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Critical essay on the house of bernarda alba
Critical essay on the house of bernarda alba
Critical essay on the house of bernarda alba
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Student’s Name Professor’s Name Course Date The play of The House of Bernarda Alba from Federico Garcia Lorca Basic Information Playwright: Federico García Lorca Leading roles: Woman beggar Pepe al romano: A young man interested in getting a wife. Bernarda Alba: The widow with five unmarried daughters and the protagonist Angustias: Bernarda’s eldest daughter who is engaged to Pepe al Romano Maria Josepha: Bernard’s aged mother Magdalena: Bernarda’s second-born daughter who is always bitter about life. Amelia: Bernarda’s third born, she loves to gossip. Martirio: Bernarda’s fourth-born who is angry at her mother for stopping her from getting married. Adela: The youngest daughter who goes against her mom’s wishes and ends up dying tragically. …show more content…
During the mourning period, the five girls should not leave the house unless they are going to church and even forbids them from looking at men (García and María 23). Bernando seems to be oppressive and a dictator which elicits negative feedback from her daughters. Additionally, Bernarda appears to be choosy of the men that declare an interest in her daughters and instead prefers wealthy suitors. The oldest daughter, Angustias gets an interested suitor with the sisters and the mourners believing that Pepe el Romano is after her because she is wealthy. Angustias inherited a fortune from her father, Bernarda's first husband.Due to the desperation and the sexual tension heating up the place, the other daughters start showing interest in Pepe el Romano which further brings hostility between them ((García and María 36 ). The story ends when Adela commits suicide Bernarda orders that she be buried in a white dress since she believes that she was a virgin (Munro and Lorca …show more content…
The play also shows the negative impact the Catholic religion may have on individuals who are not objective (Tyler 22). Further, Federico García Lorca has managed to teach the audience that sometimes, dictatorship does not work and instead it repels others from the individual (Bercovici 32). Indeed, the writer has managed to bring reality into the play, and the drama-filled script makes it interesting to watch. Lastly, through the play, the viewer is able to understand the role of a woman in the society and how traditions create wrangles in a
With several astute observations in his memories, Aires gets to deceive and confuse readers. The diary covers two years in the life of a sexagenarian with his proverbial wisdom but placid, deceives and misleads the reader with small observations. The narrator reports people who lived with the narrator, reading quotes and works that read as a diplomat and reflections on past events that occurred in politics. One of the main characters depicted by Aires is Fidelia, a young girl who he was interested. Due to his old age, Ayres never revealed his love to Fidelia, but considered a daughter to the couple Dona Carmo and Aguiar, who cannot have
...ition to costume, language and dialogue is what fixes the atmosphere and the action. In a manner very similar to Shakespeare, Calderón weaves description of the scene and of what is occurring into the main thrust of the play. In this sense, he is more than a poet, he is a dramatic craftsman who predominantly through his verse alone, creates a drama in its own right. All the clues to the plot and its themes lie in the text; the use of staging, costume, music and props can be used to enhance what lies in the script. What they give to the play is a fuller and more entertaining dramatic production. Thus, if used sensitively and intelligently by a director, these factors can increase the dramatic power of the work. The primary focus, however, remains the language, which relies on a high standard of acting in order to do justice to the subtleties of the play.
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
One night Rodolfo overhears Sofia from the attic telling her mother that she is engaged; he is not happy about it but eventually comes to terms and accepts for Sofia to get married. Meanwhile he also tries to connect with his smaller daughter Ana Paula since he has come to realize that his relationship with his older daughter is non-existing. Eventually the family finds out that he has been staying in the attic and Miriam allows for him to move back into the guest room. They agree that he will live there until Sofia’s wedding day. During this time he begins to work on the leaks of the house and restores the house for Sofia’s wedding, meanwhile both Miriam and Rodolfo seem to miss each other and find connections again yet they don’t admit it to each other as well they both stop seeing their lovers. The day of the wedding comes and Rodolfo keeps his word and moves out to his own apartment. The divorce also goes through although it seemed they both new they were making the wrong decision. In the end Rodolfo gains the courage to take serenade to Miriam and they get together again. Sofia ends up getting the blessing from her parents to get married, Victoria gets a scholarship to go study journalism abroad and Ana Paula has gained more attention from both her parents. Rodolfo finds the perfect job that pays well and Miriam comes to feel like more than just a house wife, also they do end up
Irene: is the oldest daughter, who enjoyed food. She was heavy as a kid, slimmed down and got married to Gerardo. She was soon heavy again. She was successful in her own right and owned her own restaurant.
Maria Luna - Antonio’s mother. A kind woman who’s one dream is to see her youngest son become a priest. She is obsessed with his education and pushes him to learn about the culture of her family, the Lunas.
