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The impact of the women's rights movements
Civil rights movement and women's movement
The impact of the women's rights movements
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In her 1981 work Ain’t I a Woman?: Black women and feminism, bell hooks denounced the then still dominantly White feminist movement: “While it is in no way racist for any author to write a book exclusively about white women, it is fundamentally racist for books to be published that focus solely on the American white woman's experience in which that experience is assumed to be the American woman's experience.” Her work not only challenged the intention of the feminist movement, but supplied another perspective on the Civil Rights Movement and the subservient positions constrained upon black women at the time, leading to the face of Black resistance to oppression to be seen as a man’s struggle; this, she argued, was comparable to the feminist movement, in which these exploited women were asked to step …show more content…
aside and fade into the background. Similarly, forms of suppression toward the Black feminist are rampant in contemporary feminism, such as some apt White feminists endorsing intersectionality in the woman’s rights movement, yet excluding women of colour in their work or upholding their ineptitude for speaking on Black rights when they, themselves, are not Black. Whenever there is a glimpse of White feminists speaking on racial oppression toward Black women, there is the acknowledgement of both the racial and sexist persecution exclusive to them, but also a glamorization of dealing with this rather than any real discussion of how this combination impacts women of color; this superficial discussion might lead to the inclusion of a few women who are not White, but that is valuing Black women and not their intellect. As an example, Black women have either had minor or no participation in academic conversation and mainstream feminist ideals, although their inclusion in Black civil society has been longstanding.
Excluding Black women organizations, male-dominated groups had either not spoken up about issues affecting these women, or they had done so by coercion (Collins, 1990). Black feminist Pauli Murray (1970) had found, from 1916 to 1970, the Journal of Negro History put out merely five articles dedicated to Black women alone since its establishment. Similarly, many Black female leaders of that time were exposed to the brunt of sexism breeded from exploitation brought on by slave masters; leaders like Elaine Brown (1992), a revolutionary involved in - and subsequently a leader - of the Black Panther Party for Self-Defense, expressed the sexism conveyed by her fellow Panther men. Descriptively, the position of a Panther was not determined by gender, but competence, and there were plenty of women who lead competently - Elaine Brown, Angela Davis, Kathleen Cleaver - but, there were also men who refused to take orders from women and let the foundation of the group shake because of
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In “In Living Color: Race and American Culture”, Michael Omi claims that racism still takes place in America’s contemporary society. According to Omi, media and popular culture shape a segregating ideology by giving a stereotypical representation of black people to the public, thus generating discrimination between races (Omi 115:166). In “Bad Feminist: Take One”, Roxane Gay discusses the different roles that feminism plays in our society. She argues that although some feminist authors and groups try to create a specific image of the feminist approach, there is no definition that fully describe feminism and no behaviors that can make someone a good feminist or a bad feminist (Gay 304:306). Both authors argue
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
In the weekly readings for week five we see two readings that talk about the connections between women’s suffrage and black women’s identities. In Rosalyn Terborg-Penn’s Discontented Black Feminists: Prelude and Postscript to the Passage of the Nineteenth Amendment, we see the ways that black women’s identities were marginalized either through their sex or by their race. These identities were oppressed through social groups, laws, and voting rights. Discontented Black Feminists talks about the journey black feminists took to combat the sexism as well as the racism such as forming independent social clubs, sororities, in addition to appealing to the government through courts and petitions. These women formed an independent branch of feminism in which began to prioritize not one identity over another, but to look at each identity as a whole. This paved the way for future feminists to introduce the concept of intersectionality.
Deborah Gray White was one of the first persons to vigorously attempt to examine the abounding trials and tribulations that the slave women in the south were faced with. Mrs. White used her background skills acquired from participating in the Board of Governors Professor of History and Professor of Women 's and Gender Studies at Rutgers University to research the abundance of stories that she could gather insight from. It was during her studies that she pulled her title from the famous Ain’t I A Woman speech given by Sojourner Truth. In order to accurately report the discriminations that these women endured, White had to research whether the “stories” she was writing about were true or not.
