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Character analysis of the play Othello
The power of love in othello
The marriage in othello
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Recommended: Character analysis of the play Othello
In the play, The Tragedy of Othello, judging from the relationship between Desdemona and Othello, seems to say that marriage based on an innocent romantic love is bound to fail. There is a common thread of betrayal and deceit among many characters. Othello and Desdemona being the most vividly portrayed. The two appear to love one another romantically at first, but it soon after transforms into a secular love. This comes to pass because there is no foundation for a relationship. There is no trust, no communication, and no understanding.
Othello has spent most of his life in battle, which makes him good at some things. Othello says "Rude am I in my speech,/ and little bless'd with the soft phrase of peace,/ for since these arms of mine had seven years' pith,/ Till now some nine moons wasted, they have us'd/ Their dearest action in the tented field,/ And little of this great world can I speak/ More than pertains to feats of broils and battle" (1113).
Desdemona seems inexperienced in the ways of the world. She is taken in by Othello's war stories. As she defends her newly born love for Othello, Desdemona says (among other things), "My downright violence, and storm of fortunes,/ May trumpet to the world. My heart's subdu'd/ Even to the very quality of my lord./ I saw Othello's visage in his mind,/ And to his honors and his valiant parts/ Did I my soul and fortune consecrate." (1118). In the beginning stages of relationships, some things are said that maybe affected by Love's blindness. The problem initiates when some outside force makes its way in and starts pouring soap into all of the fountains.
In this case, that force is Iago, whom I have come to view as symbolic of everythin...
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...een betrayed by the one person she had loved trusted and respected the most. Even in her last moments, Desdemona can only insist how truly she loves him. Her sins: "They are the loves I bear to you". She adds, "And have you mercy too! I never did/ offend you in my life, never lov'd Cassio/But with such general warranty of heaven/ As I might love. I never gave him token". And with her dying breath states "O, falsely, falsely murdered?a guiltless death I die"(1185) and exonerates Othello of any blame. Many other betrayals are portrayed, among them is Iago's honest betrayal, which left Othello pondering over Desdemona's faithfulness. Believing the words of his most honest solder Othello gullibly gives in to the insinuations imposed on his wife, as being unfaithful.
Works Cited
Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne Publishers, 1985.
...n”/last line, this shows no reasons. Whats the effect? The character Iago – doesn’t fulfol the audience curisoty.
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Othello is considered to be a great general, who is noble and composed. Because of his reputation, he is able to be in charge of Cyprus and marry a beautiful women, Desdemona. But, when Othello gets very mad after Desdemona proclaimed her allegiance to Cassio, he curses and hits her, which causes Lodovico to say, “ My lord, this would not be believed in Venice, Though I should swear I saw 't: 'tis very much:” This is the first time Othello has harmed himself by damaging his reputation in front of an outsider in Cyprus from Venice, Lodovico. At that time, Othello did not realize that his reputation of having a “solid virtue” would be damaged. In addition, after Othello kills Desdemona for great fear of being made a “cuckold”, Othello is stripped of all his power. Lodovico tells Othello that because of this murder, “You shall close prisoner rest, till that the nature of your fault be known to the Venetian state.” By being scared of being mocked at for being a cuckold, he loses one of the most important things to him: his reputation of being “valiant”. He could have made rational decisions such as to allow Desdemona to defend herself or he could ask Cassio to bear witness, but he chose to act upon his rage and fear. Moreover, after Iago instigates Othello, Othello says, “I would have him nine years a-killing.” Othello did not realize that Cassio was beneficial to the
5.2.221-26. Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and nave. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona. Iago is.
In the beginning of the play Othello exhibits behaviors leading one to believe that he is a patient, well spoken, and calm man, even when faced with uncomfortable and intimidating situations. In one of Othello’s first appearances he is about to be attacked and arrested for charges of witchcraft, but when armed men arrive to seize him, rather than fighting them he says “Keep up your bright swords, for the dew will rust them” (I.ii.58). Saying this, he calms Brabanzio’s men and he agrees to have a hearing about the issue in front of the duke rather than fighting about it.
The first love one may want to peer into in both Othello and King Lear is the Love one may hold for a significant other. This type of love is prevalent in Othello between Othello and Desdemona, and can be compared to King Lear through Goneril and Regan with their husbands and having Edmund thrown in the mix. Desdemona's love for Othello is made very clear right from the start when she goes to bat for him against her father. This is seen when her father was so upset that he brought charges upon Othello to try and revoke their vows. She gives reasons why her explanation of the reasons she loves Othello defines her essential character as a woman of loyalty and fidelity to him, and not simply to a picture of him gleaned from a story told by him (B. Long). Later on in the play Desdemona's loves continues to shine through until the very end when Othello has became so enraged he is over her about to take her life she pleas to keep through her reinstating her love for him. According to the critic B. Long this is not just a scapegoat to save her life but that she truly loves him in a very genuine way; one may have a hard time finding text to prove otherwise. If Desdemona's love for Othello was a subservient love, generated by seeing his facade in his mind and fueled by her delight in his honors and heroic parts, Othello's love towards Desdemona is rather different.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor. One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers.
Iago finished his argument with the declaration; “But I will wear my heart upon my sleeve, for daws to peck at,” I am not what I am” (I.I.66-67). Iago metaphorically personifies that “wearing your heart on your sleeve” is a precarious move because if your true intentions are visible, it weakens you to allow you to be the target of attack. However, in literal meanings, humans are metaphorically symbolised as ‘birds’ to contrast the nature of human behaviour to animals. Iago’s metaphorical statement “I am not what I am” alludes to the biblical connotations in the bible, chapter Exodus 4:14 when Moses asks for God’s name in which God strongly responded back “I AM WHAT I AM” which opposes to Iago’s open declaration, to reference him to be the devil for acquiring villainous traits and motives. The dominant implementation of the handkerchief was the most significant motif of the play as it rapidly endured different meanings, from a love token to represent Desdemona’s and Othello’s marriage bond to Desdemona’s sudden fatality. The handkerchief was a vital element for Iago manipulative schemes because he knew the importance of the sentimental value, to which he used it to manipulate it to symbolise Desdemona’s chastity and fidelity. Iago’s purpose of the handkerchief was to be a mere suspicion and a circumstantial evidence strong enough to feed Othello’s
This makes Othello believe what Iago says and not trust his own senses.
Othello begins with Othello’s love for Desdemona, but his love becomes thoroughly twisted by the end of the play; he even