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The nature of tragedy in media by euripides
The nature of tragedy in media by euripides
The nature of tragedy in media by euripides
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In Euripides' play Medea, the maddened main character, Medea, reveals how betrayal can significantly change a person. Medea's actions, appearance, statements, and what others have to say about her display these alterations. Medea displays a lot of different emotions throughout the play. She becomes full of hatred and hostility after being refused by her husband. Not only did this change her, but Medea took a turn for the worse after being banished.
To begin, Medea's actions are a good representation of how being betrayed contorts a persons true self. As the play begins Medea is heard wailing inside the castle, when she exits the castle she looks very deranged. She speaks very loudly and is so insane she physically shakes. When others talk
to Medea she seems in a daze, and continues talking to herself or talks over others. Medea talks like a demented animal when Jason is brought up or when she actually speaks to Jason. For example, when Jason comes to speak to her, she goes from manically cursing him to pleading with him. She takes the phrase "madly in love" to a whole new level. Medea is so unhinged she goes as far as cursing a golden crown and robe and giving it to Creusa, which ultimately burns her and King alive. Jason then runs over to Medea's home in a frenzy demanding to know where his children are. Medea exits the home in a zombie-like manner with a blood stained hand. She looks even more insane, almost psychotic, as she goes on another manic rant. When Medea opens the door the audience is shown that she did go mad enough to murder her own children, again displaying how double-crossing may drive a person to do unthinkable things. During many of Medea's hysterical tirades she speaks of death and wanting to die. Medea says many wildly mad statements throughout the play. She speaks of her death not being a good enough punishment for what he has done to her. Medea speaks to the Chorus about killing the princess and the king, to get even with Jason. After that deed is done she decides it is not enough to avenge herself, she talks about murdering her own children. After she slaughters them, she simply tells Jason, "I loathed you more than I loved them." All of the manic rants and arguments with herself show how deeply the betrayal disturbed her. In the beginning of the play, the Chorus talks about how fond they were of her and how worried they are about her. The concerns the chorus has for Medea verify that they once looked up to her, which also shows she my have once been a kind women. Jason when speaking to Medea he explained to her he felt she was dangerous and the felt the king was right to banish her. People both were sad she was leaving and happy. To conclude, betrayal can change a decent person into a mad, crazed monster. Medea proved this through her actions, appearance, what she say and what others say and think about her.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
In the play "Medea", Medea faces the harsh reality of infidelity. Her husband Jason has left her for a princess. Medea, like any normal woman today would want revenge. The difference between them is that the normal woman would not commit the crime, while in fact Medea does. After what feels like an eternity of planning and vowing revenge she devises a plan to murder the woman who has stolen her husband as well as her husband and their two children. She feels betrayed and has every right to. Imagine in that time that it was a crime to commit adultery, but because Jason had left his wife for a princess it was plausible which left Medea livid.
All her efforts, only to be betrayed by the man she loved the most. Unfortunately, her misery did not end with the betrayal. She sought revenge on the traitor that carried no guilt and felt that Medea’s sex was to blame, for she was the one that had been weak and acted out of love for so many years. After much thought and self-conflict, she decided to murder the new bride of her former husband and taking the life of her own children. Euripides made Jason’s character to be self-centered and having “a minimum capacity to understand the feelings of others” (Jacobs). Leading Medea to commit a most horrible act, knowing that it would at last cause Jason the same pain that he had cause her: she murdered their
The Evil Character Medea in Euripides' Medea. Euripides created a two-headed character in this classic tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy.
Medea’s character from the beginning of the play was one of love and absolute loyalty for her husband. When they were exiled to Corinth, she stood by his side with their two children. It was only when her husband took it upon himself to abandon her for the King’s daughter did she start to exhibit personality disorders that would eventually lead to the death of Glauce and her two boys. Medea’s character can be summarized as one of an extremely mean spirited, revengeful wife who was possessed with extracting revenge on the parties that were responsible with contributing to the break-up of her marriage. Perhaps the sorcery aspect in her life and repertoire had a great deal to do with her unforgiving nature. I believe that she felt alone, as she fled her own country, friends and family to start anew with Jason, and that total lack of love and belonging with her, eventually changed her personality to one of extreme hate, deception and
, telling them of the injustices brought on her by her husband, however the play opens with the Nurse relaying Medea’s torments. Seneca, however, uses the character of Medea to propel the plot forward, more quickly than Euripides. From the start of the play, Medea hates Jason, and immediately states as much saying that she has already been plotting her revenge. Seneca’s Medea is a much more independent, who will punish the people whom have done her wrong, and she takes matters into her own hands not waiting for the gods to help her. In contrast, Euripides’ Medea seems like the kind of woman that could easily be pushed around, and she fully relies on the gods to provide consequences for peoples’ actions.
In Euripides tragic play, Medea, a woman that gives everything away for a man’s love is repaid with scorn and abandonment, leading her to seek revenge against her former lover. Euripides portrays Medea as the archetype of emotion, passion, and vengeance and Jason as a symbol of reason, forethought, and betrayal. Untamed emotion inherent to Medea’s character becomes the driving force for her bloodlust and extreme course of action following her divorce with Jason.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
Throughout the whole story, you are torn with emotions between the characters. At first, you feel sorry for Medea. Her husband, who she has saved from death, has left her for another woman. She has been "all/obediant" their entire marriage, transforming herself into the sort of wife required by society. You can't help but sympathize with her.
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
The messenger’s description of the princess is particularly effective because he give us a vivid image of the pain the princess suffered. “Blood was dripping down, mixed with fire, from the top of her head and from her bones the flesh was peeling back like resin, shorn by unseen jaws of poison, terrible to see.” (Line 1185) I description show how vindictive Medea was. Medea did not just kill the princess she made sure the princess suffered.
... the Chorus, they condemn her for it, but, they can see and understand the reasons behind why Medea did what she did. For this reason at the end of the play the audience still has some sympathy for Medea, although severely diminished from that at the beginning of the play.