Beale, Frances. "Double Jeopardy: To Be Black and Female." An Anthology of African-American Feminist Thought. New York: New, 1995. 146. Print.
Women, Race and Class is the prolific analysis of the women's rights movement in the United States as observed by celebrated author, scholar, academic and political activist. Angela Y. Davis, Ph.D. The book is written in the same spirit as Howard Zinn's A People's History of the United States. Davis does not merely recount the glorious deeds of history. traditional feminist icons, but rather tells the story of women's liberation from the perspective of former black slaves and wage laborers. Essential to this approach is the salient omnipresent concept known as intersectionality.
Bell hooks covers an abundance of issues through different class, race, gender and nation. In her article ‘Feminism A Movement to End Sexist Oppression’ she begins by discussing the oppression of mainly black women who are in a lower class. Hooks discusses if men become associated with the feminist movement it would mainly affect the upper class and middle aged white women while just scratching the surface for working-class and poor women. In the recent article ‘Representing Whiteness in the Black Imagination’ bell hooks discusses the oppression about the racism faced by black people. I find it that this article is more non-intersectional because we are only talking about black people in general. We can only assume that hooks is discussing racism faced by poor black people because they were servants. Further into the article however hooks does focus on African Americans and we read upon what their impression of the white man could be. Hook also looks as students and how racism occurred in one of her class discussions. Finally, we look at the view of two black women and how they faced racism. The first woman was Njeri from ‘Every Good-Bye Ain’t Gone and how her grandfather was run over by 2 white guys. The second woman was Sethe from ‘Beloved’ by Morrision and how she killed her young because she didn’t want them to grow up in a world of terror. I found it that hooks did not say specifically who she is talking about like in her article ‘Feminism A Movement to End Sexist Oppression’ but is targeting the topic of racism all
By writing Sisters of the Yam: Black Women and Self-Recovery Bell Hooks gave black women a chance to relate to one another on issues that we are often afraid to express. In PSC 318 we often discussed the stigma of being a “strong black woman” and the negative aspects of that stigma. In my eyes thee is nothing negative about being strong and there is surely nothing negative about being a black woman. But, as a black woman we are looked at providers, caregivers, mentors, mother figures, a shoulder to lean on and much more. Bell Hooks touches on the touchy subject in the black community and that is mental health. Often times as black people we worry about physical health and spiritual health, in the black community our answer to everything and anything going wrong in our lives is to pray about it. Yes, God can heal and help us but Bell Hooks tells us in writing Sisters of the Yam: Black Women and Self-Recovery that we need to take care of our mental health as well as pray. Black women rarely go to therapist to talk about their problems because they are so worried about helping everyone else handle their problems.
Bell hooks knows about the challenges of race and class, and why some people have a harder time than others in achieving the American Dream. It is normal to feel uncomfortable and awkward arriving at a new school for the first time, but this was something completely different. For bell hooks, walking through the halls with eyes staring at her as if she was an alien, she realized that schooling for her would never be the same. She describes her feelings of inequality a...
Nearly all of the problems the Black Panther Party attacked are the direct descendants of the system which enslaved Blacks for hundreds of years. Although they were given freedom roughly one hundred years before the arrival of the Party, Blacks remain victims of White racism in much the same way. They are still the target of White violence, regulated to indecent housing, remain highly uneducated and hold the lowest position of the economic ladder. The continuance of these problems has had a nearly catastrophic effect on Blacks and Black families. Brown remembers that she “had heard of Black men-men who were loving fathers and caring husbands and strong protectors.. but had not known any” until she was grown (105). The problems which disproportionatly affect Blacks were combatted by the Party in ways the White system had not. The Party “organized rallies around police brutality against Blacks, made speeches and circulated leaflets about every social and political issue affecting Black and poor people, locally, nationally, and internationally, organized support among Whites, opened a free clinic, started a busing-to prisons program which provided transport and expenses to Black families” (181). The Party’s goals were to strengthen Black communities through organization and education.
