Bigger Than Life Psychosis

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In the 1956 film Bigger Than Life, the anti-hero of Ed Avery experiences a severe episode of psychosis following misusing his cortisone prescription and undergoes an immense transformation of his self-perception. As a middle-class, suburban teacher, Ed initially does not explicitly demonstrate the grandiose persona he takes on after abusing cortisone, but rather seemingly appears to be a typical husband and father in his 1950s family, with his wife, Lou, and his son, Richie, also being members of the “dull” nuclear family. There are hints of Ed longing for a life greater than his suburban entrapment — travel posters in their household that speak of aspirations to travel elsewhere; him holding two jobs to better support his family. However, …show more content…

The sequence features several scenes, including Ed forcefully entrapping Lou in a closet; Ed maneuvering himself to the living room to increase the television’s sound; Ed destroying the family’s Bible and running towards Richie’s room; the potential filicide exchange scene between Ed and Richie, and the conclusive fist fight scene between Ed and the Avery’s family friend Wally Gibbs, as a matter of a rescue-like sequence to catalyze the psychosis’ potential demise. The five distinct scenes from Bigger Than Life work together to construct the film’s murder sequence, distinguishing the height of Ed’s exacerbating psychosis condition. Bigger Than Life’s murder sequence successfully serves as a transformational experience for the anti-hero, as he deteriorates into not solely contemplating killing his son, but into actually putting the harrowing plans into action. The sequence simultaneously indicates how strongly the prototypical suburban nuclear family has deteriorated — the family type that is expected to stand as the model of flawlessness and perfection, in conjunction with how Ed’s mental state has exacerbated beyond a semblance of sensible thought or reason. As indicated in this sequence, the nuclear suburban family

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