Even though Pepita was much more understanding and polite to her caretaker, the Marquesa did not give Pepita quality time. The only happiness the Marquesa could find satisfying was the love and kindness from her beloved daughter, Doña Clara. Eventually, the Marquesa learned of her biological daughter’s pregnancy. She subsequently went into a mode of superstition and “became a mine of medical knowledge and suggestion” (p. 31). For instance, she “refused to allow a knot in the house” and “the stairs even steps were marked with red chalk and a maid who accidentally stepped upon an even step was driven from the house with tears and screams.” (p. 31). The Marquesa even made a pilgrimage to the shrine of Santa María de Cluxambuqua, where “The ground had been holy through three religions” (p. 32). As Pepita and the Marquesa crossed the Bridge of San Luis Rey for their pilgrimage to Cluxambuqua, Marquesa’s focal point was her love for her daughter. The Marquesa made her way to the shrine as she left Pepita alone for their stay at the inn. Meanwhile, as Pepita was alone, she began to write a loving letter to her former and loyal
In Federico García Lorca’s La Casa de Bernarda Alba, a tyrant woman rules over her five daughters and household with absolute authority. She prevents her daughters from having suitors and gives them little to no freedom, especially with regard to their sexualities and desires. They must conform to the traditional social expectations for women through sewing, cleaning, as well as staying pure and chaste. While, as John Corbin states in The Modern Language Review, “It was entirely proper for a respectable woman in [Bernarda’s] position to manage her household strictly and insist that the servants keep it clean, to defend its reputation, ensure the sexual purity of her daughters, and promote advantageous marriages for them,” Bernarda inordinately
...of the characters’ lives as their motivation affects what they do. The play’s overall theme of manipulation for personal gain as well as general control transmits to me clearly that we are not in control, of the events that happen to us. In spite of that revelation we are in control of the way in which we react to the circumstances in our lives. Hence, no human fully grasps the capabilities to control the way we act. We simply allow certain circumstances to overpower us and dictate our actions. Ultimately, I learned that we are our actions and consequently we should acknowledge the accountability that is implied when we act a certain way. Instead of blaming others for the mistakes we make, we should understand that we have the control as much as the power to make our own decisions rather than giving that ability someone else.
while his wife Bunny and daughter Maude are reminiscent of the two Sternwood daughters, Vivian and Carmen” (Bergan 201). These two women also provide that all-important aspect of the femme fatale. Bunny is the impulsive, sexualized woman who acts without thinking, and lives by the charity of the elderly husband who just can’t tell her no. Maude is the dark, intelligent, manipulative woman. She works in the background, accomplishing what she wants, only telling others what they need to hear for her to get what she wants.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Rafaela is married to an older man and “gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” (79). The narrator Esperanza notes that because Rafaela is locked in the house she gives the passing kids money to run to the store to bring her back juice. Esperanza states that “Rafaela who drinks and drinks coconut and papaya juice on Tuesdays and wishes there were sweeter drinks, not bitter like an empty room, but sweet sweet like the island, like the dance hall down the street where women much older than her throw green eyes easily like dice and open homes with keys. And always there is someone offering sweeter drinks, someone promising to keep them on a silver string” (81). Esperanza is being to notice a common occurrence in the treatment of women on Mango Street. Rafaela is locked away by her husband as he wants to keep her from running off. This mirrors the relationship between Earl and his wife. Rafaela is described in more detail however allowing readers a deeper connection to her experience in her marriage. Esperanza witnesses Rafaela’s confinement in the house each time she passes by with friends and Rafaela sends them down money to buy her a drink from the store since she is unable to go herself. There is also an interesting comparison in which the confined room is compared to being bitter whereas the sweet drink is compared to being the
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
The climax of the story has a few layers of drama that really bring out the problems between the characters. We see Santiago and his half brother Cheche battle about the future of the factory; this affects Santiago's relationship with his wife who doesn't know about all the debt and risks he has taken. Then there's Conchita and her husband Paloma, who are experiencing marital issues which become heightened by the seductive lector Juan Julian. Both couples have personal conflicts with one another as well as external issues that affect their lives. The play had interesting parts to it such as infidelity and abuse of sexual nature. some very sensual parts; like infidelity and sexual abuse but were carried out by the cast with immense care and genuineness. Gomez does a really good job of bringing out emotional performances from the actors. This really took me on an emotional/visual roller coaster. The characters moved from happy to angry and from night to day with great ease. Scenes were so realistic and I found myself really engrossed in the story. Gomez interpreted the script really well and I think he related to the story. The story felt natural and cohesive,like it was his
The play "The House Of Bernarda Alba" gives an interesting portrayal of a middle class home consisting entirely of women. The plot is set in a small town, middle class house in a society dominated by men. It is believed to have been set somewhere in Spain in the 1930s. The play was written at a time when the suppression of women was still strong. The mother, the head of the household, does everything she believes is necessary to keep her house within a good social standing in the town.