Big Band Swing And Bebop Research Paper

720 Words2 Pages

Jazz
Jazz, the music genre that changed a nation and empowered the African American community is not only a form of music, but a form of power. From the late 19th to early 20th century, jazz rocked every corner around the nation, starting with Jazz clubs in New Orleans. This genre gave birth to so many different subgenres that many have a difficult time defining it. Big band, swing, and bebop are only a handful of subgenres that stem off of jazz, but each has their own unique flow.
Big band could be considered the first sub genre for jazz the form of playing music in an Orchestra but rather than a classic tone, add in the jazz rhythm. In the 1920s, Paul Whiteman was credited with for the creation of this “Symphonic Jazz” and was meet with heavy criticism from classic and jazz fans alike. However, this did not stop him from being successful with songs like “Happy Feet” (1930) that he and his orchestra performed, big bands differ from other forms with the large quantity of members in the band, averaging with 12~25 musicians. Another specialty to big …show more content…

bebop was a music formed out of spite, but if it wasn’t for bebop we’d never have expanded the use of all the rhythmic sections. The first (believed) example of bebop was in Mckinney’s Cotton Pickers “Four or Five Times” (1928.) A man by the name Dizzy Gillespie believed the term ‘bebop’ was coined based on his scatting, deriving from his scatting of numbers as ‘bebops’. Yet the first recorded example of this musical form was in the 1939 “Body and Soul” records by Coleman Hawkins who strayed, only a bit, from the ordinary resolution of musical themes. Even if it was small this record led to hit bebop tracks such as “Devey Square” by Charlie Riker and “Groovin’ High” by Dizzy Gillespie. A nonsense tune that sparked nonsense joy, bebop was a revolution influenced by the youth of the

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