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BACKGROUND
Audrey Hepburn (1929-1993) considered a fashion icon, gifted actress and a natural beauty. She had a difficult childhood, which culminated in her parents’ divorce. According to her son, Audrey’s abandonment by her father was a wound that never healed. It led her to unhealthy marriages that resulted in divorce. Due to family tension and possibly her extreme introverted nature, at the age of six she was sent to a boarding school in London. There, she is believed to have become more outgoing, which would be necessary for her future career. In 1939, at the start of the war in England, Audrey’s mom (Ella) moved the family to Holland. Fearing that London would be bombed, she decided that Holland would be safer because “Germany would never attack a neutral Holland” (Spoto, 2006, p. 18). In 1940, this was a natural assumption that resonated with the Dutch during the war until the Nazis invaded Denmark and Norway on April 9 (Spoto, 2006, p. 19). To further preserve their lives, Ella changed Audrey’s name to a less English sounding “Edda van Heemstra” which was Audrey’s christening name (Spoto, 2006, p. 21). They no longer spoke English; instead, they limited themselves to speaking only Dutch. It is interesting to note that most likely because of her childhood experiences in Belgium, Holland, and England that Audrey Hepburn formed her unique accent.
During the war, Audrey studied at Arnhem Conservatory in Holland. She had always dreamed of being a ballerina (Harris, 1994, p. 32). Fellow classmates remembered Audrey as a serious student who wanted to become a ballerina and showed great dedication to her studies (Higham, 1984, p. 22). She continued dancing until she was too weak and malnutritioned to continue. After the war (194...
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Maychick, D. (1993). Audrey Hepburn: An intimate portrait. New York: Carol.
Moseley, R. (2002). Trousers and tiaras: Audrey Hepburn, a woman’s star. Feminist Review, 71, 37-51. doi:0141-7789/02
Moseley, R. (2005). Dress, class and Audrey Hepburn: The significance of the Cinderella story. In R. Moseley (Ed.), Fashioning film stars: Dress, culture, identity (pp. 110-120). London: BFI Pub.
Podolsky, J. D. (1994). Life with Audrey, People, 42(18), 100-109. Retrieved from Academic Search Premier, EBSCOhost
Spoto, D. (2006). Enchantment: The life of Audrey Hepburn. New York: Harmony Books.
Smith, D. M. (2002). Global Cinderella: “Sabrina” (1954), Hollywood, and Postwar Internationalism. Cinema Journal, 41 (4), 27-51. Retrieved from http://go.galegroup.com/ps/i.do?id=GALE%7CA160418974&v=2.1&u=csuf_main&it=r&p=LitRC&sw=w&asid=e7a62ef11eaa6df90cef01c0ee336d8b
...s far as the author is concern, the fact that CoCo Chanel left the Victorian ideas and lived a life of her own made other women admire her. According to the author, clothing design was her star that raised her above other women. It would be better if other women would emulate her character and moral beliefs that should attract other women.
Women have spent a large amount of time throughout the 20th century fighting for liberation from a patriarchal form that told them that they must be quiet and loyal to their husbands and fathers. For the duration of this essay, I will be discussing how the “Modern Woman” image that appeared through the Art Deco style — that emulated ideas such as the femme fatale and masqueraded woman, and presented new styles to enhance women’s comfortability and freedom — is still prevalent and has grown in contemporary art and design since. Overall I will describing to you how fashion, sexuality, and the newly emerged ‘female gaze’, and how these tie in together — in both periods of time — to produce what can be described as powerful femininity.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Imagine it – all the rules you were raised to follow, all the beliefs and norms, everything conventional, shattered. Now imagine It – Clara Bow, the It Girl. The epitome of the avant-garde woman, the archetype of the flapper, was America’s new, young movie actress of the 1920’s. Modern women of the day took heed to Bow’s fresh style and, in turn, yielded danger to the conventional America. Yet Bow’s contagious and popular attitude came with its weaknesses - dealing with fame and the motion picture industry in the 1920’s. Despite this ultimate downfall, Clara’s flair reformed the youth and motion pictures of her time.
