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Principles of ecocriticism in literature
Importance of ecocriticism in literature
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Recommended: Principles of ecocriticism in literature
“Beginning Theory: An Introduction to Literary and Cultural Theory” by Peter Barry is a book that presents literary and cultural theory in a systematic, simple and coherent way. The book provides clear explanations and demonstrations of 12 important critical and cultural theories, the main ones include: Structuralism, Post Structuralism, Post Modernism, Psychoanalytic Criticism, Feminism, Lesbian/gay criticism, Marxist criticism, New historicism, Postcolonial Criticism, Stylistics, Narratology and Ecocriticism. Each theory has been explained in a separate chapter and each chapter explains the principal ideas of the respective approach, talks about what that type of critic does, offers examples and puts forward questions to the reader.
The book is presented in a clear, succinct and structured way. There is a clear contents page that provides the page number, title and the specific contents (with the use of subheadings) of each chapter in the book. Barry also provides an annotated bibliography that is extremely effective in presenting additional texts that can offer better detail on the concepts and theories discussed in the book. The specific subheadings in each chapter are a huge advantage as it breaks down the explanation and doesn’t seem like long ‘drone on’ on a subject that is already difficult to grasp. The use of subheadings also makes it easier for the reader to go back to any particular section of a certain approach that they would like to review or understand; almost like a textbook. Every chapter in the book is written in an analogous pattern. Furthermore, Barry makes it even simpler for the reader by including ‘checklists’ in every chapter, for example, “What structuralist critics do?” or “what Freudian psychoanal...
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...of this was in the Post-Structuralism “Stop and Think” section where there was too much explanation “Derrida” instead of asking questions.
“Beginning Theory: An Introduction to Literary and Cultural Theory” is a book that gives a complete overview of literary theory. The book introduces a variety of concepts and theorists in a very coherent but detailed way. The book’s strengths are that they allow the reader to build their own views and ideas about the various theories after understanding the explanation provided by Barry. There are no major limitations with the book and overall it is fantastic for anyone learning or interested in literary theory. It can be regarded as the perfect guide to Literary and Cultural Theory.
Bibliography
1. Peter Barry, Beginning Theory An Introduction to Literary and Cultural Theory, Third Edition, Manchester University Press, 2009.
Booth, Alison, and Kelly Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010.
The Norton Introduction to Literature. Ed. Kelly J. Mays. New York: Norton, 2013. 1471 - 1534 -.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Bibliography:.. Works Cited Meyer, M., Ed., (1999). Bedford Introduction to Literature, 5th Ed. Boston: Bedford/St. Martin.
Barnet, Sylvan, William Burto, and William E. Cain. An Introduction to Literature. New York: Pearson Longman, 2006.
It is interesting to see how the different Case Studies in Contemporary Criticism are altered by the text they are describing. For example, I have one volume on Portrait of an Artist as a Young Man, and another for Great Expectations, both of which demonstrate the extent to which the object of critique affects the critique itself, such that “deconstruction criticism” in an intellectual vacuum is something different than when a scholar tries to apply it to a particular text, altering both the text as well as the principles of deconstruction. The Awakening gender criticism takes on a different feel from Great Expectation gender criticism even though they are informed by the same principles, because gender in the early Victorian Dickens is different than in the turn of the century American Chopin. In this way the criticism co-constructs with the primary document something different than both the criticism and the original text. Such a syntheses have produced exciting and innovative ideas, refreshing and reviving works from the tombs of academia. Unfor...
Rice, Philip. and Patricia Waugh, eds. Modern Literary Theory. 4th ed. New York: Oxford UP,
Staton, Shirley F. Literary Theories In Praxis. Philadelphia: University of Pennsylvania Press, 1987. eBook Collection (EBSCOhost). Web. 10 Feb. 2014.
The first theory to be discussed is structuralism, this theory is composed of many different branches. The branches that this paper will be looking into is archetypes. The definition of of archetype is typical images, characters, narrative designs and themes and other literary phenomena. Archetypes have their own form of criticism that is called archetypal criticism. Archetypal criticism means the generic, recurring and conventional elements in literature that cannot be explained through historical influence or tradition.
Parker, Robert Dale. How to Interpret Literature: Critical Theory for Literary and Cultural Studies. New York: Oxford, 2011. Print.
Selden, Raman, and Peter Widdowson. A Reader’s Guide To Contemporary Literary Theory. Lexington: The University Press of Kentucky, 1993.
Brooks attempts to disprove the formalist critics and makes good points among the way in anticipating and devaluing their criticisms. Yet, he fails to prove that formalist criticism should be the only way in approaching literature, especially when contradicting himself.
Nayar, Pramod K. Contemporary Literary and Cultural Theory: From Structuralism to Eco Criticism. New Delhi: Pearson, 2010. Print.
Literary criticism is used as a guideline to help analyze, deconstruct, interpret, or even evaluate literary works. Each type of criticism offers its own methods that help the reader to delve deeper into the text, revealing all of its innermost features. New Criticism portrays how a work is unified, Reader-Response Criticism establishes how the reader reacts to a work, Deconstructive Criticism demonstrates how a work falls apart, Historical Criticism illustrates how the history of the author and the author’s time period influence a text, and last of all, Psychological Criticism expresses how unconscious motivations drive the author in the creation of their work as well as how the reader’s motivations influence their own interpretation of the text (Lynn 139, 191). This creates a deep level of understanding of literature that simply cannot be gained through surface level reading. If not one criticism is beneficial to the reader, then taking all criticisms or a mixture of specific criticisms into consideration might be the best way to approach literary
Barry, P. (2009) Beginning theory: An introduction to literary and cultural theory. 3rd edn. Manchester: Manchester University Press. pp. 216.