What is “modernism” and how can we relate it to the “bebop” style of jazz?
Modernism in jazz is the broad monumental shift in the cultural and art sensibility of people from the West which can be traced back from the year 1890 and which over times creates a new outlook in morals and manners. Modernism is by major forces in the society such as critical social thought, urbanization and industrialization.
In the 1940s, burgeoning bebop movement offered a direct and simple correlations with modernism. A simple Bebop arrangement followed several steps such as introduction, melody statement, extended solo section, melody restatement and several standard concluding devices. In sense the style allowed for improvisation during the extended solo section. Bebop style gained fame among audiences and writers who associated themselves with the burgeoning Beatnik movement because it was regularly performed in ‘Swing Street’ in mid-town Manhattan. The movement celebrated Bebop style of music as an adaptable and accessible source of authentic impulsiveness. Due to the shifts, Bebop style was identifiable goatee, horn rimmed glasses and beret stylistic trends. As part of the shift, the style embraced a new identity made up of younger
…show more content…
generation of musicians filled with politics which can be viewed as a challenge to the Swing era of commercialism. It was a challenge in the sense that the style redefined the relationship of Jazz music to the commercial environment through garnering of new capital for Jazz music. The beboppers cultivated a modern identity that was symbolic as it challenged the persistent racism present in the American culture and went ahead to demonstrate complex intellectualism drawn from many sources of inspiration like the classical music and literature in producing their music (Harvey, 1991). How did “cool jazz” differ from “bebop”? Bebop was a style of Jazz common in the 1940s and was mainly created by young musicians of the time while cool jazz was created in the 1950s as a reaction against bebop. Bebop had characteristics such as being nervous, fragmented, sounded racing, loud and exciting because the musicians aimed at creating tension, energy and tension in their music. Cool jazz on the other hand had characteristics such as controlled, slower tempos, lyric melodies, soft and more reserved because the musicians aimed at creating lyric qualities and retaining their unique sounds. The cool jazz re-popularized jazz music by the fact that they attracted new listeners who bought music recording and attended the jazz concerts unlike the bebop that did not have a mass appeal because of the complexity and intensity of their music. Cool jazz had a wide variety of size in terms of the bands and instrumentation used in their music such as vibraphones, French horn, flute and tuba.
Bebop bands on the other hand were mainly in quintet or quartets and their instrumentation was mainly made of saxophone, rhythm sections and trumpets. Bebop focused on each melodic line at its own time while cool jazz included two or more melodic lines featuring at the same time. The cool jazz had some form of arrangement and preparation ahead of time while bebop placed more emphasis on improvised solos which were also of importance in the cool jazz. Example of cool jazz music was the “Birth of the Cool” by Miles Davis. Example of bebop jazz was that by Charlie Parker, “Ko-Ko” (Martin et al,
2011). What is meant by the term and “free jazz,” and how is it more “free” than other styles of jazz? Free jazz is described as a style of music that was popular in the 1950s and 1960s which involved the abandonment of common jazz music techniques such as conventional tone, chord changes and song structure. Though not that loved by listeners of that time it has become popular in the modern day jazz. Example of free jazz is the album by Ornette Coleman, “Free Jazz: A Collective Improvisation”. Some of its freedom is derived from its lack of predetermined chord sequences such as the common jazz chorus structure and tonality both of which are very common in other styles of Jazz. Free jazz relies much on improvisation which made the music spontaneous and in the end the music exhibits less inner logic mainly because its artists rely on literature and recordings to compose the music. The style liberates the artists offering them freedom to experiment such as with the British free- jazz community that has experimented with tabletop guitars as sources of inspiration, direction and sounds. The style also exercises freedom by favoring the use of voice like sounds unlike other styles that use instrumental timbres that are considered “cool”. The style also does not consider sound qualities like the other and will in fact opt for a free rubato instead of standard time keeping patterns. The artists of the style defend it as being original which offers them freedom to express themselves especially when in difficult situations (Pinson, 2010).