During the early stages of the Industrial Revolution, the role of working-class women became a burden to what one would call British National Identity. As one can note from Deborah Valenze’s book The First Industrial Woman, women who began to work in order to support their families were seen as a masculine because they would dress showing more skin. The new evolving identity of working class women became criticized not only by men but also by women of higher economic status. This would eventually lead to the first feminist wave in Britain from 1848 through 1920. This new wave in Britain was a reaction to the way working women had been put down by British society in the earlier period of the Industrial Revolution. Therefore, the ‘gentle lady’ of the Victorian Age became unacceptable, the role that domesticity was the right role to be played by women became a critique. The suffrage movement in many ways led women to embrace a new form of ‘masculinity’ in clothing. The working class woman’s ‘masculinity’ became one to be praised. One can begin to see this at the end of First Feminist wave in the 1920s when the flapper style became the new fashion. Society in Britain had become one of man v. woman, and women retaliated through fashion by adapting masculine style clothing to cover their curvaceous figures. Nevertheless, the Second World War’s impact on society brought with it a new ideology of Britain v. the outside enemy, which brought a revitalization of traditional women roles illustrated by the clothing. The following is an analysis on women’s clothing post the First World War and through the Second World War.
Classic film noir originated after World War II. This is the time where post World War II pessimism, anxiety, and suspicion was taking the world by storm. Many films that were released in the U.S. Between 1939s and 1940s were considered propaganda films that were designed for entertainment during the Depression and World War II. During the 1930s many German and Europeans immigrated to the U.S. and helped the American film industry with powerf...
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
Women used to dress very conservatively and strict before the turn of the decade. Clothing consisted of fitted dresses, long skirts, and corsets in lady like manners. Since the 1920’s brought women’s rights along, young women decided that they were not willing to waste away their young lives anymore being held down to the rules; they were going to enjoy life. The younger generations of women were breaking away from their old habits and their fashion statements changed their roles in society completely. Women were modeling their lives after popular icons...
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
As a result actresses have empowered young women to become something more than just the average girl. According to the article, Feminists call Katharine Hepburn...
In the early 1900’s the ideal woman would be dressed with long dresses and would normally have long hair. Several events such as World War I, in July of 1914, changed women’s role in society. They were not only taking care of the children and the household but they were also taking the role of a man. As men went to war, women replaced them in factories. This caused woman to be more independent. Women realized that having a job was something that could be done; their sex didn’t restrict them from taking this action. This was extremely important as it lead to women being more confident and capable. In the 1920s young women began to change. They went from having long dresses and long hair, to a short haircut and wearing dresses that were above the knee. Women developed a greater interest in looking attractive. According to Russell L. Johnson, the beauty industry grew rapidly as cosmetic expenses sky rocketed from 750 million to 2 billion dollars (Johnson 3). This was one of the causes of the sexual revolution. Women became “ less formal but more expressive (Mag...
Born Audrey Kathleen Ruston on May 4, 1929 to parents Joseph Hepburn-Ruston and Ella van Heemstra, Audrey lived with her two half-brothers, in Brussels, Belgium. She and her brothers lived a luscious life as young children, seeing that her mother was a Dutch Baroness who was descended from French and English kings and her father a well-known business man and banker. Audrey’s father later appended Hepburn to his surname, thus Audrey becoming Hepburn-Ruston (Biography of Audrey Hepburn.) In 1935 Joseph and Ella divorced, and Audrey recalled it to be one of the most traumatic events of her life. In the early years after the divorce, Audrey and her mother lived in England, but with the outbreak of World War II, her mother moved them to the Netherlands; this area was neutral and her mother’s home country. Much to her mother’s dismay, on May 10, 1940, Nazi Germans invaded the Netherlands and Audrey’s family, consisting of Audrey’s mother and her two half-brothers were forced to endure hardships of war (Audrey Hepburn 1929-1993.) Audrey suffered severely during the war, and became increasingly malnourished (Facts about Audrey Hepburn.)
Audrey Hepburn was like a ray of sunshine on a dark and cloudy day, a true fashion icon who would silence an entire room full of people because of her grace and natural beauty. Audrey was and still is influential to women of all ages to be yourself no matter what other people say because of events that happened to her and how she affected people around her. Audrey Hepburn, a fashion icon and actress, 1960 world war two affecting people who have lost those they love, and feeling like the world is going to crumble as we know it. Through her life she had terrible events happen, Audrey Hepburn was an influential actress to young women to fight when things are hard.
Stent, S., 2011, ‘Fetishizing the Feminine: the Surreal Fashion of Elsa Schiaparelli’, Nottingham French Studies, September, 50, 78-87.
Looking back in history, it can be easily argued that the role of the actress in society has gone through a notable evolution. During the 16th century, it was a rare occurrence for a woman to be seen on stage. Women’s roles were played by young boys. It wasn’t until the 17th century that women first appeared on the English and Parisian stages. However, it was considered improper because women were expected to remain in the shadows, and actresses had to put themselves on display in order to work. As the role of actresses evolved and they were seen more frequently on stage, society considered them to have bad morals and be prostitutes. It wasn’t until the late 19th century that the view of an actress in society had reached a respectable level.