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A note on the verse of John Milton
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John Milton, in his epic poem “Paradise Lost,” expresses that “the mind is its own place, and in itself can make a heaven of hell, a hell of heaven” (Milton). This idea not only counteracts the basic ideals of Christianity but simultaneously disrupts the widely accepted idea of a separated heaven and hell and the expectations needed to be met to achieve entry. Religion and the bible, two of the most widely disputed topics in history, serve as a muse for authors to explain humanity’s fatal flaws. Throughout East of Eden and The Winter of Our Discontent, Steinbeck uses biblical stories and their basic principles to display the hypocrisy of modern Christianity.
Criticism of organized religion’s hypocrisy and rigidness is often seen throughout Steinbeck’s writing despite his Episcopalian upbringing and knowledge of the bible. Steinbeck’s mother pounded the bible into his mind which explains his particular fascination with God and the ideals displayed in the sacred text. His falling out with organized religion did not hinder his ability to portray the stories and beliefs in his texts. In the author’s childhood he even feuded with organized religion publicly by speaking out during a sermon at his church which had enraged him. To much of his mother’s dismay, Steinbeck exclaimed “you all look satisfied here, while outside the world begs for a crust of bread or a chance to earn it. Feed the body and the soul will take care of itself!” Steinbeck managed to go against the speaker and was immediately asked if he could deliver an even better sermon (Wrath of Steinbeck). Steinbeck’s misbehavior in the church continued when he was altar serving and dropped a brass cross on an old man and was never asked back to the mass. Steinbeck rejects...
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... that love for wealth is the root of all evil and exemplifies the hypocrisy of modern day Christians. Through a God that is shown to be a hippocratic
Works Cited
Anatolios, Khaled, and Stephen F. Brown. “Influence on Society and Culture.” World Religions Online. Infobase learning. Web. 9 May 2014.
Bennet, Robert. The Wrath of John Steinbeck. Los Angeles: Albertson P, 1939.
Flinn, Frank K. “Evil in Catholicism.” World Religions Online. Infobase Learning. Web. 8 May. 2014
The Holy Bible Containing the Old and New Testaments. Trenton: I. Collins, 1791. Print.
Milton, John. Paradise Lost. New York: Odyssey, 1935. Print.
Steinbeck, John. East of Eden. New York: Penguin, 2002. Print.
Steinbeck, John. The Winter of Our Discontent. New York: Viking, 1961. Print.
"Inquisition." In New Catholic Encyclopedia, edited by Berard L. Marthaler, 485-491. Detroit: Thomson Gale, 2003.
Like all strong allegories, East of Eden draws one into a world of fictious characters that seem to take on a life of familiarity. The bible, which Steinbeck has chosen to build his novel on, is a book that interests itself not in causes, but in actions and their consequences. By creating biblical allegories, Steinbeck gives a new meaning to an old chapter.
The stronger will do anything in their power to make a profit, leaving the weak with nothing. Kuyper says, “…the more powerful exploited the weaker by means of a weapon against which there was no defense” (Kuyper, Abraham, and James W. Skillen 26). Additionally, he states that “…the idolization of money killed the nobility in the human heart” (Kuyper, Abraham, and James W. Skillen 31). Kuyper talks about how Jesus felt bad for the rich and sided with the poor (Kuyper, Abraham, and James W. Skillen 32). Matthew 6:19-21 says, “Do not lay up for yourselves treasures on earth, where moths and rust destroy and where thieves break in and steal, but lay up for yourselves treasures in heaven. For where your treasure is, there your heart will be also.” Earthly materials mean nothing because the real treasure awaits in
The tale of The Grapes of Wrath has many levels of profound themes and meanings to allow us as the reader to discover the true nature of human existence. The author's main theme and doctrine of this story is that of survival through unity. While seeming hopeful at times, this book is more severe, blunt, and cold in its portrayl of the human spirit. Steinbeck's unique style of writing forms timeless and classic themes that can be experienced on different fronts by unique peoples and cultures of all generations.
Noble, Donald R. ed. The Steinbeck Question: New Essays in Criticism. Troy, New York, 1993.
Hell is huge but it isn’t big enough. Within the text of Paradise Lost by John Milton, it is, A universe of death, which God by curse Created evil, for evil only good,Where all life dies, death lives, and nature breeds,Perverse, all monstrous, all prodigious things,Abominable, inutterable, and worse… (II.622-6)There is no satiety in Hell. Eden, by comparison, is a relatively small place in Milton’s epic poem, but it seems to be an environment replete with satisfaction. Or is it? We students of experiential literature owe Milton a debt of gratitude for helping us to experience our forebears’, that is Adam and Eve’s, lack of satiation within a paradisiacal environment. This paper will explore the topic of satiety within that environment; and, along the way, discuss the concept of singularity found in Cavendish’s Blazing World for comment upon that satiation.
Heavilin, Barbara A. “Steinbeck’s Exploration of Good and Evil: Structure and Thematic Unity in East of Eden.” Rpt. in Novels for Students. Ed. Jennifer Smith. Vol. 19. Detroit: Gale, 2004. 40 Vols. 145-150. Print.
Lahiri, Jhumpa. “Hell-Heaven.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 638-651. Print.
Every great writer creates powerful images and presents story lines that draw their readers deep into the pages of their books, however; any writer would be hard pressed to do so without incorporating their own feelings, trials and tribulations into the plots and John Steinbeck is no exception. Through his appreciation for adventure and willingness to indulge in it, Steinbeck found a myriad of fascinating people in addition to experiences that he was eager to share. Past various negative criticisms and frequent rejections of his work, he manages to provide relatable characters capable of deep connections to those who enter into the realms of his tales. John Steinbeck's early life experiences influenced his portrayals of women, his love of the land, and his intimate connection to the plight of lower social classes, themes which translate into his work.
Noble, Donald R. ed. The Steinbeck Question: New Essays in Criticism. Troy, New York, 1993.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Because of their Puritanical beliefs, it is no surprise that the major theme that runs throughout Mary Rowlandson and Jonathan Edwards’s writings is religion. This aspect of religion is apparent in not only the constant mentions about God himself, but also in the heavy use of biblical scriptures. In their respective writings, Rowlandson and Edwards utilize scripture, but for different purposes; one uses it to convey that good and bad events happen solely because of God’s will, and the other uses it, in one instance, to illustrate how it brought him closer to God, and, in another instance, to justify his harsh claims about God’s powerful wrath.
An allegory reveals a hidden meaning through the interpretation of a novel, picture, or a poem. Allegories are frequently used in literature to enhance the meaning of the novel, and allow it to be read on more than just a literal level. The author of the novel The Kite Runner, Khaled Hosseini, uses allegory to allow for the interpretation of the novel on a higher level. The rape scene, Amir’s quest for personal redemption, and the relationship between Amir and Hassan all stand for something greater than entertainment and can be considered an allegory for events in the country of Afghanistan.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
Criticism. The. New York: Norton, 1975. Fox, Robert C. "The Allegory of Sin and Death in Paradise Lost." Modern Language Quarterly 24 (1963): 354-64. ---.