Even though people might have similar backgrounds it doesn't mean that they share the same opinions. This is evident in the works of bell hooks and Toni Morrison. bell hooks article mainly deals with the concept of racism and feminism. Her article looks at the movie about her people in a negative light. The other articles by Toni Morrison look at life and what it holds in a positive light. From the different works, I sense that bell hooks looks at the world with pessimism and Toni Morrison views the world with optimism. Toni Morrison feels that everybody is equal and the same. While bell hooks feels that everybody is not equal. From her opinions of female black woman you sense that she feels that life is not fare. On the other hand Toni Morrison's work makes her seem like a person who thinks that you make the best with what you are given.
...y personal movement. hooks encourages her readers to demand alternatives to patriarchal, racist, and homophobic culture, and to imagine a different future. Her book literally speaks to everybody, asking readers, whether they are feminist or not, to take look at feminism in a new light, to see that it touches all lives. No longer will people (men or women) have the excuse that feminism is “too complex” to understand, nor will they be able to get by on third-hand knowledge (as hooks refers to on vii) of the topic. As hooks intended, I finally have a book to hand to all of my friends (both male and female) who gave me strained looks because I lived on Mt. Vernon last year or because I am more than willing to admit that I am proud to be a feminist. hooks shows that feminism—far from being an outdated concept or one limited to an intellectual elite—is indeed for everybody.
In the book Feminist Theory: From Margin to Center written by bell hooks, an African-American author, social activist and feminist first published in 1984 the author explains what she believes are the core principles of feminism. Throughout the book the author examines the early feminist theory and goes on to criticize it saying that it did not aim for a systematic change also that the movement has the potential to improve the lives of both men and women immensely. In the book the author investigates the performance of African-American women in the movement and what is needed to drive the movement towards ending oppression of all kinds.
Two widely known and influential authors, bell hooks and Toni Morrison, share similar beliefs and themes with regards to the black community. One theme in particular that the two writers emphasize is the representation of blacks in American literature today. hooks feels that African Americans are misrepresented, where Morrison believes that blacks are not represented at all. hooks' evidence of this theme is portrayed primarily in the sexist and racist representations the characters exhibit. Overall, both authors feel that the negative portrayal of the black community needs to stop in order for a better understanding of our national literature.
Gloria Anzaldúa writes in her essay ‘Speaking in Tongues: A Letter To 3rd World Women’s Writers’ that the “woman of colour is invisible both in the white male mainstream world and in the white women’s feminist word”. Anzaldúa refers to the other International feminist writers and thinkers as her “dear Hermanas”; it speaks to other International feminists thinkers as a collective branch of sisters, fighting the male patriarchy and female racism. Anzaldúa does not advocate for women of colour to stay complacent in the name of preserving the sanctity of the Feminism with a capital F. Instead her essay makes clear that “we cannot allow ourselves to be tokenized”, and as a result should use writing, in and out of academia to make ‘our’ points heard. Anzaldúa is an International Feminist, specifically as she refers to it, as a 3rd World feminist despite living and writing in the US. She is an International Feminist as she is writing in a language that is not her native Spanish. Similarly, bell hooks advocates too for what Anzaldúa is emphasising. hooks states that it is with contradiction that “white females have structured a woman’s liberation movement that is racist and excludes many non-white women” but insists that this contradiction should not “lead any woman to ignore feminist issues”. Both hooks and Anzaldúa are agreed in the continuous marginalisation of non-white female voice in Western feminism, but insist that non-white feminists must “re-appropriate the term “feminism” to focus on […] the authentic sense of the term”. What we can take from this then, is that the relationship between Western Feminism and International Feminism is virtually non-existent due to the rampant diminishing of non-white female voices and the