Due to the fast chord progressions and sporadic nature of the songs in general, the sound range would be all over the place. Bebop is also very upbeat, which fits the mood of higher notes as it brings more energy to the song. The use of hitting a higher range of notes is used to express the adventurous nature of bebop. According to Eddie S. Meadows, author of Bebop to Cool, “bebop was without a doubt disjunct compared to cool jazz.” This meant there were a lot more jumps in range in consecutive notes, which is very different from cool jazz. Combined with less straight tone quality and more vibrato, bebop’s sound characteristics are very different from cool
The difference with Bebop and the Swing Era are with the melodies and how the bands are setup. Starting with bebop it his more of a complex tempo with a four to five piece band then what a swing era band would normally have about five Saxes players, three trombones players, four trumpets players and with a rhythm section playing a big dance hall unlike bebop the sound would be only heard in small jazz clubs. The music can be heard and seen played faster with the drummer keep the time for the whole band. You’re able to hear this in the tune “Tempus Fugue-It”, the piano can be heard playing solo sporadically as if it sounds out of control but the player is with in control as the drummer keeps the tempo going with a sound of a moving
Developed in the early 1940's, Bop had established itself as vogue by 1945. It's main innovators were alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie. In this stage in jazz, improvisation differed immensely. Bebop soloists engaged in harmonic improvisation, often avoiding the melody altogether after the first chorus. Usually under seven pieces, the soloist was free to explore improvised possibilities as long as they fit into the chord structure. Popular and influential jazz artists include: Louis Armstrong, Miles Davis, & Cannonball Adderley. Armstrong is most known for his involvement in hot jazz as a trumpeter, but is especially renowned for his improvisation capabilities. Louis Armstrong, born August 4, 1901 right in the beginning stages of the jazz movement, was originally from New Orleans. Armstrong was a bandleader, soloist, comedian/actor, and vocalist. Another famous, Miles Davis, is what some consider to be the best trumpeter of the era. Davis was born on May 26, 1926 in Alton, Illinois. One unique thing about Davis was that he was taught to play without vibrato, which was incredibly contrary to the popular way of
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
Though Jazz has changed, the background behind it still inspires those today. Even though each artist has their particular style or expression, they all can agree that music is art. They can all agree that Music is emotions and feelings. Through the years, just as all things do, Jazz and Bebop have grown and flourished across America and the World. All in all Jazz for African Americans opened the doors in America, jazz alone opened doors and ears all across the Earth.
"Dizzy" Gillespie was a trumpet player, composer, bandleader and politician of mostly the early 40's to mid 50's. This was a time period in Jazz called Bebop, Bop or sometimes known as Rebop. Bebop got its name from the musical language musicians would speak to one another while trying to explain a rhythm. "Bop, Bop, Doba sho ba, Bop, Bop." this was also a common style of singing which was first introduced by Louis Armstrong, called scatting (Kerfeld, 137). This fast tempo music was pioneered by saxophonist Charlie Parker, drummer Max Roach, pianist Thelonious Monk and trumpeter "Dizzy" Gillespie. Gillespie was one of the chief innovators of this new style of music as well as an important figure to all musicians to follow him and international figure for the United States.(Kerfeld, 137)
Jazz is an American genre that developed from ragtime and blues in the early twentieth century in urban areas of the U.S. This genre is characterized by strong, prominent meter, improvisation, distinctive tone colors, and performance techniques. The development of Jazz made a postive, lasting impact after World War One ended. It became a way of bringing young people together. Jazz became the basis for most social dance music and provided one of the first opportunities for public integration. Subcultures like the gangs of New York and Chicago encouraged the subjugation of the black artists to the white man’s economic and social power, often resulting in gang leaders having complete control over
Also known as the Jazz Age and the Roaring Twenties, the American people felt that they deserved to have some fun in order to forget the emotional toll and social scars left from the war. The Jazz Age was appropriately named due to the illegal activities and good times, which included music, parties, and flapper girls. Jazz was a new style of music that originated out of the New Orleans area, where one of the greatest jazz musicians of all time – Louis Armstrong – began his career. The energy of jazz was a very new and almost uncomfortable style for the very traditional, rigid family of the 1920s. Young people in particular seemed to enjoy this new music the most, as it made them feel carefree. The energy of jazz was symbolic of the era’s trans...
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
Jazz was a unique form of music, there had never been anything like it before. It was rebellious, rhythmic, and it broke the rules- musical and social. It started a musical revolution, “With its offbeat rhythms and strange melodies, jazz was blamed for everything from drunkenness and deafness to in increase in unwed mothers.” Jazz was seen as immoral and worried the older generation that their kids would lose interest in classical music. It was also seen as against society because it came about from the African- American culture, but despite all of that, jazz led to a new era of music that still prevails today.
Imagine you are walking the streets of New Orleans. You are standing right where jazz was established in the United States of America. Jazz wasn’t just about music, it also affected the culture involving social, economic, artistic and jazz leaders.
Jazz culture to be exact, is the topic at hand. Jazz culture expands throughout many genres and is expressed in many ways. The many genres of jazz are Big Band, jazz funk, modern jazz, smooth jazz, Latin jazz, and jazz fusion. Each of these comes with its own unique sound and origin. Latin jazz, for example, employs rhythms from both African and Hispanic backgrounds. The sound is particularly up tempo with divided eight beat patterns. Jazz artists who have portrayed these qualities of jazz to the world are at the very core of its culture. Many people who are in places of power in this society or are held in some form of esteem have had some exposure to the arts, whether it is classical or jazz. This is due to a desire to be culturally diverse which is a quality held in high esteem in regards to a more worldly point-of-view. There are many aspects of Jazz music that could be approached, but there is one point in particular that must be expressed in detail. The influence on the genre ...
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
Andrews, John. (1998). What bebop meant to jazz history. A review of Scott Deveux’ book “The Birth of the Bebop: A Social and musical history.”