In our reading this week, we are introduced to Bélicia; not as Oscar and Lola’s mother but as an adolescent and teenage girl. While reading her chapter it is filled with humor, love and ultimately pain and tragedy. Poor Bélicia has had a very hard life. Although her earlier years were not addressed in this chapter, the reader can decipher that she faced abuse and maltreatment. Diaz stated that “Before 1951, our orphaned girl had lived with another foster family, monstrous people if the rumors are to be believed dark people of life neither she nor her madre ever referenced. Their very own pagina en blanco” (Diaz 78). Belicia’s years with La Inca were loving and La Inca provided for her very well. Emotionally, physically, and psychologically
When it comes to analyzing the “banana massacre” scene in chapter 15, I found three narrative techniques the author used to describe this scene. Therefore, one can notice that this part of the book is the climax. As a result, one infers what the author is trying to say about Latin American history and politics.
Unlike Papi, Juana did not put much emphasis on education for her kids; she would often pull out both Betty and Leonardo out of school to visit Mexico and as a results of their poor education, both Betty and Leonardo hardly spoke a word of English despite being an American born. Due to Mami’s unhealthy eating habits and parenting style, Betty grew up to be overweight and eventually becomes involved in gangs and ends up as a teenage mother.
As far back as Rigoberta Manchu can remember, her life has been divided between the highlands of Guatemala and the low country plantations called the fincas. Routinely, Rigoberta and her family spent eight months working here under extremely poor conditions, for rich Guatemalans of Spanish descent. Starvation malnutrition and child death were common occurrence here; rape and murder were not unfamiliar too. Rigoberta and her family worked just as hard when they resided in their own village for a few months every year. However, when residing here, Rigoberta’s life was centered on the rituals and traditions of her community, many of which gave thanks to the natural world. When working in the fincas, she and her people struggled to survive, living at the mercy of wealthy landowners in an overcrowded, miserable environment. By the time Rigoberta was eight years old she was hard working and ...
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
La autora Puertoriqueña Rosario Ferré sin duda pertence a ese grupo the escritores que critícan la sociedad en la que les tocó vivír en sus creaciónes literárias. Ferré nació en Ponce, Puerto Rico la ciudad mas grande y poderosa del sur de la isla. Su familia es una de las mas importante economicamente y politicamente poderosa. Su padre fue gobernador de la isla durante los años del 1968 al 1972. Como todas las mujeres en esa época se casó y comenzó una familia, destinada a una vida como dama elegante y ociosa. Pero se dió cuenta que su vida pertenecía a la literatura. Ella rompió un taboo y molde cultural, que convertía a las mujeres de clase media alta, en muñecas. Esa generación de mujeres exigiendo cambios en la sociedad se encontraban en el medio de la revolución femenina. Cualquier mujer que quisiera cambiar su vida o trabajar era considerada extraña o loca. Esta opreción se convirtió en su inspiración. Ferré nos comunica a travez de esta novela, la realidad de la mujer puertoriqueña a mediados de siglo. En La Bella Durmiente, Rosario Ferré muestra la mujer como sujeto y objeto. Esta obra es un manisfiesto de los derechos de la mujer y del inconformismo femenino que eventualmente lleva a la mujer a rechazar la realidad. Analizare y demonstrare por medio de este ensayo, los papeles que le toca jugar (a la mujer) en esta sociedad, la corrupcion moral y social que le rodea y su reacción ante todo esto resultando en un trágico final.
I learned many things about Philip Caputo and his tour of duty. He described how he felt in the beginning about the Vietnamese people, which was not as much hate since him and the other soldiers were not as knowledgeable about all the conflict that was taking place in Vietnam. Caputo was very opinionated towards his views of the Vietnamese people. He actually felt sorry for all the villagers who had to see and deal with the negative environment that was brought upon them, and bear the Marines who probed their homes for prohibited Viet Cong relations. Caputo did not find it fair how the American troops mistreated the villagers and protected the concept of apprehending the Viet Cong. However, throughout the end of his tour, he and his men disliked the VC very strongly, learned how to hate and wanted to kill them.
sugar plantation zone of Pernambuco in Northeast Brazil. This was a community of abject poverty, violence and death, where employment opportunities for the women she eventually studied were limited primarily to domestic positions in Bom Jesus or work on the sugar plantations. Soon after her arrival she asks her host, Nailza, about the church bells frequent ringing, to which Nailza responded “its nothing, just another little angel (failure to thrive infants) gone to heaven.” She returned fifteen years later in 1982 and made several subsequent visits to study the women of Alto do Cruzeiro and their children with emphasis on how “some of them managed to stay alive” and what, to an outsider, appeared to be the casual indifference to the death of children. Her key statement for me was; “societies characterized by high child mortality and by a correspondingly high….fertility, cultural practices of infant and child care tend to be organized primarily around survival goals.” It was in other words a survival strategy for the mothers. In the end she concludes that the mothers keep their distance, do not become attached to those children unlikely to survive, and invest their energy and emotions (become attached) to those children who are robust, and appear likely to survive.
Belicia was betrayed by the gangster because he lied about having future together, and his desire to be with her. He used the secret police to track her down, in which they treated her with cruelty. They belittled her every chance they got. At first she felt connected to him but then he misleads her with the wrong information about himself to make himself look good. On page 138, Yunior says, “But I bet you never would have imagined whom he was married to. A Trujillo.” This shows that it was a curse because knowing this information, there was downfall that plagued her life. Belicia is afflicted by the curse, which she has no control
The third chapter is quite a different spin from what I read in the previous chapters from author's Gloria. E. Anzaldua's book entitled Light In The Dark/Luz En Lo Oscuro. Chapter three is quite interesting. In this particular chapter on page 48, she reveals her identity as a jotitita (queer Chicana). Anzaldua goes to further states that this "mexicatjena-to enter a museum and look at indigenous objects that were once used by my ancestors"(48 Anzaldua). What is interesting to me is the she ponders on whether or not she finds her historical Indian identity at the museum. In addition, she also questions whether her identity could be found along the ancient artifacts and their as she puts it their mestizaje. I really
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
In the story, “An Hour With Abuelo” by Judith Ortiz Cofer, Arturo goes to visit his Abuelo and throughout the story realizes that he shouldn’t be so quick to judge the people that care about him because you might find them to be worth your time. This story teaches its readers that you should cherish the time you have with the people that love you. Arturo thinks to himself, “I want my mother to have to wait a little. I don’t want her to think that I’m in a hurry or anything.” (Cofer, 140) This quote proves that he realizes he has a lot in common with his Abuelo and ended up enjoying the time he had with him. Throughout the story Arturo and Abuelo realize all the things they have in common with each other. This idea brings the readers back to the thought that it is never too late to make a connection and enjoy the time you have with the people who love you.
“When men are oppressed, it’s a tragedy. When women are oppressed, it’s tradition”- Letty Cottin Pogrebin. The book, A Chronicle of a Death Foretold, retells the story of Santiago Nasar’s death that happened years ago in a quaint town in Colombia. The plot follows the narrator, as he tries to piece together what had happened that day through different people’s perspectives. With each retelling of the story, the reader comes to understand the impacts people, especially women, have on the storyline. In Chronicle of a Death Foretold by Gabriel Garcia Márquez, the author illustrates society’s disregard for women through the characters of Divina Flor, Angela Vicario, and Clotilde Armenta, in order to show how women are being oppressed by society