The popularity of jazz musicians by black artists has experienced particularly high levels of advancement in Kansas City throughout history. "For a brief period from the late 1920s through the late 1930s, Kansas City was a mecca for Midwestern and southwestern black jazz musicians. Some extraorginary music resulted from the healthy competition and collegiality that grew among musicians of significantly different backgrounds and styles. Among the musicians who marked the sound of Kansas City then were Bill "Count" Basie, Bennie Moten, Lester Young, Eddie Durham, Jesse Stone, Walter Page, Oran "Hot Lips" Page, Mary Lou Williams, Eddie Barefield, Henry "Buster" Smith, Ed Lewis, Jimmy Rushing, Joe Turner, Pete Johnson, Jay McShann, Claude "Fiddler" Williams, Dick Wilson, and Charlie Parker. It is an extraordinary role call for a relatively small city of the period," (Pearon 182). With consideration for these individuals, it is apparent that the most significant time period in Kansas City history, in regard to the spread of black jazz music, is the 1920s and 1930s.
One of the most indirectly responsible musicians who aided in the spread of black jazz music in Kansas City is Bill "Count" Basie, a character who "deserves to be [known by] anyone claiming to have more than a passing interest in the historical development of jazz," (Dunford 321). He was the "most important piano player and the most important band leader to emerge from Kansas City..." (Richards). "Basie, unlike most of the other territory musicians, was not a native Midwesterner. Originally from New Jersey, he was stranded in Kansas City when a touring group he was with broke up. He then played for a while as an accompanist in silent movie theaters until he joined the Blue Devils in 1928 and Bennie Moten's Kansas City Orchestra in 1929. When Moten's group disbanded in 1932, its core musicians, including Walter Page and drummer Jo Jones, became the core of the Count Basie Orchestra".
Bennie Moten is a second important individual with regard to the advancement of black jazz music in Kansas City history. "A Bennie Moten ensemble had been around since the early 1920s. And by 1924, on its third record date and with its personnel expanded from six to eight, it had its first hit in a piece called "South." Indeed, a 1928 stylistically updated Moten remake of "South," with ten instrumentaliststwo trumpets, a trombone, three reeds, and four rhythmcould be found in jukeboxes in the South and Southwest well into the 1940s," (Williams 172).
Developed in the early 1940's, Bop had established itself as vogue by 1945. It's main innovators were alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie. In this stage in jazz, improvisation differed immensely. Bebop soloists engaged in harmonic improvisation, often avoiding the melody altogether after the first chorus. Usually under seven pieces, the soloist was free to explore improvised possibilities as long as they fit into the chord structure. Popular and influential jazz artists include: Louis Armstrong, Miles Davis, & Cannonball Adderley. Armstrong is most known for his involvement in hot jazz as a trumpeter, but is especially renowned for his improvisation capabilities. Louis Armstrong, born August 4, 1901 right in the beginning stages of the jazz movement, was originally from New Orleans. Armstrong was a bandleader, soloist, comedian/actor, and vocalist. Another famous, Miles Davis, is what some consider to be the best trumpeter of the era. Davis was born on May 26, 1926 in Alton, Illinois. One unique thing about Davis was that he was taught to play without vibrato, which was incredibly contrary to the popular way of
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
The jazz band I observed played a series of six different songs. Although all the songs were categorized as jazz, each song had its own special style and sound to it. The band consisted of three different players. Paul Meyers, the guitarist and composer, Andy Eulau, the bassist, and Dave Rataczak, on drums. The songs performed were entitled “Love for Sale” by Cole Porter, “Once I Loved” by Antonio Carlos Jobim, “Stars” by Paul Meyers, “Blues for Mel” also by Paul Meyers, “Last Night When We Were Young” by Harold Arlen, and “Samba Novo” by Luis Eca.
