we even know them. However, as people silently judge others most do not consider the impact it has on those who are judged. Both “Black Men and Public Spaces” by Brent Staples and “The Struggle” by Issa Rae exemplify the prejudices they experience as African-Americans and the misplaced expectations society places on them. The authors point of view greatly impacts the details and tone of the story. Through explicit details and clear tone, the author is able to portray their perspective and point of view.
Brent Staples focuses on his own experiences, which center around his perspective of racism and inequality. This perspective uniquely encapsulates the life of a black man with an outer image that directly affects how others perceive him as a person. Many readers, including myself, have never experienced the fear that Staples encounters so frequently. The severity of his experiences was highlighted for me when he wrote, “It also made it clear that I was indistinguishable from the muggers who occasionally seeped into the area from the surrounding ghetto.” (135) Having to accept that fact as a reality is something that many people will never understand. It is monumentally important that Staples was able to share this perspective of the world so others could begin to comprehend society from a viewpoint different from their
Staples successfully begins by not only admitting the possible faults in his practiced race but also by understanding the perspective of the one who fear them. Black males being opened to more violence because of the environment they're raised in are labeled to be more likely to cause harm or committing crime towards women but Staples asks why that issue changes the outlook of everyday face to face contact and questions the simple actions of a black man? Staples admits, "women are particularly vulnerable to street violence, and young black males are drastically overrepresented among the perpetrators of that violence," (Staples 384) however...
Racism still exists today in this day and age. African American men are particularly stereotyped to be drug dealers, criminals, and gangsters. People have there on opinion about black men, if someone is sitting in their car, and a black man walks by they’re going to lock their door, because they’re scared there going to get robed. The stereotypes about African American men are not true. There are educated African American men just like any other race. Two articles “Black Men in Public Space” and “Right Place, Wrong Face” deal with the issue of two educated African American men that get treated differently, because of the color of their skin. The articles are focused on times when both
In the short essay, “Black Men in Public Space” written by Brent Staples, discusses his own experiences on how he is stereotyped because he is an African American and looks intimidated in “public places” (Staples 225). Staples, an intelligent man that is a graduate student at University of Chicago. Due to his skin complexity, he is not treated fairly and always being discriminated against. On one of his usual nightly walks he encountered a white woman. She took a couple glances at him and soon began to walk faster and avoided him that night. He decided to change his appearance so others would not be frightened by his skin color. He changed the way he looked and walked. Staples dressed sophisticated to look more professional so no one would expect him to be a mugger. Whistling classical music was referred to the “cowbell that hikers wear when they know they are in bear country”(Staples 226). The cowbell is used to protect hikers from bears. But in Staples case, it was to not be stereotyped and show that he is harmless. The general purpose of Staples essay was to inform the readers that stereotypes could affect African Americans and any other races.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
... It should be understood that Morrison's novel is filled with many characters and many examples of racism and sexism and the foundations for such beliefs in the black community. Every character is the victim or aggressor of racism or sexism in all its forms. Morrison succeeds in shedding light on the racism and sexism the black community had to endure on top of racism and sexism outside of the community. She shows that racism and sexism affect everyone's preconceived notions regarding race and gender and how powerful and prevalent the notions are.