Jazz is one of the only uniquely American forms of music. Its roots date back all the way to the Atlantic slave trade. Jazz is still alive and well today. This paper will walk you through Jazz’s rich history. We’ll start with the basics of African music and its influences. Then we will take you through the decades leading to modern Jazz.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Looking for a new sound, he started to work with the arranger Gil Evans, and this cooperation gave birth to a new wave of “cool jazz”. Later, this genre called West Coast cool jazz brought many other new sub-genres. During the same year, Miles formed his own band with a nine members in it where he combined in addition to himself a trombone, a baritone saxophone, an alto saxophone a tuba, and a French horn. At that time, the band included such musicians as John Lewis, Kenny Clarke, Kai Winding, Gerry Mulligan, Lee Konitz and J. J. Johnson. All of them have brought into music relaxing notes.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
In the New York City neighbourhood of Harlem in particular attracted many african americans intellectuals and artists. Jazz first became popular in the nightclub cultures of big cities, but it wasn't Harlem clubs that one could see the artists fresh and uniquely american music. Jazz came to view in the African American. Jazz was from the mixed influences of ragtime, blues, hot jazz, and even band music that played in Funerals. Works produced during the Harlem Renaissance appealed not just to African Americans but it crossed over to white audiences as well as the musical “Shuffle Along” which in fact became a smash hit on Broadway. The rapid growing record industry who quickly became interested in performers such as Louis Armstrong, Bessie Smith, Fletcher Henderson, Cab Calloway, etc. One of the many great legends was Edward Kennedy Ellington but his friends simply called him Duke. Fletcher Henderson and Duke Ellington orthodoxe black jazz orchestras that began performing at nightclubs in Chicago and for a long run the Cotton Club in New York. They both employed some of the most accomplished Jazz Musicians such as Louis
This essay, as the title suggests, will be about the origins of jazz music. Starting from the roots when African slaves arrived in North America, they helped the development and the emergence of early jazz a great deal. It is also important to not forget the significance of the Congo Square which kept the music alive in New Orleans, never letting it die out. Then, continuing on with the slavery theme, the essay will talk about why and how jazz music appeared in its widely considered birth place, New Orleans. Also, as early jazz developed into different styles, the text will mainly be focusing on its two most prominent ancestors: ragtime and blues. Additionally, jazz would not exist as it is known today without the assistance of some of the
The Jazz Singer, released in 1927, is a black and white film that centers on a young man who wishes to conquer his dreams in becoming a professional jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing the new advances of the decade, Crosland’s film, changed the way cinema would be seen forever.
Ironically, it is nearly impossible to find the pinpoint of where jazz got started. Many early types of music, such as: Blues, Afro-Latin Caribbean rhythms, work songs, Protestant church hymns, Jewish songs, silly contemporary tunes, English and Irish dance music, gospel and spiritual, and ragtime, all went into the creation of jazz. A lot of credit goes to the African Americans for the creation of jazz. (Taborelli, Giorgio). “Jazz was born out of the cultural experience of African Americans and can be traced in a direct line to the slave songs of the plantations through the Negro Spirituals, Ragtime, and the Blues”("Jazz Musicians as
The jazz community and the music we know today would not be the same without the contributions of Louis Armstrong, who is widely considered to be a founding father of Jazz. The works of Louis Armstrong who was a trumpet and cornet player, composer, actor, and singer have profoundly shaped and impacted all American music. His ingenuity and his musically inventive mind have given us a style that dominates the Jazz community. Armstrong’s innovations and progressions single handedly changed the face of Jazz, his innovations are still effecting music today. Many musicians today work in the shadow of Louis towering figure and bask in his legacy he left behind. His style of trumpet playing revolutionized the world of Jazz, and he became one of
Jazz is not just music, it was a way for people to express themselves and their emotions. It also had a part in fashion and poetry. “Jazzy clothing” and “jazzy poems” also arose. Jazz was unique because it broke many social and musical rules. Instead of the regular and usual structure, jazz would be improvised by the musician. It provided a way for people to express themselves, gave them character which set them apart, and cultural freedom. New dances were being created lie the Charleston and the One Step. The birth of jazz music is generally credited to African Americans, but expanded and over time it became socially acceptable to middle-class white Americans. White performers were used for the popularization of jazz music in America. Even though the jazz movement was taken over by the middle class white population, it facilitated the blend of African American traditions with the white middle class society. Cities like New York and Chicago were cultural centers for jazz, and especially for African American artists. Some famous black artists of the time were Ella Fitzgerald, Louis Armstrong, Duke Ellington, and Count Basie.